Rex Fleming Memorial Tournament
2021 — Houston, TX/US
Speech Paradigm List
All Paradigms: Show HideI am an old school traditional judge who does a lot of congress and extemp.
In Congress - If you ask for an in house recess to pad a speech or to address the chamber because no one is speaking - DO SO AT YOUR OWN RISK! Nothing annoys congress judges more than 15 minutes of caucusing and getting splits, only for no one to be ready. The PO should be running the round and is perfectly capable of admonishing those who are not ready to speak. Otherwise, I like a good intro with a 2 pt preview and good, creative arguments that show critical thinking. Be active in the round and ask good questions. As for trigger warnings: unless you are giving some graphic description of something, there is no need. The simple mention of a word does not require a trigger warning.
PF - Keep it simple. If you run a plan, a K, or theory, you are unlikely to get my ballot. Treat me like I have no idea what this topic is and explain EVERYTHING. Weigh impacts to get my ballot. Don't complicate a pro/con debate.
LD - For UIL, stick to a traditional format with Value/Criteria and Contentions. Weigh and give voters. For TFA, just know that I loathe rapid delivery and love explanations. If you are going to run a counterplan in absence of an affirmative plan, I will not vote on it. LD is not 1 person policy. Uphold your value throughout the round.
Extemp - I like a good AGD and want effective communication and sources are essential.
Remember, debate is impossible without effective communication.
FLASHING IS PREP TIME! If you are not speaking, you are prepping. My prep time clock is the official prep time clock.
I am looking for insightful and new analyses of a topic in OO
I am hoping to be pleasantly surprised in INFO
I want honest and truthful storytelling in INTERP
I am conflicted with Cypress Park Hs.
Individual events: I look for strong characterization, rhetorical appeals, vocal variety and inflection, expressive facial/ body movements, clear enunciation, confidence, and creative delivery.
Debate events: I look for conversational tone of voice, clear and average paced speaking (No spreading), Rhetorical appeals, strong reasoning and logic, current and credible evidence, and impactful connections.
Hi y'all! My name is Carlos Diaz and I competed for Spring Woods High School for four years and The University of Texas at Austin Speech Team for four years as well. I am currently the speech and debate director at Stratford High School.
My senior year of high school I was the 2016 TFA state champion in DUO as well as the 2016 TOC duo champion. My sophomore year of college I was a finalist in dramatic interpretation at the National Forensics Association tournament (top 6 out of 250 competitors). The following year I was a semi-finalist in persuasive speaking at the same tournament, (top 12 out of 250 competitors). Although I never competed in congress or extemp, my high school was state and nationally ranked in congressional debate, and I had the great fortune of having some of the best extempers in the nation as my teammates during my time in the UT speech team.
Extemp:
First- answer the question. Read the question carefully or you might give an entire speech that ultimately misses the mark.
Credible and great sources.
Strong format and structure. The speech should be able to flow easily and be coherent enough for non-speech judges.
Oratory/Info:
I want a solid structure of the speech. The audience (and I as a judge) must be able to follow along with ease. This means previewing in your intro.
Be sure to use your space, especially between transitions and with hand gestures. This adds another layer to the delivery of the speech and it makes an enormous difference.
For OO- solutions need to be tangible, meaning things that I as an audience member can take up and do. If the solutions are abstract, you are not fulfilling your role as an orator.
For Info- implications are the man thing that make the speech. They need to be out of the box, and make the audience think of something we would not have otherwise.
Congress:
Preview in your introduction.
You MUST have excellent sources and I will not look favorably upon a point that has no sources at all. How am I supposed to evaluate something that is purely opinion?
To PO's: I pay heavy attention to how you are conducting the round.
Be kind in questioning. Do not be abusive in any aspect of the speech.
Interp:
I will be the most picky in this event just because it's my favorite and I usually have a lot of feedback to provide.
The intro in interp should always have a strong argument, preferably backed up by sources or studies that support the theme of the performance (and yes, even in HI).
Dramatic/Prose: I am looking for a well developed character. Additionally, it's nice to have a set environment that the audience is able to observe.
Although this event tends to be more dramatic (haha), I also want to see levels throughout. A piece that only has one tone and mood is boring, give me more! Add the humor, the doubt, the regret, the hesitance, the anger, and so much more that makes your character a real person.
Programs: Having a clear argument is imperative. Your literature can be anything as long as it connects with your main theme.
Characters need to be unique. I should not be able to confuse characters, so make them stand out. Things like changes in tone, accents (if appropriate), mannerisms, etc.
Humorous: Although the main point of this event is to be funny, i'd rather see it be clean and easy to follow. HI can tend to focus too much on the humor and ignore the plot of the script. Make sure you don't.
Characters need to be unique but also BIG. The entire point of HI is to be exaggerated and to have no boundaries or limitations (as long as it makes sense and adds to the story rather than distracts from it).
Overall, I am looking for people that are having fun! The amazing thing about interp is that you are given a platform to completely personify a character, an argument, and a story.
Last but not least- CONFIDENCE. If there's something that I've learned from competing in speech for eight years is that confidence is key. As long as you think of yourself as a winner, you will perform as a winner, and the audience will see you as a winner.
Thanks y'all!
Speech - Organized arguments, credible sources, practical solutions, relatability is probably the biggest thing for me. I love speeches where personalities show through and I can see how you are as a person.
Interp - Relatable pieces with big, distinguishable characters.
WSD - I want a conversational round with a crystallization of points at the end. Clear voters are always the way to go. POIs should be addressed consistently however not everyone needs to be taken.
I have a very long history in speech and debate activities as both a coach and competitor. I have coached all formats of debate along with public speaking and interp events over the last 35 years. I attended high school in a small town Texas school back when dinosaurs roamed the earth, where I competed in policy debate, extemp, oratory, dramatic, prose and poetry. I also competed in college at Southwest Texas State University (which is now Texas State University) in NDT and CEDA along with individual events.
I have been the coach at James E. Taylor High School (Katy Taylor) in Katy, Texas for the last 25 years, where I have coached all events.
In debate, I tend to take a very traditional approach to evaluating rounds. As such, I don’t care much for conditional arguments or the theory spawned by them. I also expect the debaters to weigh arguments in the round and establish a decision calculus. I.E., if both teams present me with extinction impacts and the end of the world as we know it, each should give analysis on how I should weigh those arguments. Likewise, a framework should be established to weigh policy and non-policy arguments against each other. I much prefer to vote on the framework established by the teams in the round than be forced to intervene with my own.
I expect arguments to be clearly articulated and supported with evidence. To clarify: I believe that both the argument and the evidence are of equal value. I will not read evidence after the round unless the content has been questioned. It is the responsibility of the team to frame and support the argument and I will not read a card after the round and interpret it for the team. Also, while I understand that speed is relative and that what is considered fast in some areas is considered slow in others, intelligibility is of critical importance. I will not give any weight to evidence that is incomprehensible (see above). I will, however, try to indicate that speech is unintelligible.
Additionally, I have a very traditional view of the purpose of debate. I believe that we are supposed to be analyzing a specific resolution. I am very unlikely to vote for arguments based on the notion that the “debate space” is a forum to discuss issues of personal, rather than resolutional, relevance. If you want to posit issues (such as those of identity) which are not directly related to the resolution, you do not want me in the back of the room.
Generally, if you aren’t sure, ask and I will try to clarify.
In public speaking events, I generally weigh 3 things: analysis, organization, and delivery (in that order). In any public speaking event, I expect to hear citations of credible sources. In extemp I normally expect a minimum of 2-3 source per area of analysis (more is fine). In oratory or info, I expect the student to explain a source's qualifications. A clear organizational structure is required. In terms of delivery, there should be an appropriate level of gesture and movement. But all movement should serve to reinforce the content of the speech. Clear diction and intonation are also important.
Extempers--The analysis in the speech should stem directly from the topic question. If the speech doesn't directly respond to the question asked, you will end up with a low rank from me, no matter the quality of the speech itself. My number 1 rule in extemp--answer the question.
When evaluating interpretation events, I tend to look first to characterization. Blocking and use of space are also an important considerations, but I expect all movement to be motivated. Random movement, or movement just for movement's sake, is distracting and confusing. I have no particular preference on the use of a teaser, but I do want to hear YOU in the intro (as a contrast to the character(s) you are creating). In prose/poetry, the rules of the event require the use of a binder, so I expect you to at least pretend to occasionally look at the pages.
I am not offended by the use of profanity as long as it is integral to the selection performed. I am not a fan of using it just for shock value. Along the same lines, I am not easily offended, and willing to give some latitude on content of the performance. However, I am uncomfortable with selections that are extremely graphic and/or vulgar, or bordering on, or completely pornographic. I realize that it is difficult to explain where that line falls, and I do take that into account. Shocking just to be shocking doesn't score lots of points with me. Basically, if the piece would get an X-rating in a movie theater, I don't want to watch it in an interp round.
Online competitors: I will always take into account limited space, technical issues, etc., when evaluating competitors online. I understand that some things are just out of the student's control when competing online and I do not count that against the student.
I'll start with this, since it seems to be the only question anyone cares about anymore: if you scale speed on a 1-10, with 10 being as fast as humanly possible, I prefer a 3-5 depending on the time of day (lower in the early morning or later evening).
Now, if you want more nuance: I'm the coach at Clear Lake High School in southeast Houston. I previously coached (and attended high school/competed at) Deer Park High School in Deer Park, TX. I've been a head coach for fourteen years and judging for the past nineteen. I don't judge very often anymore, so when it comes to debate I'm not probably as up to speed on the current meta of your event or the lit of your topic as you'd like me to be. Be kind. :)
As a CX judge, I find myself becoming more and more of a policymaker-style judge. I am a flow judge and am okay with moderate levels of speed, however as an educator I feel that this is a communication event first. I'm not going to call for a bunch of cards if I didn't hear them, so please make sure I can actually understand you. Unless I'm judging virtually, I don't want to be on the email chain. On DisAds, I can't stand generic links and am incredibly unlikely to vote on them. Make sure your internal links also follow some kind of logical train of thought and tell a coherent story. I will vote on topicality, but I have a pretty high threshold for what I consider reasonably T. I don't love kritiks or deep theory debates but I'm also loathe to tell a debater that they can't run them at all just because of my personal feelings. With that said, please make sure that you explain your kritikal arguments, since philosophy has never been my forte.
As an LD judge, I do not have the experience as a competitor and judge that I do for CX. Because of that, understand I might need my hand proverbially held a bit if you dive deep into philosophy. I prefer a slower, traditional/old school style LD round with a strong emphasis on that quaint notion of a value framework. If you've somehow read the last couple of sentences and still think I'm the kind of judge that you should run tricks in front of... let me be clear that I'm very much not. If that's not the kind of judge you want - and I recognize that what I've written sets me far apart from the norm as far as what LD has become - then I encourage you to rank me as low as MJP will allow you. It'll make my life and yours much better.
I feel that PF shouldn't require paradigms (seriously, can we go back to the original intent of this event?), but since we're here... I really despise rudeness in crossfire, and I want to see a solid line-by-line throughout the debate with good impacting at the end. Don't overthink this.
I love Congress. I absolutely adore the event. If I'm in the back of a Congress round I'm a happy camper and I want to see polished, extemp-style speeches that show thought went into them. I also expect to see either clash or new argumentation in the speeches following the first couple of bill cycles, otherwise I feel the debate grows stale and boring. I want to see an attempt at collegiality and a little sprinkle of LARP'ing never hurt anyone.
I've never judged or even watched a WSD round in my life, but I'm coming around to the event and want to learn. If I'm in the back of your Worlds round... consider me a flay judge. And definitely be kind to me, since I'm learning.
A quick run-down for speech/interp paradigms, since evidently that's a thing now?
Extemp: I love this event and for my money I think this is the best event we have as far as portable skills are concerned. I don't want or need you to be a citation machine, I'd prefer you take a handful of sources and build solid analysis around them.
OO/Info: These are my favorite events to watch and judge, and I love how much of an opportunity they give students to showcase their own unique voices. I like humor but don't want this to be stand up comedy (you're not Josh Gad, and that's perfectly okay). I want a clean performance with solid, memorable analysis. In Info, I love when the visual is something outside the norm; one of the most memorable Infos I've ever judged used a sealed plastic cup filled with water and an egg, and I still remember that (many) years later.
POI: I don't judge POI often but every time I do I'm blown away by how creative students can get within its parameters. I want to see a POI that's seamlessly blended and brings in as many disparate genres as possible. As with all interp, I want to see and hear the "story" you're telling me come alive. I also really like the idea of POI as a form of argumentation, so if I can see that clearly throughout your piece all the better for me. My thoughts on POI also cover (with obvious changes for the rules/norms) my thoughts on Prose and Poetry, for what that's worth.
HI/DI/Duet/Duo: I'm looking at the totality of the performance. Much like I mentioned on POI, I want to see and hear your script come to life through the interpretation. It's exceptionally rare that I get to judge these (I can't tell you the last time I have, to be honest), so I don't go into these rounds with any real expectations. I just want to be wowed overall.
As a IE judge I look for a clean and polished performance. Good Analysis and Interpretation of characters and a powerful performance.
For Speaking events - Structure and Sources are important as well as a polished performance.
For Debate - LD I prefer a traditional format and value debate. PF I want to see clash, evidence and a clear job going down the flow to show rebuttals of arguments.
I am conflicted with Cypress Park High School
CX
1. no excessive speed.
2. K's must apply to aff, have impact, must provide a weighing mechanism. I don't vote for a K that simply reflects a wrong in SQ.
3.Ultimately weighing adv , disads is critical
LD
1. Value/ crit can be critical, but often depends on the topic.
2. When topics are policy oriented, I can vote on policy.
3. I find standards to be important.
Extemp
1. Make sure your address the topic.
2. While number of sources cited isn't terribly critical, I do expect facts, etc. to be supported with sources. One two sources is not enough.
3. I prefer a natural delivery.
Oratory
1. Good unique topics appreciated. Substance, significance of topic takes a slight edge over delivery, but only slight. A little humor along the way is always good.
POI
1. I prefer a POI that recognizes a manuscript is being used. At least a little, please. A variety of emotional appeals works best.
2. I want to "see" in source in the program. They must be distinct and woven to enhance message of program.
HI, DI
1. HI should make me laugh or smile really hard. I look for development of characters, if possible.
2. DI should build to climax, both in selection and performance.
Congress
1. Be an active member of the session.
2. The least effective position to take is one that has already been given by a previous speaker. No re-hash.
3.Congressional debate requires debate. Rebuttal points/naming specific speakers, gets the most positive judging response.
4. Don't be afraid to be PO. I appreciate a good PO, and will take that into account when ranking.
I am a former CX competitor from the late 80s and early 90s from a small 3A district. To that end, my experience and preference falls within the traditional range and not progressive. While I can understand the nuances of it and appreciate its overall intent, it goes well outside of the traditional realm that I prefer. I want clear line by line, clash and impacts that are meaningful and arguments that are well fleshed out. I don't need theoretical situations and kritiks of the resolution. Debate what is given to you as the framers intended it to be debated. I would rather have one or two solid arguments that are carried through a round as opposed to superfluous argumentation that ends up being kicked out of anyway or that operates in a world that is far less meaningful than traditional argumentation.
When it comes to extemp, I am also a traditionalist and expect a speech that is well balanced and that answers the prompt a contestant has been given. (Attention Getter/Hook - Thesis - Points - Conclusion that wraps up). Source variety is as important to me as is the number of sources. Fluidity is the real key. Don't make the speech choppy and don't offer so much content that you are unable to go back and analyze what you've spoken about. This is particularly true when it comes to lots of stats and numbers; don't overload a speech with content on that level that there is no real understanding of how you have synthesized the information you've given. And if you are also a debater, please remember - this is a SPEAKING event, not a debate event.
For topics that err on the side of persuasive and controversial, I DO NOT have an issue with topics that you feel could be flash-points that you think bias will impact the outcome. As long as you can substantiate and articulate what you are talking about with credible information and good analysis, we'll be good and the ballot will be free of bias.
Extemporaneous Speaking and Oratory: I prefer 3 pieces of evidence to support your speech.
Interpretation events: Teasers and introductions should be creative.
Blocking: If competing virtually, blocking should remain in the frame.
*If you are performing an emotional piece, please do not scream. Just speak loudly.
*I do not mind cursing as long as it does not take over your piece.
I am a second year Debate teacher and coach. I currently teach LD and Congress but have limited judging experience in Debate events. For IE, I like clean presentations, vocal variety, eye contact. Extemp speeches should be organized and supported with evidence with a clear answer to the question.
Speech - Strong analysis and organization is key. MAKE SURE YOU ANSWER THE QUESTION! I evaluate heavily on the use of evidence to back up clear, logical analysis. Communication is key - it is your job to communicate with me, not my job to work to understand you - keep this in mind and consider what structure to provide in your speech to make sure your concept and analysis can be easily followed.
Interp - I judge interp based on storytelling, characterization, and performance technique. In dramatic selections - I am looking for depth of character, honesty, realism, and believable character relationships. Make sure you have moments and aren't just presenting dialogue. Character arcs are also important and should be part of your storytelling. In humorous selections - I am looking for strong, committed acting choices with strong polish and technique. Storytelling is still hugely important - the story should be easy to understand and clearly focused. Characters are the most important. I am looking for strong characters that feel realistic and react in the moment. The comedy should drive largely from character reactions. Popping technique is also very important - should be polished and clean with distinct physical and vocal choices.