Email Chain: megan.butt@charlottelatin.org

Charlotte Latin School (2022-), formerly at Providence (2014-22).

Trad debate coach -- I flow, but people read that sometimes and think they don't need to read actual warrants? And can just stand up and scream jargon like "they concede our delink on the innovation turn so vote for us" instead of actually explaining how the arguments interact? I can't do all that work for you.

GENERAL:

COMPARATIVELY weigh ("prefer our interp/evidence because...") and IMPLICATE your arguments ("this is important because...") so that I don't have to intervene and do it for you. Clear round narrative is key!

If you present a framework/ROB, I'll look for you to warrant your arguments to it. Convince me that the arguments you're winning are most important, not just that you're winning the "most" arguments.

Please be clean: signpost, extend the warrant (not just the card).

I vote off the flow, so cross is binding, but needs clean extension in a speech.

I do see debate as a "game," but a game is only fun if we all understand and play by the same rules. We have to acknowledge that this has tangible impacts for those of us in the debate space -- especially when the game harms competitors with fewer resources. You can win my ballot just as easily without having to talk down to a debater with less experience, run six off-case arguments against a trad debater, or spread on a novice debater who clearly isn't able to spread. The best (and most educational) rounds are inclusive and respectful. Adapt.

Not a fan of tricks.

LD:

Run what you want and I'll be open to it. I tend to be more traditional, but can judge "prog lite" LD -- willing to entertain theory, non-topical K's, phil, LARP, etc. Explanation/narrative/context is still key, since these are not regularly run in my regional circuit and I am for sure not as well-read as you. Please make extra clear what the role of the ballot is, and give me clear judge instruction in the round (the trad rounds I judge have much fewer win conditions, so explain to me why your arguments should trigger my ballot. If I can't understand what exactly your advocacy is, I can't vote on it.)

PF:

Please collapse the round!

I will consider theory, but it's risky to make it your all-in strategy -- I have a really high threshold in PF, and because of the time skew, it's pretty easy to get me to vote for an RVI. It's annoying when poorly constructed shells get used as a "cheat code" to avoid actually debating substance.

CONGRESS:

Argument quality and evidence are more important to me than pure speaking skills & polish.

Show me that you're multifaceted -- quality over quantity. I'll always rank someone who can pull off an early speech and mid-cycle ref or late-cycle crystal over someone who gives three first negations in a row.

I reward flexibility/leadership in chamber: be willing to preside, switch sides on an uneven bill, etc.

WORLDS:

Generally looking for you to follow the norms of the event: prop sets the framework for the round (unless abusive), clear intros in every speech, take 1-2 points each, keep content and rhetoric balanced.

House prop should be attentive to motion types -- offer clear framing on value/fact motions, and a clear model on policy motions.

On argument strategy: I'm looking for the classic principled & practical layers of analysis. I place more value on global evidence & examples.

I appreciate a conversational speed delivery. If a speaker delivers too fast, I have a harder time flowing the debate. I am looking for clear analysis of why you should win the debate in the rebuttals.

I am a parent judge with experience judging most Speech Events. I also participated in Speech and Debate as student.

In the Interpretation events I prefer that you introduce your piece and author prior to speaking (I wont start the clock until we agree) not just in your intro.

I can't wait to see what you've been working on!

For debate:

I prefer that you don't talk too fast or spread - I need to be able to understand what you're saying in order to judge its merits. I take a lot of notes and will try to judge on the flow.

For PF, please clearly articulate your contentions, back them up with warrants and support with strong evidence. I don't fully flow Crossfire or Cross-Ex, so anything important that you want noted, please extend in your next speech, and make it clear why it's important to your case or detracts from your opponent's. Please don’t run progressive debate unless something extreme has happened in the round, I will not know how to evaluate it.

By your final focus or last speech, you should have made a convincing case why your impacts or value out-weigh your opponent's. And in keeping with the rules of debate, do not bring up any new arguments in the second half of a round, or they will be disregarded. Good luck and have fun!

» Completed Cultural Competence Course «

- - - - -

I have judged speech and debate events for more than 15 years, and have been a coach for about 10. I primarily coach interp and public speaking events, but I've also judged Public Forum Debate for years, and assist with coaching PFD. I have judged final rounds of PFD and DUO, as well as many break rounds, at the National Tournament.

I do not judge LD, WSD or Policy.

General thoughts

No matter what event I judge, I will do my best to be as prepared, professional and fair as possible. I expect no less from competitors. If you are unprepared, exhibit unprofessional behavior, are sloppy or waste my time (or another competitor's time), you won't be rewarded. Be professional. Be present. Be courteous. You will not be rewarded for being rude.

Public Forum Debate

My approach to PFD is pretty traditional. Be clear! Convince me you should win. Because of my speech background, I value presentation. Yes, I want your words and arguments to bring me to your side, but how you say those things is important (vocal variety, emphasis, eye contact, gestures). As you present your case, you've got to convince me your arguments are the right arguments, and guide me through your case. Your presentation skills — or lack thereof — play a big role in this process. I also expect you to be professional in every aspect of the round; you should look and play the part. Abusive or overly aggressive language or attitudes will not be rewarded. And, if you never look up from your laptop, tablet or pad, you're missing an opportunity to sell me on your case.

I've heard PFD was never designed to be Policy. It started out as Ted Turner Debate. Extreme speed or arcane debate jargon or argumentation theory won't win points with me. I am looking for persuasive and logical arguments that are clear and accessible. If you speak so fast that I can’t flow your argument, then how can it be on my flow?

While your analysis needs to be solid, I do want good information. Support your arguments. Cite your facts; I want to know where your information comes from. Good information is important, and I don't like teams that cite only one or two sources over and over — or rarely cite arcane sources. Solid warrants and citations will be rewarded, assuming you link everything together.

I try to intervene as little as possible, and I will not discount an argument because I strongly disagree with it — as long as you can support it and I understand it. I value facts and will judge a debate based on the information presented — not my opinions. How well do you support your contentions? Do you have sufficient warranting? Clear impacts? Do you understand the resolution beyond what is in your cases? That's the information that will help you deliver solid blocks and control cross. Some judges discount cross; I don't. If you don't know the subject, this is where it will show.

Time yourself (and your opponent, if you want), but I will also keep time using a dedicated app. I'm not a stickler for time — if you go a few seconds over time to finish a thought or respond during cross, that is OK. Just don't abuse it. And keep those off-time roadmaps super brief.

Interp/speech

I realize I don't need a paradigm for speech events, but since competitors do occasionally ask, why not? Here are a few general thoughts:

» Delivery: Clear, fluid delivery, whether you're presenting an oratory or doing a character in a DI, is a must. If I can't hear or understand you, or clearly identify your characters, that's an issue.

» Oratories, Expos, Info: I look for an interesting topic, clear points, effective and persuasive speech, good support and fluid movement/gestures. For an Info, a clear, effective prop need not be complex or consist of 50 things. Sometimes, simple is best. Does it add to the speech? Does it help the audience understand the speech better? If it controls you, then it's not effective. Do not neglect eye contact with me and the rest of the audience. If you don't connect with me, how can I connect with your speech? Finally, why do I care? Why should the audience care? Bring it back to the audience and let us know why we should care. In an OO, you are likely advocating for something. Tell me why I should care, or at least listen. In an info or an expository, what's the impact? For example, if the extinction of a little bug will cause a bigger bug to also become extinct, that's impact. But it's not necessarily the final impact to the audience. Bring it to us: The extinction of this little bug will cause a larger bug to become extinct, potentially impacting our food supply. An informative should tell me more than how to do something; it should tell me something (or an angle on something) I didn't know. And then, it should explain to me why I (the audience) care.

» DI/HI/DUO/POI: A good piece that is cut tightly and effectively is a great start (don't underestimate the cutting). From there, I look for good, clear, distinct and effective characterizations (TIP: focal points may be somewhat ignored these days, but I'm one of those judges who still look for them, and I like good eye contact with the audience during narration), effective blocking and purposeful movement. Tech is OK, if it doesn't overpower the presentation but rather enhances the piece. For DUOs, tight cue pickup, distinct characterizations and creative blocking are rewarded. In POI, do the pieces continually support your argument or thesis?

A note about POI: Per the NSDA, "The use of a manuscript during the performance is required." I expect you to refer to your binder, turn pages and — if you wish — use it as a prop. Never turning the pages or looking at the binder is not what I am hoping to see.

» EXT: I look for clear structure, good support, good facts, fluid delivery. Answer the extemp question you received: Pivoting to some other angle of your preference won't be rewarded. Be sure, too, that I know your answer: be clear! Canned intros can work, but they need to be pertinent, and many are not. Sourcing is important; if you have (for example) three points, I'll look for two reputable sources per point. Varied sources work best and help support your overall argument. Do not neglect eye contact with me and the rest of the audience (if any). If you don't connect with me, how can I connect with your speech?

Final thoughts

Don't read too much into any of this. It's my opinion and opinions are cheap. At the end of the day, the most important thing is that your experience is fun and rewarding, and that we both learn something. If that happens, we were both winners.

Stay focused, and good luck!

I have judged speech and debate events for the past 13 years. My son was in Congress.

General thoughts

Regardless of the event, I expect professionalism and preparation from all competitors. Showing up unprepared or engaging in unprofessional behavior wastes your time, my time, as well as that of the other competitors and your coaches.

Public Forum Debate & LD

Although I’ve judged PFD more than LD, I feel comfortable with both events. I appreciate assertiveness but actively dislike aggression. Clarity is extremely important. Don’t be cocky: instead, try to convey how deeply you’ve researched the topic. I always leave my personal opinions on the topic aside in order to be fair to all debaters.

Interp/speech

I started off my judging career judging interp, even though lately I’ve been judging debate more. Regardless of the piece, you have to give your best when performing. Delivery must always be clear and interesting. Tech should be smooth and reflect the norms of the event itself (tech in DI is very different than tech in HI).

Competed personally while in HS, Primarily in Duo Interpretation. Have been Judging since completing HS and have judged multiple tournaments and many various events. Prefer judging Duo, HI, DI, POI, or impromptu.

Wish everyone the best of luck in any event!

Lincoln-Douglas Debate

I flow each speech and, as a result, use my flow as my primary decision-rendering tool. The flow is especially important to me when deciding between two debaters with nearly equal performances. I also value clear, distinct voter issues and look for debaters to use voter issues to connect multiple ideas across the debate. Additionally, I look for clear frameworks to set up the round for each debater and for each debater to use these frameworks to present deep analyses of the main issues in the round.

In general, I prefer you speak no faster than a brisk, conversational pace. Trying to “out-speed” your opponent or overwhelm them by spreading will not earn you points in my book. If you speak so quickly I cannot easily gather your main points, how am I supposed to flow them and weigh them in the round?

Final Thoughts

At the end of the day, I am just one judge with one set of opinions. Speech and debate is meant to be a fun and educational activity. I hope your experience is rewarding, educational, and, above all else, fun.

Good luck!

Second year parent judge.

CONGRESS:

My Congress comments should have speech/PO criteria ratings based on National Forensic League training guidance between 3-6, entered as you're speaking so you have some minimal feedback on how I decided on final score for individual speech and eventual ranking. 3=Mediocre, 4=Proficient, 5=Excellent, 6=Superior

Examples: Originality of Thought, Organization and Unity, Evidence and Logic, Delivery.

I also attempt to score (in comments) how you handle questioning of your speech.

If time allows, I attempt to give constructive written feedback in the comments as well. Overall rankings take into account your entire performance in the round.

SPEECH:

Second year judging speech. The most polished student in a round with an easy to follow and interesting presentation (while also satisfying rules/objective/criteria of particular event) generally rises to the top of the rankings in my rounds. Please don't rush your introductions/teasers as it really helps me follow the rest of the piece.

I've also decided to try and assign speaker points to three main categories in your feedback depending on the speech event. This is to hopefully give you some minimal feedback indicating the elements of your piece that may have room for improvement. I always attempt to give detailed comments as well, but time doesn't always allow for this.

Points listed in comments do not necessarily average or add up to your final speaker point score.

27=Average, 28=Above Average, 29=Excellent, 30=Superior

From the National Forensic League:

INTERPRETATION (DI, DUO, HI)

Characterization

Is each character well-developed? Is each character relatable? Does a character’s response seem believable given the situation being portrayed?

Blocking

Can you tell what the performer is doing in the scene? Is it clear what character(s) they are playing? Is the movement motivated?

Cutting

Do you understand what is happening? Is the story line easy to follow? Does the sequence of events make sense?

PROGRAM ORAL INTERPRETATION

Programming
Were at least two of the three genresof literature (Poetry/Prose/Drama)used in the program? Did all of theliterature contribute to the theme orargument? Did the flow of theperformance make sense? Was therea balance among genres in theperformance?

Blocking
Can you tell what the performer wasdoing in each scene? Was it clearwhat selection the performer wasusing in each section? Did theperformer maintain control of themanuscript at all times? Was themovement motivated in theperformance?

Characterization
Did each selection have distinct andengaging characters? Did theperformance match the genre (e.g.,did the performer emphasize poeticelements when performing a Poetryselection)? Was the performancedynamic?

INFORMATIVE SPEAKING

Relevance:

Is the topic timely? Is the thesis clearly established? Does the delivery assist in establishing the importance of the topic?

Relatability:

Can the audience relate to the topic? Is the delivery personable? Does the speaker establish how others are impacted by the topic? Does the speaker do a good job informing?

Originality:

Does the speaker address the topic in a unique, inventive way? Are the supporting examples new and interesting?

EXTEMPORANEOUS SPEAKING

Argumentation and Analysis

Is the student directly answering the question? Does the student develop justifications for their ideas and establish the significance of their points? Have they established a clear understanding of the topic area?

Source Consideration

Does the speaker offer a variety of sources? Are the sources provided credible? Are appropriate citations used when citing a source?

Delivery

Is the student using voice, movement, and expression effectively? Is the speaker confident? Is there consistent eye contact? Is the volume appropriate?

ORIGINAL ORATORY

Importance

Is the topic significant? Is the thesis clearly established? Does the delivery assist in establishing the importance of the topic?

Relatability

Can the audience relate to the topic? Is the delivery personable? Does the speaker establish how others are impacted by their topic? Is the rhetoric of the speech inclusive?

Originality

Does the speaker address the topic in a unique, inventive way? Are the supporting examples new and interesting?

STORYTELLING

Tone
Does the performer's voice alignwith the type of story they'vechosen to tell? Is it clear this storywould be suitable for children tohear?

Expressiveness
Does the presenter bring thewords to life using effectivetechniques to convey appropriateemotion? Do the presenter’sfacial expressions aid the overalldelivery of the presentation?Does the presenter seem engagedin the literature?

Relatability
Is the presenter delivering thestory in a manner that wouldengage young children? Does thepresenter effectively establish aconnection to the audience? Iseye contact used to engage theaudience?