If you have any questions for me, particularly in Congress I can be reached at nevras@yahoo.com

Individual events: in extemp, I'm looking for you to first answer the question and then answer the question with the best possible information that you can give that is factual. My expertise is more on the domestic side but I can do international extent with some basic knowledge of what it is that's going on around the world. Also what I'm looking for is a person that reads like a human encyclopedia or a human archive newspaper person who knows all the facts of the question that is being given them. I can also be flexible in terms of politics but the politics has to still come across as somewhat neutral in nature.

I will say that the key to winning in International Extemp is to immerse yourself in magazines, books and newspapers involving all things not United States. You'll get questions from areas not familiar to to normal lay person or someone that only follows domestic news. You then have to put the speeches together on non tournament days so that you are not scrambling to find the research within a half hour. Know what you want to say in advance, pick the question you have a good speech lined out and deliver. Friday night and Saturday mornings are not the time to piece together an international extemp speech. And keep in mind, more than 50% of the judges you face may not know a thing about a Morocco, a Republic of Congo or a Myanmar and somehow you have to bring that judge in to explain yourself these situations in a way that you are explaining it like a college professor while explaining it to a five year old. Only then will you see true success in International Extemp.

In drama and humor, what I look for the most is a performance that makes me forget that you are performing the peace and that you have somehow become the characters that you have portrayed. The more I get into your peace the better your chances at winning in this event.

My favorite category is original oratory. In oratory all that I look for is for you to tell me a topic and give me all the information that is there. Make sure your sources are correct and that you're not trying to be too showy and sometimes even more natural will get the job done for me.

In duo interp what I always do is that I always look at both performers I'm not looking for a performance where it's just an exchange of lines but what feels like a real dialogue. I'm also looking to see what happens when the other partner is not speaking and if they are performing their character while not being able to speak. You must be in character at all times during the performance.

In prose and poetry, it is similar to what I look for in drama and humorous. I'm looking for performance where I'm no longer seeing a person reading something and more like feeling like you are very much in character in telling a story.

In big questions, your arguments are still important but just like in public forum I look at what it is that is said during The question period. More information can be gleaned from asking questions then what it is that is said during regular arguments.

LD & CX: I will honestly say that I don't judge those debates in the traditional sense and as such I draw my decisions based on my IE and PF experiences. Like PF your cross and rebuttal speeches usually wins the day in my eyes so if you can extract good counter information in cross and use it in rebuttal, then you'll likely get the win.

PF: I put more weight on crossfire than anything else. Be efficient to get your points across and you will win the debate.

I put more emphasis on your time during crossfire because of the shared time for all four speakers. If you use the time efficiently, you should get the win.

Congress: the key to winning Congress is a simple case of taking the chamber seriously and delivering your speeches to say three things. The first thing that you're saying is that you read the bill completely and understand it. The second thing you want to say is that not only do I understand it but my position is this way because I researched it. And the third thing you want to say is that you want to be able to say that you put the time and the effort to push the bill forward because it's the right thing to do. As long as you move the legislation and you don't bother down the bay with amendments and points of order that are unnecessary you are going to go far. If you aren't designing officer it's almost the opposite of what has to happen because as long as you are not cold out and as long as you stay fair and if you keep yourself practically anonymous during the session you'll also do well.

Being the presiding officer it means that you have to dedicate your life and your time at the chamber to the speakers and making sure everybody speaks when they're supposed to. I compare being a presiding officer in a congress chamber the same way of football offensive lineman in a football game. When they barely know you, you've done your job. When you're constantly being pointed out for the mistakes that you made, then you haven't done your job. Presiding officers will always rank high and in the top half of my ballot as long as the chamber is running well and everybody seems satisfied in his or her control of the chamber and considering it's a thankless job that has you not even being able to speak.

I judge on the premise of what did you do to move legislation forward during a session.

My primary judging experience includes the Northeast and Texas regions.