Mature material and curse words are not offensive to me. The author's intent is subjective when performed in interp events as long as the performer sells it. That being said, a savvy performer is considerate of current global events as well as their audience. Appropriate edits or references in the introduction, if deemed necessary, are suggested in order to justify the performer's personal or unique interpretation of their selected literature.

Teasers are fine. Well-crafted intros are preferred even if they are brief. Clean, sharp, and distinct character clips are favored over messy performances. If portraying realistic or dramatic moments, honesty and believability will likely rank higher. I'm an OAP director who believes interp benefits acting and acting is benefited by interp.

Clear structure and road mapping in extemp along with a variety of current sources and few fluency breaks are impressive. Original ideas are preferred over having a few canned examples that the speaker manipulates to fit the "mold" Quality content is highly preferred over continuing to speak in order to meet the exact time limit. Oratories should be fresh, motivating, or persuasive. Speakers should show passion for their work and ensure text is updated as necessary.

PF: Pro should advocate for the resolution’s worthiness while the Con should show the disadvantages of the resolution and why it should not be adopted. In the 1st speech, both teams should have an introduction to frame the team’s case. The summary needs to be a line by line comparison between both worlds where the differences exist and are clear and the issues need to be prioritized. Final focus needs to be a big picture concept. I will evaluate your evidence and expect you to do the research accordingly but also understand how to analyze and synthesize it. Countering back with a card is not debating. I can't vote on what I don't hear or can't understand. So watch rate of delivery. PLEASE weigh your arguments and make it clear how I should evaluate this round and what really matters. Explain why those reasons are preferable to your opponent’s. I do not form part of the email chain.

IEs: I've judged all IEs for over 30 years for different circuits and at different levels (including state and nationals). On EXTEMPT/INF/OO, make sure to speak clearly avoiding excessive word crutches and cite your sources. Follow the standard speech outline for each event and approach topic creatively. Make sure to actually answer the question (topic chosen) clearly and that the points discussed in the body of the speech support the answer. Use time wisely/effectively to fully develop the speech. If you are using props (for speech events), make sure they go with the topic and are easily handled. They don't need to be complicated. The simpler the better. On INTERP, I look at who transported me into the story and kept me there. Make sure all movements (gestures, head, and other body movements) are done with purpose and should not distract from the selection being presented. Characterization is also very important to keep me in the story. Use the whole "stage" for your presentation if the event allows it. It's your performance. Entertain me! POI: You can incorporate the binder as a prop if you want making sure it isn't so distracting that it takes away from your program.

LD: I am a traditional LD judge. This means the debate should be a value debate. Framework of the debate is of the utmost importance because it will force me to evaluate your impacts before the other team’s impacts and nullifies most, if not all, of the other team’s offense. The contentions should be used to demonstrate a real-world example of the framework in action. For any claim made during the entire debate (constructive and rebuttal speeches), you should have evidential support. PLEASE weigh your arguments, make it clear how I should flow and evaluate what is said, and show me what really matters in the round. Explain clearly why those reasons are preferable to your opponent’s. There is no need for spreading. I can't vote on what I don't hear or can't understand. So watch rate of delivery. I do not form part of the email chain. If it's important, make sure to explain it clearly during your speeches.

Congress: When preparing a speech, make sure to follow standard speech outline and cite your sources. Approach legislation creatively. If you speak later in the session, do not rehash old arguments already brought up by previous representatives. Bring in new arguments to advance the debate. Also, you must clash with opponents. Don't just give your speech. It's a debate after all. Bring up points mentioned by opposing side, show your view point and not just say they are wrong or you don't agree. Give specific reasons why you don't agree and provide the evidence to prove your point. Have your speech so well prepared that you will be able to defend it during cross and not stumble during questioning. As Parliamentarian, I will make sure correct parliamentary procedure is followed.

WSD: Since arguments should be based in reality and each team is fighting on behalf of their respective worlds, the debate should show which world is more likely and/or better and how it will be actualized in the big picture rather than the individual arguments being made. Provide specific world (not just U.S.) examples to your claims. Burdens and mechanism/model should be clear. On the reply speeches, crystallize the round highlighting the main points of contention (2 or 3 key points) and tell me why your team won those points therefore winning the debate. Make sure there is clash on both sides and watch rate of delivery.

CX: As a stock issues judge, I expect the affirmative team’s plan to retain all stock issues and should label them clearly during the debate. The negative needs to prove that the affirmative fails to meet at least one issue in order to win. I require both sides to provide offense. Sufficient evidence is needed for any claim made during the entire debate. All debaters must speak clearly in order for me to hear all of their points and must watch rate of delivery. I can't vote on what I don't hear or can't understand. I do not intervene, so the debaters must tell me what is important, how I should flow and evaluate what is said, and why I should vote for them. I do not form part of an email chain since I don't want to read speeches. I want to hear them. If it's important, make sure to express it clearly. New on case arguments are ok in 2NC, but not off case.

I like to see direct clash (they say this, we say that), analysis with warrants (prefer our argument, because…), impact/implications (what the world looks like if we don’t do x), warrants for why your impact(s) hold(s) greater significance/is more likely/is the reason I should vote.

Make it clear to me, essentially writing the ballot for me will get you the win.

Ok with speed just be clear. Will put down my pen and stop flowing if you are going to fast.

Please be respectful during cross.

I am an old school traditional judge who does a lot of congress and extemp.

In Congress - If you ask for an in house recess to pad a speech or to address the chamber because no one is speaking - DO SO AT YOUR OWN RISK! Nothing annoys congress judges more than 15 minutes of caucusing and getting splits, only for no one to be ready. The PO should be running the round and is perfectly capable of admonishing those who are not ready to speak. Otherwise, I like a good intro with a 2 pt preview and good, creative arguments that show critical thinking. Be active in the round and ask good questions. As for trigger warnings: unless you are giving some graphic description of something, there is no need. The simple mention of a word does not require a trigger warning.

PF - Keep it simple. If you run a plan, a K, or theory, you are unlikely to get my ballot. Treat me like I have no idea what this topic is and explain EVERYTHING. Weigh impacts to get my ballot. Don't complicate a pro/con debate.

LD - For UIL, stick to a traditional format with Value/Criteria and Contentions. Weigh and give voters. For TFA, just know that I loathe rapid delivery and love explanations. If you are going to run a counterplan in absence of an affirmative plan, I will not vote on it. LD is not 1 person policy. Uphold your value throughout the round.

Extemp - I like a good AGD and want effective communication and sources are essential.

Remember, debate is impossible without effective communication.

FLASHING IS PREP TIME! If you are not speaking, you are prepping. My prep time clock is the official prep time clock.

My name is Sydney M. Avilés and I am currently a senior at Texas A&M University- Corpus Christi and I will be receiving my BA in Acting/Directing with a teachers certification in the summer of 2022. My stylistic preference for speakers leans towards more conversational in order to keep me engaged and focus. As for evidence, I would prefer one or two articles per main point. I prefer teasers that grab the audience and smoothly tie it into their speech, something out of the box and confident will grab my attention. I believe blocking should be minimal but effective. The speaker should have clear character work and should be distinctly different from their other characters while storytelling.

Hi! I'm Chase Bailey and while I never participated in Speech & Debate in high school, I became a part of it as a teacher back in 2015. Since then, I've judged every type of event and grown to love this community. For reference, I graduated from Texas State University with a BA in English and have since taught AP Lang, UT OnRamps, and other advanced level courses. I love a good story, and I spent enough time in the theatre to recognize fake enthusiasm for a genuine empathetic connection to a topic.

I'm not easily offended, and if there is good evidence to back up an argument, I consider it fair game even if it's against something I personally believe in. Mature material and curse words are not offensive to me, but there is a difference between using it for effect and using it because you don't have the necessary vocabulary to insert a more meaningful word. Just as in writing, a good performance will be aware of our current global events and how a joke may strike.

I prefer a more conversational style of speaking that avoids using the same word or phrase over and over as a crutch. Real genuine connections to your piece are important, and faking your way through it by pitching your voice up inauthentically is a real disappointment.

I encourage the DX and FX events to follow a standard speech outline (Intro: hook, intro w/ topic stated, clear answer, and a preview of points to be made; Body: introduction of your point w/ analysis & meta-analysis followed by a clean transition to your next point; and a conclusion with the topic and answer restated along with an overview of the points discussed to tie everything together. Bonus points for making a witty, but meaningful, connection back to your hook!).

For the interpretation events, I vote for the contestant(s) who whisked me away into the story. Therefore, the jarring screams, cursing, and other shocking noises should be used with caution. All movements should have a purpose. Blocking, facial expressions, and again, having a genuine connection to the characters in your piece is SO important. Basically, I want to be entertained!

POI, you are my favorite. It combines my favorite aspects of an interpretation and informative and allows me to be in multiple stories at once. A well put together POI should transition between the pieces in such a way that I am never confused about what piece is being read. Facial expressions, voices, body movements, etc. are all encouraged to pop in and out of each section. Just as with the raw interpretation events, don't let me out of the story that you're telling. Drag me in. The other aspect of a POI that really makes me appreciate a piece is a meaningful thread that allows you to transition between each piece in a clever and witty way.

I wish all of you the best of luck!

I believe that every student has the potential to excel in speech and debate.

I look for Students that show hard work and understanding of their IE selections.

I like to see them polished/ no rough drafts

Students should show they have an understanding of the selection they are presenting.

Selection should be entertaining and also have merit.

I have no pref for oratory and info. I want a solid selection with evidence to support it.

virtual should be the same as in person style wise other wise I feel it isn't fair.

teasers should hook us and make us want to listen. intros are for information only and shouldn't be acted out. that is where you get to be you.

blocking and movement is as important a the verbal parts for the performance. they should augment each other

show me interesting characters. subtext and such.

I am not here to judge the author or the choice of selection. I am here to judge the performance.

I am looking for insightful and new analyses of a topic in OO

I am hoping to be pleasantly surprised in INFO

I want honest and truthful storytelling in INTERP

For extemp and public address, I prefer that students use a conversational style. I prefer that they use evidence as needed. I prefer they not try and name numerous sources, but be honest in what they are using. I like a roadmap they refer to for each point.

For interp, I like a meaningful teaser that sets the world they are creating and tries to introduce as many characters as possible. I think introductions should be short and sweet and be more personal. I think blocking and movement should be used to enhance the story, but is not necessary. I really look for fully developed characters that really listen and react to each other. For author's intent, I think it is okay to re-interpret a piece. I don't have a real issue with a curse word if it is used purposefully.

Interp Events:

My rankings are usually based on who is able to create the most believable characters and moments. There should be multiple levels within your piece and in the portrayal of your characters ~ not everything should be intense, or fast/slow, or super loud or quiet.

Everything you do in your performance should have a purpose. If you give a character an accent, be consistent with that accent. Make sure that each movement, mannerism, or gesture makes sense within the scope of the story you are telling. Additionally, I should be able to easily differentiate between multiple characters. Facial expressions, moments, and character development are very important for the overall performance.

Speaking Events

A clear structure is important: your delivery should be cohesive, and flow logically from point to point. A natural delivery style that allows for your personality to shine is preferable to the “Platform Speaker”. Put simply: avoid speech patterns.

Extemp: The most important thing is that you answer the question! A polished speaking style is important, but I will often default to a speaker that has stronger analysis and evidence over a pretty speech with fluffy content. Do not rely on canned introductions - creativity is important when trying to engage me.

Oratory/Informative: Your attention getter, vehicle, and conclusion should be creative, but they also need to fit well with the topic. Again, I will default to stronger analysis/evidence over fluffy content.

Dylan Bennett

NSDA Diamond Coach

My vote will go to the team with the best argument. I like to see unique arguments with realistic impacts. I do not like hypothetical arguments. Any arguments mentioned need to have credible warrant.

DO NOT SPREAD! I can't judge arguments that I do not hear.

Offense and defense are equally important.

Be clear with the citation of your evidence

Affirmative always holds the burden of proof. If the affirmative can not prove their point to be true the negation must pick up the ballot.

Most importantly remember you are debating each other but you are proving your points to the judge.

I look for a balance of timing and content, pacing and clear organization. I like a delivery that is not too fast and clear speaking. Simple organization is best along with strong evidence of arguments and presenting ideas as if I an completely new to a subject and know nothing.

Speech & Interp Coach at Carroll High School in Corpus Christi, TX

SPEECH: My stylistic preferences for speakers lean towards a more personal and conversational delivery as opposed to the overly formal and stilted. Formal delivery is great and can be effective, but as a judge I don't care for speaker styles that make me feel like I am being "talked at." as opposed to being "talked to." In terms of the amount of evidence, I prefer at least one cited article per main point in the speech; more would be best. Cited articles should help support the points made. I prefer speakers to incorporate movement to help highlight the points of the speech and create a flow. This goes for most, if not all speech events.

INTERP: As far as interpretation events, I am HUGE on storytelling. The teasers should grab the audience's attention and establish clear characters and setting. I like an intro to be conversational and explain how the themes of the piece relate to us a society. I also like for some sort of personal connection to the piece to be stated. Blocking should supplement the storytelling effectively and not be distracting. Prose & Poetry performers specifically should not use binders as props and only move from the waist up to stay grounded; other interp events are free to move and explore creativity in their movement!

Characters should be carefully crafted and explored in interpretation events. I prefer characters to be well established in the teaser, but still grow and evolve throughout up until the conclusion of the piece. Clear and distinct characters are also essential in storytelling like interp events. I believe the author's intent should be clear and pieces should be appropriate for the performer. I have no issue with cursing in pieces as long as it is tasteful in delivery and not excessive. As long as mature content is handled gracefully in performance, I do not mind.

Speak slowly if you can, i'm not very experienced with fast speakers.

I like to hear numbers in terms of impacts, and clean link chains.

Congress-

Lay judge

I do prefer the arguments are very persuasively written out with very well thought out arguments.

I like very persuasive rhetoric.

Speech-

I am very lay

make sure to speak very slowly and have clear structure, also please be loud and have sufficient hand gestures so as to emphasize your argument.

If you speak very quietly I will be unable to hear what you are saying and thus I will rank you last-sorry-but if I can't hear it, I can't judge it.

General-

Please be polite to me and to your opponents.

If I am judging PF or LD, send cases to grace7bh@gmail.com, this way I can follow along and make my decision easier.

Prose: Coming from a background in UIL and standard prose & poetry- the point of this event for is not so much action/flashy based, but all choices of the performance should be made from the text and not just so it it gimmicky. I appreciate the time and commitment that it takes to do certain binder techniques- and I'm not against it, however that shouldn't be the driving factor in your performance. Let the author's words breath what they wanted to say.

Duo: Duo was always my favorite event to compete and judge in; performing the choreography, sound effects, and lines perfectly in sync with another person without looking or touching them was always an incredible. I'm looking for polished, passionate, and hard-working teams. The genre of the selection doesn't matter, if the performance is capturing comedically or dramatically, the effect is still the same and the audience and judge should want another 10 minutes of the performance.

Duet: I don't think that duet's should go along with the moniker of being super 'clean' like duos - meaning poppy techniques, duets should be raw performances between two people, you can touch and look at each other, use it!!! Doesn't matter if the performance is funny or sad, it should still be entertaining and unique!

HI: I did HI for 4 years and loved every minute of it.

HI is the hardest event to go in front of everyone and perform- you can fake sad, but you can't fake funny. I'm looking for clean/innovative technique, non-recycled jokes and characters, and biting/clever humor. You don't have to have 30 characters if they aren't all polished, it'd be better to have 4-5 really solid ones instead. Make the story clear! There should be a point to HI's, and not just joke after joke. My favorite HI's are the one's that trick you into either feeling something, thinking, or laughing hard. The effort goes a long way.

DI: This was the most important event I ever competed and judged. Competing at Nationals in it really made me think about what a good DI is. The best DI's do not have to be full of sobbing, yelling, or crazy technique. The ones that make it all the way have a sense of humanity to them. Even when you're playing someone else- there is a person behind that performance and it should be embraced. DON'T TRY AND PERFORM LIKE SOMEONE ELSE, overacting killed so many beautiful pieces. Be honest, be passionate, and have a message.

Every single DI should have a message. What's yours?

As a judge, I highly value the art of oration, emphasizing the demonstration of skill, poise, and the meticulous presentation of detailed evidence. I understand the challenges posed by virtual delivery and expect participants to approach the event with the same level of preparation as they would for an in-person competition. For virtual performances in, I request that the camera be positioned to capture the speaker's full body or at least knees and higher, if feasible.

While I acknowledge the importance of author's intent, I firmly believe that it should not be the sole determinant in ranking a round. Mature material, including the use of profanity or expletives, is acceptable to me as long as it is not excessive and serves a necessary purpose, such as contributing to the climax, character growth, and/or development.

For safety reasons, I refrain from handshakes. As the NCCFA NATIONALS champion for prose poetry and a consistent judge at TFA state 2022, and 2023. As well as the district qualifying competitions from 2018 to date, I have also judged a variety of debate events including Congress, CX, and Lincoln Douglas. My experience has honed my ability to provide students with valuable feedback to enhance their speaking abilities both within and outside the competitive rounds.

Howdy! My name is Linnea Brashears, and I am a current student at Texas A&M University in College Station, TX. I graduated from Veterans Memorial High School in Corpus Christi in May of 2020. I was very active in TFA Speech and Debate tournaments, and competed all four years in Interpretation and Speech events! As a judge, I recognize implicit bias, and it will never influence the result of a round.

For Interp Events (including PO, PR, POI, HI, DI, DUO, DUET) I request that:

The speakers utilize strong, memorized, and captivating intros, after a preview of their pieces. Binder work should be clean, and choreography/transitions should be crisp! I'll be looking for authentic presentations and realism in pantomime. I want to feel what your characters are telling me they are feeling!

For Speech Events (including INFO, OO, FX, NX, DX) I request that:

The speakers utilize strong, supported, and captivating intros that are well memorized and are relative to the speech being presented. As a judge preference, I like when speakers utilize the orator's triangle, however, it is not totally necessary. Transitions and intro sentences to each topic should be relevant, and the organization of the speech is very important! I also look for creativity and originality within topics. Remind the audience of the significance of your speech frequently. Visual aids should be neat, necessary, relevant, and should only aid the audience in understanding the speech.

For Debate Events (LD, CX, PF, BQ):

Speakers do not spread and I would always appreciate an off-time roadmap. I like to see good sportsmanship. It is debate, not an argument. Lay judge

I look forward to seeing your talents!

I am conflicted with Cypress Park Hs.

Individual events: I look for strong characterization, rhetorical appeals, vocal variety and inflection, expressive facial/ body movements, clear enunciation, confidence, and creative delivery.

Debate events: I look for conversational tone of voice, clear and average paced speaking (No spreading), Rhetorical appeals, strong reasoning and logic, current and credible evidence, and impactful connections.

What are your stylistic preferences for extemp? How much evidence do you prefer? Any preference for virtual delivery?

It's important that the extemp format is followed. I would prefer there be a min. of 2 sources per point. I prefer an AG that you can tie back to during each transition.

What are your stylistic preferences for Oratory/Info? How much evidence do you prefer?

Much like extemp at least 2-3 sources per point. I like the intro to be tied into the subject and your transitions link back to your AG.

Any unique thoughts on teasers/introductions for Interpretation events?

I love teasers! Make sure you intro truly introduce your piece and it isn't too long

Any preferences with respect to blocking, movement, etc.?

I prefer there to be lots of movement and blocking. Help me visualize where you are and who you are talking to.

How do you feel about author's intent and appropriateness of a piece? For example: an HI of Miracle Worker (author's intent) or a student performing mature material or using curse words (appropriateness)?

I'm not ok with vulgar pieces. I am ok with some profanity but not a lot.

WSD Judging

I'm looking for teams who can defend their case and attack their opponents. I expect you to use the proper terms (opp/prop/motions) You will lose points from me if you are rude in anyway. I'm looking for everyone to be good speakers and be able to explain their side in a way that makes sense and convinces me that you should win.

My judging philosophy is very short. Its your debate, not mine. Stay organized and tell me where and why to vote (signpost plz). Speak clearly. Speed is not an issue for me, but do not sacrifice clarity. Write my ballot for me.

I am the Director of Interp and Oratory/Assistant Director of Forensics at Seven Lakes High School in Katy, Texas. I did speech in high school in Texas, and I am also a thespian -- I have a BFA in acting and I was a theatre director prior to specializing in Speech and Debate.

Conflicts: Seven Lakes (TX), Wimberley (TX)

First and foremost, I am a theatre person and a speech coach by training and by trade.

Congress

Don't speed through your speeches, speed matters to me. Style matters to me as well, I am looking for structured arguments with clean rhetoric that comes in a polished package. Introduce new arguments. In questioning, I look for fully answering questions while also furthering your argument. I notice posture and gestures -- and they do matter to me. Evidence should be relevant and (for the most part) recent. Evidence is pretty important to me, and outweighs clean delivery if used properly. A clean analysis will rank you up on my ballot as well. Don't yell at each other. Overall, be respectful of one another. If I don't see respect for your fellow competitors, it can be reflected on my ballot. Don't rehash arguments. An extra speech with something I have already heard that round is likely to bump you down when I go to rank. As far as PO's go, I typically start them at 4 or 5, and they will go up or down depending on how clean the round runs. A clean PO in a room full of really good speakers will likely be ranked lower on my ballot. As far as delivery goes...as it says above, I am a speech coach. Your volume, rate, diction, etc are important. Make sure you are staying engaged and talking to the chamber, not at the chamber -- I want to be able to tell that you care about what you are speaking on.

Interp:

I am looking for honest connection to character and to text. Blocking should be motivated by the text and make sense for the character. I look for using vocal variety to add to the text and really paint a picture. I want you to really connect and tell the story. I also look for an overall arc of the story, clear beat changes, and clear emotion. I also look for clean diction and an appropriate rate of speech. Additionally, environment should be clear and blocking should be clean. In single events, I want to see the connection to your “other” (who are you sharing this with in the context of the story). In partner events, I want to see you really connect to each other. If you play more than one character, I am looking for clear and clean differences between the characters. Overall, tell your story. Connect to character, and share that with the audience.

Public Speaking:

Delivery is very important to me. Be careful of overusing gestures, make sure they have a purpose and enhance what you say. I want to see you connected to sharing your speech, not simply reciting something you memorized. While I do tend to notice style before content, it is important that your content is accurate and adequately supported. The content of the speech and the way it flows is important. I also look at diction and rate of delivery. In info, I do like fun interactive visuals—but they need to enhance your speech, not be there just to fill space. Overall, I want you to be excited about your speech and to have fun delivering it.

PF:

• I try to flow, but please make sure you reiterate important points as they become useful to your argument.

• Speed is okay, as long as I can understand you.

• Articulation matters to me. I would rather you speak a little slower and not get caught up in what you are saying.

• I really look for you to answer each other’s attacks on cases, not just repeat what you have already told me if it doesn't address the opposing case.

• Giving me a clear road map and sticking to it always helps.

• If a team is misrepresenting evidence, make it clear to me and tell me how they are doing so.

• Overall, I want you to tell me why you are right AND why they are wrong. Make sure you are backing up your claims with evidence and statistics.

PF/LD Paradigms

I’m first and foremost an interp coach. Treat me like a lay judge who happens to know the rules (and yes- I know the rules). No spreading, clash is fine. If you really want to pick up my ballot, be sure to focus on cross-examination. I find that a strong, quality CX can illustrate your ability to communicate, prove your points, illustrate your knowledge and understanding of the debate and show your best engaged debate skills. Anyone can read a prepared card. Show me you know what to do with it.

On an aside, I do like debaters to keep it professional. I like it when people stand for cross-examination and are polite and supportive to their opponents before and after the round. I like it when I feel the teams are focused and paying attention not only to their opponents' speeches but also to their team member's speeches.

Congress Paradigms

I look for competitors who are prepared to speak on any topic - especially if they have prepared to speak on both sides of the topic. I look for quality speeches that add value to the debate; if we're four cycles in and you aren't bringing new information, crystallizing information we've heard, or providing a new rebuttal then it's easy for your speech to get lost amongst the masses. Activity in the chamber is good - I'm looking for you to be engaged in listening to other speeches, asking valuable questions, and working together to run a fair and efficient chamber.

Interp Paradigms

I was a high school competitor all four years - competing in all Interp events (DI, HI, OO, prose, poetry, Duo, Duet) and Congressional Debate. I competed on the Texas and National Circuits. Here's the big thing to know - you should never change your style, material, or story to try to get my 1. I will always respect the stories you choose to tell, the performance you're developing, and your courage to be you and share messages important to you. Just be you. My ballots may sound tough, but it comes out of a desire to help you improve. I've provided insight into what I'm looking for but none of it should force you to change your content.

For Interp Events, I'm looking for honest storytelling (talk to me like a person) and tech that helps enhance your story and not detract from it. I'm looking for clear, well-developed characters. I'm looking for an excellent intro that provides meaning and importance for your piece. I'm looking for excellent execution of pacing and incorporation of levels. Draw me into your story and leave me with something to take away. In addition, for all binder events, I'm a stickler for binder etiquette.

For Public Speaking Events (OO and INFO), I'm looking for topics that you are personally invested in. I'm looking for an engaging AGD, a clear vehicle, and well-defined points supported by a balance of ethos, pathos, and logos. Share your heart story and be honest with it. Most importantly, these are two events where you can really be yourself. Be your best self, sure. But don't feel like you have to put on a whole song and dance to get my one. I'm looking for an inspirational, conversational tone. INFO - I'm looking for creative visuals that are well-executed and add value to your speech without being a distraction.

For Extemp, I'm looking for a clear understanding of the question and a definitive answer with supporting analysis (cite those sources guys). Two points or three points are fine, depending on the question and your approach to answering the question. I just want your speech to have a clear sense of structure and organization. I'm also looking for strong presentation skills. Have vocal variety, adopt a conversational tone, know how to present in a way that is approachable for all audience types and not just those well-versed in current events and extemp. Don't be afraid to crack a joke, but don't rely purely on humor. Fluency breaks, circular speech (rehashing points and repeating yourself), and poor time management could affect your rank in round.

General note for everyone - I have a really bad thinking face and I'm going to look confused and upset. I'm not - don't take it personally! It's just my face and I don't really have a whole lot of control over that. Plenty of times I've had my own students tell me they were sure I hated what they were doing and then I was very complimentary of their work. So I promise you my face has nothing against you! It's just a grumpy face.

Prepared performances with a well balanced storyline and distinct characters.

I’m a parent judge. Just make sure to be kind and respectful in round and you’ll be fine !

I did speech for 3 years in high school and have continued as on the Texas A&M Speech and Debate team in college, where I am captain. I have competed in POI, POE, DI, PRO, MONO, and OO, and have experience with nearly every other speech event as well. I qualified to the Oklahoma 6A State Tournament in 6 events over 3 years, and was a 4-time finalist (POEx2, DI, OO). I was also a 2019 NSDA Nationals qualifier in POI.

When judging performances, I look for:

-strong source material and creative/unique topics--nothing I love more than a piece that's been crafted together masterfully

-passion and believability--convince me you care about the topic so that I will care too

-clean performance--distinct character voices/faces/postures, smooth sharp transitions, intentional and obvious gestures/pantomimes

Other things to note:

-do NOT be on your phone during others' performances

-be respectful and kind to your competitors

-if your piece has exceptionally triggering content, it's best to give a warning to the room before you begin

-I do not tolerate racism, sexism, homophobia, transphobia, ableism, or any other offensive content. I understand dramatic pieces occasionally deal with these topics from the perspective of the aggressor, but this should be done tastefully. Additionally, certain pieces over certain topics should be performed only by people that have the jurisdiction and access to them.

Most of all, enjoy the performance and the competition! You're here to have fun and challenge yourself, so do your best and you'll be fine.

When it comes to interpretation events, I am drawn to performances that marry the synergy between literature, fully crafted performances, and effective blocking. I'll be looking for a well-crafted and engaging message that not only captivates the audience but also demonstrates a deep appreciation for the literary nuances in your chosen material. Ensure your content is not just spoken but embodied, utilizing effective blocking to enhance the visual dimension of your performance. Your delivery remains pivotal, so articulate your words with confidence, using your voice, body language, and strategic blocking to create a cohesive and immersive presentation. Pay attention to pacing and timing for a seamless and dynamic flow. Tell me a story, take me on a journey, and make me feel something!

--Speech--

Hi y’all! My name is Fernando Cereceres. I’m a speech judge who specializes mostly in the interps.

Overall, within any speech, I like to see both physical control of your body within the space and verbal control over your speech. Facial expressions are EVERYTHING!!! Even within Extemp, oratory and info, showing us that you know/care about what you’re discussing is extremely important.

EXTEMP:

First and foremost, I judge based on who answered the question best through their 3 points. I then look at the content of each point and see how your sources/analysis tie back into your Q&A. Delivery/hand gestures in extemp are important as well. Make sure that your delivery matches the theme of the content you’re giving. For example, it’s probably a good idea to not have a super upbeat/happy vocal delivery when discussing international conflicts. Same goes for hand gestures, make sure they’re motivated and not just used for filler.

OO/INFO:

For both INFO and OO, I usually judge based off of topic, solutions/implications, and delivery. The topic should be something fresh and interesting, something that makes the audience go “what? I’ve never heard of that. That's so interesting.” This isn’t to say that if I’ve heard about your topic before then I’ll down you, but it’s all about how you present/perform the information as well. Solutions and implications should also be fresh and well thought out. They should be thought provoking for both the judge and the audience and should make us see your topic in a more nuanced way. Delivery should match the content of your speech. Whether it’s serious, funny, or impactful, your vocal delivery and gestures should match that.

INTERP:

I judge interps based on topic/argument, character work, and moments. The topic/argument of your piece should be fresh and intriguing. Why is your piece important for the audience and how does your argument introduce a new way of thinking for us? Character work is also extremely important within interp. Do you embody your character? Are the choices you make as the character authentic to who they are? Lastly, moments are extremely important within interp. What I mean by “moments” are the occurrences within the piece that you, the performer, decide to give special emotional significance to. For example, the climax of the piece should always be a “moment” where we get to sit with your character at the peak of their emotional journey. There are also moments outside of the climax where people layer the performance with emotion and subtext that contributes to character/plot development. Choose your moments wisely and commit to them 100%. I’m also a sucker for silence within a piece. Silence, if done right, can communicate much more effectively than words can.

Author's intent: I stand by the author's intent unless it’s part of the performer's argument to perform something outside of the literature's intended purpose. In that case, it must be explicitly stated within the intro as to how/why the performer decides to do something outside of the author's intent.

As a judge, I look for a couple of things. Overall, I want to see you engaged and having fun with it, and not seem like you are forcing it.

Speech/Interp:

1. Good Introduction, those first few seconds need to get me engaged.

2. If it's a binder event, please don't read of the pages every few seconds. Have a good portion of it memorized.

4. Emotion is key! This is something I really look for, especially in DI.

5. Keep me entertained and hooked to your piece.

6. Good diction, tone, and use of appropriate gestures.

Debate:

1. Clear understanding of the topic being debated.

2. Good evidence and sources.

3. Be kind and respectful towards your opponent.

Speech:

Intros are one of the most important parts of a speech. Make sure to explain your topic well and draw me into your piece and connect it with your story/piece. Be influential.

Movements and gestures need to appear natural, smooth, and flow naturally with speech.

When you are performing the emotions needs to genuine rather that it makes be believe and I'm in the story or it comes to life.  Draw me into your world. 

Debate (PF/LD/WSD):

Do not SPREAD, so what that means is if you are gasping for breaths you are going to fast or if it turns into one long run on sentences then that doesn't do it for me.  I do not need you to read all of your "cards" or evidence but rather snippets of it and the importance/impact of your evidence. 

Make it clear to me, essentially writing the ballot for me will get you the win.  Thus that means you are connecting the points for me rather than me having to guess what the purpose or point is.  

Congress:  Do not repeat the same points over, especially if we have been three rounds of speakers in.  Would prefer some clash and evidence to back up your points and reasons. 

Extemp: A roadmap would be good along with three points.  I like to have two pieces of evidence per each point with a variety of sources. I would like to have an intro and your conclusion to link back to your intro.  If you can weave your intro throughout your entire speech that would be better.   

I am a retired speech and debate coach and am comfortable with all debate, speech and interp events. In CX I am a stock issues/policy maker; in LD I am more traditional; in PF I look for evidence and analysis. Congressional Debate and Extemp need evidence and analysis as well.

General info for all debate—

1) no speed - this is a communication event

2) follow guidelines for each event that make that event unique.
3) I prefer a debate that is organized structurally so I may flow easier. I like internal structure like A, B, C and 1, 2, 3.

4) if an argument is not attacked it is a drop unless originator of argument fails to extend in which case it’s a wash.
5) CX is for asking questions not making speeches. Keep it professional.

Specifics

LD- I expect a value & criterion. When topics are policy oriented, I can vote on policy. Regardless, I find standards to be important, especially how debaters respond. Please be sure to respond to the FW. I do not view LD as one person policy so be aware of your argumentation style.

CX- this is a team event and both partners need to be actively involved in the debate. I expect the affirmative to offer a plan. I am fine with counter plans but if one is presented it must be competitive with the plan (either mutually exclusive with the affirmative or be undesirable in conjunction with the plan). I am fine with disads. I don’t care for Kritiks and would prefer you debate the topic rather than make theory arguments. I want a friendly debate free of rude or negative comments and a cross ex that is meaningful and helps strategically set up future arguments. If you are varsity and debate a inexperienced team help make it a teachable round so they remain interested in the activity and grow as a debater- no need to beat them up and discourage inexperienced teams. I do evaluate the stock issues first and then look to policy making. I do my best to come to the debate with an open mind. I also like the debater to be clear in extending arguments, I expect credible evidence (explain why it matters) and to provide analysis and voters.

I competed in the San Antonio high school speech circuit from 2013 to 2016.

I value professionalism and respect. Any instance of rudeness/bigotry/disrespect in any form will be weighed heavily in my decision making process. Besides these preferences, I am very open to any and all forms and interpretations of speech. Perform the way you perform best.

Info/Oratory: In oratory, I look for a persuasive argument that convinces me about something I may have never considered. In informative, I simply look to learn something new. I am someone who highly values an evidence based argument. I will pay attention to the sources you cite and will verify that they relate to your argument in the way you suggest. That said, your argument should not be a mere recanting of your evidence, it should be only supported by it.

Interp events: I look for genuine and entertaining story telling. While I expect to laugh a lot in humorous, I also prefer performances that tell an entire story. Your HI should not feel like a standup routine. In dramatic interpretation, I look for a character arc that develops throughout the performance. While I am open to any and all kinds of acting choices, I will say that even the most arduous of emotions are often best conveyed with subtlety, rather than in-your-face intensity. I am very lenient when it comes to profane language. As long as the language you choose to use adds to the story and doesn't feel out of place, go for it. That said, don't try to use profane language just to be funny. I find profane things funny all the time, but I won't laugh at something just because it is profane. Also, no slurs. I will not tolerate any form of slur, no matter the context.

Teasers: I prefer brief, attention catching teasers. I don't necessarily need a summary of what's to come, but rather just a sneak peek. Feel free to use your teaser to connect your piece to your personal life, but don't try and take it too far (i.e. "My grandfather's friend once had a barber that also went through a similar experience...). In other words, you are welcome to tell stories that are different from your own, but if that's the case then don't try to make it personal in your teasers.

Speech/Debate - as a general paradigm, I need to be able to understand you.

Debate - no spreading

Extemp- looking for organization in how you answer your topic/question: intro, 2-3 main points with sources, and a conclusion that wraps up your speech.

I’m pretty lenient. I don’t care if you cuss, just tell your story the best you can. Make sure to have distinct characters, clean transitions, clear blocking and don’t yell as your way of “emotion “. Other wise I’m pretty cool with whatever. Just tell the stories to the best of your ability, DONT FORCE EMOTIONS. Thank you :)

I have been a judge in some capacity (coach, hired) since 1998. I've seen many trends come and go. I used to be a traditionalist when it came to interp and blocking, but understand how the events have evolved and adapted my judging to suit what the community has deemed appropriate. However, here are some event specific elements of my paradigm.

Extemp - I believe that fundamentally, an extemp speech must be founded on answering the question that is posed. I think the unified analysis is the best way to support your thesis, but am open to other organizational methods. Source citations should include the name of the source and the date for me to give them full weight. I know what's going on the in the world. Do not lie or embellish with me. It will not go well. I would rather have someone give their best try with a hard topic than to have someone make things up or misrepresent the facts of the matter. Especially with having access to the internet, there is no excuse for making things up in Extemp.

Informative - I have been around Informative speaking for a lot longer than it has been a TFA event. This event is one where you can do a speech about anything, but that doesn't mean you should do a speech about anything. It should be something where you are informing us about a topic with relevance to you (the speaker) and which you can "sell" to us as interesting and relevant to us. The quality of visual aides matter. Sloppy VAs speak volumes about the speech. Neat and clean VAs speak well and set a good impression. This should not be Infosuasion (meaning that it is a persuasive in tone, but using VAs). The best informatives have balance in them (pros and cons) and a lot of information that we wouldn't otherwise know but for this speech. Source citations should include the name of the source and the date for me to give them full weight.

Oratory - I think the best oratories are ones where they are relevant to everyone in the audience, as well as the speaker. Oratories that are overly-focused on the speaker tend to be exclusive and I think feed into the perception of this event as "bore-atory" I like advocacy focused on Problem - Cause - Solution or Problem - Cause - Impact or something similar. Source citations should include the name of the source and the date for me to give them full weight. Personal examples are ok, but should not be the main part of the support for your speech. Research is important for good persuasion for a Logos person (that'd be me).

DI/HI - I lump these together because I view good interp from the same lens. I think that the best interpers make you forget that they're a high school student performing at a speech and debate contest. If it is serious, I want to feel like you set me in that scene and that you are your character(s). If it is funny, I want to see the scene play out with the humor being an integral part of the cutting and your performance. I think blocking is a compliment to the performance. It should not distract from it. The choice of literature matters. DIs should present a good exploration of the dramatic curve - in otherwords, don't stay at one level the whole time. Have some development from start to climax to conclusion. HIs should similarly utilize the dramatic curve to build to the climactic humorous scene or event. Audience appropriateness is also an element in my judging for these events. Both in the performance choices and in the literature selection.

POI - Notice I didn't lump POI with the other individual interps. While much of the same is true of the performance elements as those events, I fundamentally believe that POI must have a thematic argument that the program explores. It is not DI with a few poems thrown in. It is fundamentally different from the other interp events. The intro must establish what this argumentative framework is for me to really appreciate the thematic choice. I also believe that the best POIs are inclusive of the audience in terms of interest and relevance - similar to my thoughts on an OO. Book work should be complimentary and not distracting from the performance.

Duo/Duet - In addition to my thoughts on DI/HI, I think how the performers work together is essential to a great partnered interp event.

Impromptu - The speech must be based on the topic drawn. Please do not shoe-horn in a canned speech into whatever quote you drew. Use your knowledge. Distill a message from the quote/topic, take a position on the message, and back it up with examples. I think variety in example areas and mastery of what you're talking about are important. I think the best impromptu speakers used 1:00-1:30 of their prep time to leave 5:30-6:00 for the speech.

Prose - See my DI/HI and POI commentary.

Congress

I appreciate competitors who are knowledgeable enough to speak extemporaneously while addressing information and speakers that have already participated. Students should participate actively in the chamber's motions and show leadership even when not presiding. Questions should lead to potential arguments.

LD

I tend to be fairly progressive and will listen to any arguments you run. I am fine with condo and collapsing. Winning framing is important and will influence my decision in the round BUT will not be a skate to a ballot. I don't mind LARPING or any other strat you may make use of, provided you do it well and convince me of your positions. I am fine with speed and will want to be on the email chain. I prefer philosophical debates but don't mind whatever you want to throw at me.

Policy - see above

I am a tab judge and am open to hearing your positions. I will not advocate on the flow. I am open to collapse strats and prefer non-generic arguments that have a real link. I wish we would stop arguing end of world impacts but will vote on them

I like to see a variety of sources in extemp. Don't just throw it in there to have it, make sure it helps paint the picture.

I like to see some type of extemp walk to help me visualize the speech more.

Threads not the most important to have in extemp, but there should be some solid transitions going into each point.

Significance in all speech events are super important to me. I need to know why I should listen to you.

If using language it really needs to have it's purpose.

Debate:

Talk Pretty

I enjoy role of the ballot and role of the judge you tell me how to vote on the round.

Run whatever as long as you can explain. Key word is EXPLAIN.

Don't be rude to one another or you will lose speaker points.

Decisions will based on you SHOWING me what the WORLD looks like on your side of the motion-stay true to the heart of the motion. I vote on big picture ideas and generally don’t focus on small unimportant arguments, if you feel you have won one of those and it’s as impactful as you believe, you should be able to turn it into or connect it to a big picture argument. I don’t think that Speed belongs in WSD, speaking slightly fast is okay but so fast that you lose style is not what this type of debate is about. I am a big advocate for structure and roadmaps. I don’t want to have to guess where you are going or link your statements to the appropriate arguments, that is your job. Setting up a framework, including definitions is critical to aid in the structure of your case however should not be done to over burden or be abusive. Reply speeches should be treated like a Final Focus and leave me with a clear understanding of why I should vote for you. It should not be a pure argumentative speech rather clarify and tell me why I give you the round.

Hi everyone! :)

My name is Joseph Cyrus, I competed for Midlothian High School and I now compete for Bradley University.

I've done just about every event but I specialize in interps

PA: While I find content to be very important, I tend to judge more off delivery.

LP: Answering the question is the most important thing to me. Your content and delivery can be some of the best I have ever seen, but if you don't explicitly answer the question I can't justify a high ranking.

Interps: Choices are everything. What you choose to do in your performance ultimately impacts my decision. I want to see layered performances with intentional choices being made by the performer. In terms of programs, I want to see how your lit choices impact your argument and if they actually fit what you are trying to argue. Consistency with your character choices/overall characterization is very important to me, especially in programs and HI.

ELA Teacher - do not like spreading. If a student speaks so rapidly that they cannot be understood - it doesn't work well for me. I need to hear the arguments, evidence etc.

Overall in Online Performance:

• Blocking is an essential tool to help move the performance along. However, in an online world, make sure the camera is propped in a favoring fashion.
• make sure you are always on frame

Speech IEs

• Clean and polish performances go a long way.
• Articulation is a must (make sure your mic is picking your voice crisp and clean)
• Character(s) should all be unique and well developed.
• Make sure all characters are differentiable
• Big fan of innovative blocking or performances.
• All blocking should be meaningful and purposeful
• Make sure your intro says the importance of the piece.
• Use time wisely, nothing too short, and definitely nothing over time.
• I'm okay with mature content as far as it is done with professionalism and matureness.
• NO insensitive or appropriating content
• If you use the binder as a prop, make sure it is clean and clear.
• Proper binder tech.

L.P. and Public Speaking:

• Clean and Polish performances
• If you are able to use body points or speaking triangles, do so.
• Be Creative with road maps and A.G. ( Extemp, Impromptu, etc.)
• If you have visual aids (V.A.s), you are familiar with them.
• Make sure sources are cited completely, with the date and where from.
• creativity and outline are a big plus (O.O.)
• Try to stay away from Cookie-cutter, overdone topics.

In speaking events, it is extremely important that you always keep the interest of your audience with relatability, organization and good vehicle. Delivery should feel conversational with a good pace and easy to understand. Speeches should have good organizational structure that makes it easy for the audience to follow along and sources that help build credibility. Lastly, speaking events should include motivated gestures, facial expressions and a variety of vocal expression.

In interpretation I appreciate natural acting and blocking with a purpose and feeling the real emotion. The audience should feel the emotions of the characters. I also look for believability of the characters.

In debate, I should be able to follow along with the story created which means you should have clear explanations. I do not appreciate being rude or aggressive towards your opponent and I do not appreciate excessvie spreading. If I cannot understand what you are saying, it makes it hard for me to take in your arguments. It is not how many arguments you can get in, it is who has the strongest case.

If you plan on emailing the case to your opponent, please include me in email: cassy_molina@yahoo.com

--Speech--

As far as extemp/oratory/informative, I look for a least some evidence to support their point or topic. However, these are speaking events so "speaking skills" are important to me (rate, diction and delivery).

When it comes to Interp, I am all about the story and the journey, regardless of humorous or dramatic. Introductions can be at the beginning or done as a teaser (whatever works). I have no specific issues with lots of technical blocking or no blocking at all...it all depends on the piece and how well it is executed. Some pieces require lots of tech and some are very simple and need almost nothing.

I am a Theatre Arts coach and a Interp Coach, so acting is the most important to me. And, I am a big fan of keeping with the author's intent. I am pretty liberal about mature material, however it has to be appropriate for the piece and needed, not just mature to get attention. I do not like it when an actor makes up things and adds to the script for no reason.

I judge speech and interp based on the rules and based on the round--comparing the performances in the round. I think author's intent is important for interp. I think communication skills, organization, rhetoric and evidence is important in speech events.

Please do not spread in debate events, as I will have a hard time voting for you if I can't understand what you're saying. Other than that, I am open to all types of arguments (Ks, theory shells, counterplans, traditional cases, etc.) In speech events, I like lots of analysis and evidence, with less focus on fluffy intros. A little bit of humor is fine, especially if it relates to your argument in some way. Also, please don't say anything racist, homophobic, etc, and be nice to your competitors.

Hello all!

I was a middle school speech competitor, a TFA competitor all 4 years of high school, a NIETOC Champion and Top Speaker, as well as a member of the University of Texas at Austin Individual Events team. I did speech for 11 years of my life, so it is fair to say, I have seen my fair share of performances. I am now the coach of a program in San Antonio, Texas and I coach my students in the same way that I want to see other students perform their events: high quality content, thought-provoking ideas, and, most importantly, trauma-informed or better yet, trauma-free storytelling. My question to you: whatever happened to performing pieces about joy? Where are those pieces?

Things I like: new material, weird or interesting conceptual styles of performance, literature I have not seen 1000 times, clever arguments, care for the time given to you (only 10 minutes), attention to detail, new sources, unique literature, pieces about trauma that don’t actually depict graphic elements of that trauma, clear Oratory structure (whatever it is, make sure I can follow along), clean visual aid boards that make sense and are not just for the sake of the event, humorous pieces that are actually funny and can make me laugh (try your hardest).

Things I do not like: lack of trigger warnings for graphic content, violence for violence sake, homophobic violence enacted in pieces ie gaybashing, showing or portraying violence without any reasoning as to why that violence is being shown to an entire audience, pieces about school shootings that offer no solution or aid to end the crisis our country is facing, POI’s that I cannot follow along with that have zero clear characterization, speeches about speech, pieces about speech, and did I mention that I really don’t like to watch violence enacted in performance?

Thank you to all who are reading this. I appreciate the value that each of you brings to this activity. It is easy to think that speech is solely for the self, but since we are putting on performances for audiences and people, we must MUST think about the messages and impact that your audience is seeing and taking with them as soon as they leave the room. What do you want them to remember when your time is up? That you were violent for no reason, or that you stood up for something that was bigger than yourself and changed their mind?

I am, at heart, a traditional judge, though I welcome innovative choices that make for effective storytelling in all events.

In extemp, I will be looking for a focus on the given question, clear points that support the speaker's answer, credible supporting sources, relaxed gestures that help emphasize important ideas, and a clear and smooth speaking style.

In Oratory and Informative, I will be looking for a speech that fulfills the purpose of the events - I should feel persuaded to some sort of action in oratory and I should learn something new and unexpected in Informative. The speeches should be supported with multiple, credible sources of different types. The speaker should be conversational in their delivery - formal enough to honor the topic, but casual enough to relate to the audience. Gestures should feel natural and flow from the requirements of the speech.

In the Interp events, I will be looking for an honest performance at heart. In dramatic, I should believe the emotional journey of the character(s), and should not feel overwhelmed by an overly intense interpretation. In Humorous, even when the source material is silly, the audience should feel the truth underneath the comedy. Introductions should be meaningful. If I am ever made to feel that I should not be seeing a high school student performing something (whether it is related to content or language), it takes me out of the moment and will have a negative impact on my ranking. Mature choices are fine, but it is important to maintain lines of appropriateness.

I want to see you become the character(s) you are portraying and have the most believability in the role. Often times in the speech world, I see so many students caught up in the “statement” of the piece, they are no longer focusing on the acting.

I want to see completely fleshed out characters and actors who have thought about each moment! Breathing, operative words, and event work is crucial.

Blocking should be creative but not steal focus. It should be used to enhance your piece and not done for the sake of doing so.

passion and creativity in OO, INFO, and Extemp is ranked highest! When everyone has the same great analysis, it’s the small things like the intellectual way you created your AGD or vehicle that make you stand out!

I am a traditional judge. I normally judge speaking events and interpretation.

In interpretation, I appreciate natural acting in most events with the exception of Humorous. I believe you can be fully animated in Humorous Interpretation. ALWAYS have purpose for your blocking. If you have blocking just for the sake of blocking or tech, I will rank you down. It is better to have real emotion than "fake crying" or a "crying voice." Always be true to your character(s).

In speaking, speeches should be delivered at a pace that is easily understandable. Organization is key as well as keeping the audience interested with a great vehicle.

I do not flow spreading. I believe debate is a communication event, not who can get the most arguments in the least amount of time (there is not a difference in "fast speaking" and "spreading").

I will vote you down if you are rude or aggressive towards your opponent. It is one thing to debate and clash against an argument, it's another to attack your opponent.

If you plan on emailing the case to your opponent, please include me in email: lyn_esquivel@yahoo.com

Interp: I look for characterization within pieces with motivational blocking. I want to easily be able to follow the story without over the top acting unless it's meant to be humorous or farce.

Speaking: I do feel that speakers should be interesting and vocally captivating as well as having important information in their speeches.

Speech - Organized arguments, credible sources, practical solutions, relatability is probably the biggest thing for me. I love speeches where personalities show through and I can see how you are as a person.

Interp - Relatable pieces with big, distinguishable characters.

WSD - I want a conversational round with a crystallization of points at the end. Clear voters are always the way to go. POIs should be addressed consistently however not everyone needs to be taken.

Head coach at San Angelo Central High School

Extemp:

The most important thing is that you answer the question as clearly as possible. This includes previewing your points, signposting throughout, and reviewing your points at the end that links into the conclusion. Adding a clear structure adds to the impact and value of your overall speech. It is to also help you not ramble on. It is also important to be creative with your attention getter, vehicle, and your conclusion. It will set your self apart in my eyes with creativity done well. Sources are very important, but answering the question your way is the most important, then use sources to back those up. Not the other way around. I look for all of those together and a good flow for my overall ranks.

Interp:

Everything you do in your performance must have purpose. I love creative movements, stories, and really anything as long as there is a purpose. I am ok with any theme or story being told as long as there is impact behind it. Facials, moments, and character development are all very important for the overall performance. DO everything you can to truly become your characters and be in the story you are telling. In close rooms, I always look at who does all of these things together the best.

Congress:

The most important thing in a congress room is to have a presence. Do what you need to do to stand out without personally attacking your fellow representatives. Always attack their points, speeches, and questioning to further strengthen your points, but not them personally. I look for how well you understand the legislation, how well you know the info, the impact your points have for fellow constituents, and the creativity of your speaking. You need to have passion and use points made in the round to help your own side out. I really like crystalization of points and not just continuing to repeat other people's points. Do these things and make me HAVE to put you at the top of the room.

LD:

I’m primarily an interp and speaking coach, so with that said, presentation of arguments is imperative. I still expect exceptional analysis on a substantive level, just know I judge debate as a speaking event first. The debater with the strongest link chain to access their impacts will win my ballot. The easiest way to win my ballot is in your voters section in your final speech, present your RFD for me. The less work I have to do at the end of the round the more likely it is you’ll win my ballot. Good luck and I'm excited to hear what you have to say.

I debated for 4 years in Texas in LD and PF and also competed in OO, INFO, IMP, and EXT. I currently compete for the Texas Speech team in Extemp, Impromptu, and public address events.

In terms of my preferences for LD/PF, I heavily value the framework debate and would rather you emphasize that than simply reading off numerous cards with no real clash.

As a judge, clear signposting is also very important.

I will make sure to extend arguments across the flow, but you need to explain what the argument entails, not just the card.

Speed is not necessarily a problem (if used well and appropriately), but I would prefer you avoid spreading and make sure to enunciate, especially tags and impacts.

On that note, aside from the framework, I weigh impact heavily.

Most importantly, please be civil. I know that CX and GCF have the tendency to get heated, but I don't think there is any place for disrespectful behavior or actions in a round that make anyone feel unsafe, unheard, or discounted.

For extemp, unified analysis is my preferred speech structure. I think it enables the speaker to showcase their existing background knowledge of a topic (something I would like to see demonstrated) as well as the new argument they're constructing during prep. Have your tags and sources memorized when you come into the round. Make sure, especially in FX, that your analyses and impacts are not from an ethnocentric view and take into account a broader perspective than just your own.

Hey!!

My name is Kaylee Frazier. I graduated from Grapevine High School and I now attend school at the University of Texas where I am on the speech team.

In high school, I competed in every event except for extemp. Specifically, I semi finalled at Nationals in Prose, semi finalled at state in POI three times, finalled at UIL state, and finalled in multiple events at the Longhorn Classic.

For speaking events, most of my notes will be about delivery, but the rank will be split more evenly between delivery and content.

For acting events, I am looking for specificity! What choices are you making as an actor and why?

I'm very excited to see your performances and hope I can help as best as possible

She/her

Coach at Plano East Senior High (2018 - current)

I like reading, quilting, and hockey (go Stars!) Also, I am learning Finnish (Minulla on oranssi kissa ja yksi poika ja pidän velhoista. Onnea!)

I enjoy judging IEs most.
In Extemp: I judge and coach extemp more than any other event. It is my favorite event. If speech 1 has amazing content but bad fluency, and speech 2 is beautifully fluent but all the content is made up, outdated, or wrong, I would rank Speech 1 higher. If you don't answer the ACTUAL question, you will not be ranked high, no matter what. I will be randomly source/fact checking 1 source per speech, plz don't make up your sources.

In Interp: you should be making an argument with your chosen piece. Explain that argument in the intro!! I do not like giving time signals in Interp, I will give them if you ask for them but I will be grumpy about it. The piece should be exactly the same every round, so the time should be about the same. Also giving time signals distracts me from fully evaluating and taking in your performance.

In OO/Info: be unique. Think outside the box. If you are using a traditional topic, put a spin on it. If I don't learn something new during your speech, I probably won't rank you high. Same as above about time signals.

Everything you do in round is judge-able!!! Be a good steward of this activity. Be quiet while judges are writing feedback between speakers. You should NOT be on your phone during round. Your commentary on or critiques of other competitors/performances are what we call "inside thoughts" and should not be uttered into existence.

In LD, I’ve gotten much more progressive, but I tend to still favor traditional.

-I generally do not like Kritiks in LD. If you can run the same K all year on all the topics, that's a problem - lazy debating. If you choose to run a K in an LD round I am judging, slow down and explain your arguments in your own words.

-On case attacks are important!

-Theory*** & CPs good.

-Do not read at me while giving voters.

-2AR does not necessarily have to be line-by-line.

-I understand spreading, but if you become unclear I will say "clear" once, and after that, if you do not clear your speaking, I will stop flowing, more than likely hurting your chances. 7/10 speed please. Slow down on tags please.

In PF, I’m traditional. I don’t like spreading in PF and there should definitely not be CPs, Theory, Kritiks, or anything like that.

In Policy, pretty much the same as LD above, except I have more tolerance for Ks in Policy because it is a year long topic and you have more time to read lit - you still should slow down probably and explain your args really really well. I have less experience in Policy than the other debate events, but I have some competitive UIL CX history and can cross apply progressive LD knowledge. My favorite thing about policy debate is when we have fun - read an unexpected case or a crazy off.

***Theory is fine, except for disclosure theory. Not a fan. For almost a century, competitive high school debate has existed successfully and educationally without needing to read your opponent's case ahead of time.

In all debates: I do not tolerate rudeness - especially in cx/crossfire. I love seeing passion in rounds, but being passionate about your topic does not mean you get to be rude. Excessive rudeness/terrible attitude results in lowest speaks possible. Especially don't be rude or go ham when you have an obvious experience advantage (4yr debater vs 1yr).

FOR ALL EVENTS IN BOTH SPEECH AND DEBATE

Things you shouldn't say in a round in front of me (or really at all tbh): r*tarded (it's a slur), anything demeaning to or derogatory about teen moms (I was one)

When rounds finish, don't say how bad you did or how you "definitely lost" while your judges are sitting right there literally still making a decision. You never know, maybe we thought you won.

If you must have an email chain, include me: madison.gackenbach@pisd.edu (see above note about how I think you should be able to debate without reading your opponent's case)

I look forward to hearing you speak!

What I look for in a speech depends upon the type of speech presented. If the speaker has created the speech--whether informative, persuasive, or original oratory--I judge the content of the speech, the logic presented, and the language used to communicate its ideas. Secondly I look at the effectiveness of the presentation. Those standards get flipped a bit in an interpretation category where the speaker has a choice of material written by masters of their trade. Presentation is judged more highly in this case. Although, I have a fairly liberal bias, when it comes to using other people's material, I like to honor the writer and their words by keeping their intent sincere.

Hello, there!

My name is Brooke and I’m a senior at Texas A&M University who is incredibly passionate about the craft of Speech and Debate! I currently compete in Parliamentary Debate and IPDA and have been for the last 3 years of college. I most enjoy serving as a captain and coach for my team as helping others grow (and learning from them, too) is another passion I have. This is also why I love judging and competing in this amazing sport!

For a bit of background, I competed in Speech and Debate events throughout the course of high school. I placed 2nd in UIL TX Prose in 2014 and 1st place in 2015. I have also placed 1st in Original Oratory in 2015. DI, HI, and Poetry are other speech events I’ve competed in. I also did a few months of competition in LD, CX, and Parliamentary through my homeschool co-op in 2017 (I admit, though, I didn’t fall in love with Debate until College)! Now, I am an avid Debate competitor in Parliamentary and IPDA and have ranked in 2019 and 2022.

My goal is to provide thoughtful and constructive feedback for competitors to look over after their rounds. I want to facilitate a safe space for others to learn from their co-competitors, and ultimately, have fun!

What I like to see in competitors:

-clear, concise communication. (Especially debaters) Arguments are only good if your audience understands them. Stay organized in your speech, and use as few words to say as much as possible.

-expression! (Especially IE speakers) Your body language and facial expressions are part of your medium! Use them to your advantage! :)

-counter plans are encouraged!! (Debaters: as long as they are mutually exclusive!)

What I do not like to see:

-spreading. (debate) I am not a fan as it is hard for me to follow along. Others may be able to keep up, but not me.

-hate, slander, racism, homophobia, cursing (unless for IE piece) or disrespect.

Best,

Brooke Hansen

I have been a parent judge since 2016. I mainly judged debate (LD/PF) and IE but sometimes also filled in for Congress, World Schools and other speech events.

I am pretty much a lay judge who votes off the flow. I am okay with speed as long as you are not spreading. Please keep in mind that I may not be necessarily familiar with the topic. So if I can't keep up with what you say, I can't weigh it and judge you holistically. During debate, please attack your opponent(s) case but not your opponent(s). Be respectful and don't be rude. Otherwise, I will dock your speaking points or give you the loss entirely.

My judgement is pretty much based on the following:

1) how you structure your case/argument,

2) your delivery; If you want to extend, extend things clearly across verbally (when extending don't just refer to card names, I want to see you extend what the evidence is actually saying/arguments in general),

3) be respectful and professional

Debate is not just a competition, it is also a journey. I am a part of your journey and want to do my part to make it a memorable experience for you. Go have fun and enjoy the moment & each other!

I competed actively in IE events in high school (OO, INFO, DUO, HI, DI, POI, Prose, Poetry), competing in both local Texas circuits and national circuits throughout my career. While I did have my opinions and artistic preferences as a competitor, I will not project those onto competitors as a judge.

Interp:

For all - Clear storyline, thought-out characters, and an intro that injects purpose to your piece are what I baseline look for. What stands out to me is when a performer has an artistic and powerful usage of volume, non-verbal expression, and pauses.

DUO - I care a lot about chemistry and cleanliness. Blocking should add to the story and be used purposefully. Partners should be in-sync and build off each other as actors.

DI/HI - I don't look for bells and whistles. I judge based on a clear, followable storyline (how well did you cut this piece), character arcs, and character work (character choices in physicality and vocal nuances should be purposeful). In either event, you should leave me thinking about something. Every good story has humor and heart regardless of the category of event it falls under.

Binder events - Just don't be reading off the text like it's your first time. Pages shouldn't be flying out of your binder while you're performing.

Public Speaking:

For both - There should be a clear structure in the speech. I don't have a preference for what type of structure. Delivery should be personable and natural, don't try to be someone else -- talk to me as yourself. The utilization of space should be purposeful and pointed. I care a lot about the passion and personal connection to the topic. I judge because I want to hear what you care about, so don't just have me listen to you talk about something for 10 minutes that you don't even care about (that wastes both of our time!).

INFO - I enjoy a creative visual, but don't let visuals take away from your speech.

Pieces and selections: Material should be primarily conservative in nature and age appropriate. Material should be memorized and all "blocking" should be original to the performer.

Acting: I am fairly open-minded when it comes to interpretation or adaptation of material. Stay true to the category: Dramatic needs to have elements of dramatization.

You will not go far with "shock and awe," I will be very clear about this point. The selections should be deemed literary.

When looking at a performance the biggest area I look into is commitment to the text. Is the subject matter taken beyond the surface level and is there critical thinking used through out the process. Which is evident by their perofmance.

I look to see if the performer has control of the audience.

I like seeing believability and authenticity. Something that goes beyond what is written.

I look for a clean speech that has vocal variety and does not sound over- rehearsed. Rather an organic piece that comes from the heart and not a paper.

All tactics will vary as the piece unfolds and I enjoy the unpredictability of it. Just like in life.

I have a very long history in speech and debate activities as both a coach and competitor. I have coached all formats of debate along with public speaking and interp events over the last 35 years. I attended high school in a small town Texas school back when dinosaurs roamed the earth, where I competed in policy debate, extemp, oratory, dramatic, prose and poetry. I also competed in college at Southwest Texas State University (which is now Texas State University) in NDT and CEDA along with individual events.

I have been the coach at James E. Taylor High School (Katy Taylor) in Katy, Texas for the last 25 years, where I have coached all events.

In debate, I tend to take a very traditional approach to evaluating rounds. As such, I don’t care much for conditional arguments or the theory spawned by them. I also expect the debaters to weigh arguments in the round and establish a decision calculus. I.E., if both teams present me with extinction impacts and the end of the world as we know it, each should give analysis on how I should weigh those arguments. Likewise, a framework should be established to weigh policy and non-policy arguments against each other. I much prefer to vote on the framework established by the teams in the round than be forced to intervene with my own.

I expect arguments to be clearly articulated and supported with evidence. To clarify: I believe that both the argument and the evidence are of equal value. I will not read evidence after the round unless the content has been questioned. It is the responsibility of the team to frame and support the argument and I will not read a card after the round and interpret it for the team. Also, while I understand that speed is relative and that what is considered fast in some areas is considered slow in others, intelligibility is of critical importance. I will not give any weight to evidence that is incomprehensible (see above). I will, however, try to indicate that speech is unintelligible.

Additionally, I have a very traditional view of the purpose of debate. I believe that we are supposed to be analyzing a specific resolution. I am very unlikely to vote for arguments based on the notion that the “debate space” is a forum to discuss issues of personal, rather than resolutional, relevance. If you want to posit issues (such as those of identity) which are not directly related to the resolution, you do not want me in the back of the room.

Generally, if you aren’t sure, ask and I will try to clarify.

In public speaking events, I generally weigh 3 things: analysis, organization, and delivery (in that order). In any public speaking event, I expect to hear citations of credible sources. In extemp I normally expect a minimum of 2-3 source per area of analysis (more is fine). In oratory or info, I expect the student to explain a source's qualifications. A clear organizational structure is required. In terms of delivery, there should be an appropriate level of gesture and movement. But all movement should serve to reinforce the content of the speech. Clear diction and intonation are also important.

Extempers--The analysis in the speech should stem directly from the topic question. If the speech doesn't directly respond to the question asked, you will end up with a low rank from me, no matter the quality of the speech itself. My number 1 rule in extemp--answer the question.

When evaluating interpretation events, I tend to look first to characterization. Blocking and use of space are also an important considerations, but I expect all movement to be motivated. Random movement, or movement just for movement's sake, is distracting and confusing. I have no particular preference on the use of a teaser, but I do want to hear YOU in the intro (as a contrast to the character(s) you are creating). In prose/poetry, the rules of the event require the use of a binder, so I expect you to at least pretend to occasionally look at the pages.

I am not offended by the use of profanity as long as it is integral to the selection performed. I am not a fan of using it just for shock value. Along the same lines, I am not easily offended, and willing to give some latitude on content of the performance. However, I am uncomfortable with selections that are extremely graphic and/or vulgar, or bordering on, or completely pornographic. I realize that it is difficult to explain where that line falls, and I do take that into account. Shocking just to be shocking doesn't score lots of points with me. Basically, if the piece would get an X-rating in a movie theater, I don't want to watch it in an interp round.

Online competitors: I will always take into account limited space, technical issues, etc., when evaluating competitors online. I understand that some things are just out of the student's control when competing online and I do not count that against the student.

Debate: No spreading. Offer clear arguments and reasons to direct me in RFD of the round.

Speech Events: Interesting and unique topic that holds my attention the entire time. Simple and clear presentation of speech. Good use of humor and research throughout the speech.

Interp Events: Great use of characterization and blocking. The piece should paint a clear visual of the scene that holds my attention. The topic should be relevant and important to the competitor and society.

Speaking ease and flow that takes the audience along a journey.

Gestures that appear natural, smooth, and flow naturally with speech.

A presentation that flows naturally and is easy to get lost in the story.

Points that are clear with good supporting material

Ease of speaking as if it were a discussion with a friend or small group of friends.

An emotional context that feels genuine and organic.

Make me laugh, make me wonder, make me cry - I enjoy it all. But most of all, make me believe.

I would consider myself a traditional speech judge. I am very comfortable judging all interp, public address/platform, and limited prep events. I have competed, judged, and coached at all levels (middle school, high school, and collegiate) and am open to the many styles of interp/performance.

As a judge, the thing that matters most to me is that your performance choices are intentional/purposeful. I want to feel like the choices you make are driven by the text. While I appreciate super cool tech/transitions and visually interesting blocking BIG TIME, I also don't like blocking for blocking's sake. If you are incorporating sound effects, etc. in your HIs and DUO/Duet transitions, they need to make sense and have artistic purpose.

Intros matter.

In all speech events, I am looking for the performer to truly CONNECT with their audience. This is just as true (perhaps even more so) for virtual performances. I like polished/clean performances that also feel conversational and authentic. I should always feel as if this is the first time you've spoken these words.

I am pretty picky about clean binder technique in binder events. Your binder tech (sloppy pages turn, etc.) should never pull my focus. This does not mean I don't LOVE cool binder tricks/additions to enhance POI/PR/POE performances. As long as they are clean/polished/purposeful, bring it on! :)

For Platform/Limited Prep Events, I am looking for solid structure (intro, preview/roadmap, conclusion, etc.), good variety of current sources, depth of analysis, and clean/fluent delivery. While delivery is certainly important, a few small fluency issues in limited prep won't bother me - I would ultimately prefer a speech with a strong analysis of the topic that isn't canned.

Overall, just try to have fun, take pride in sharing your stories, and I will have fun with you! :)

Experience: Competitor, judge, teacher and coach of speech and debate for many years.

What I look for: A speaker who keeps the audience in mind by applying speaking techniques that keep the listener interested. An overall perspective of the speaker is more important than "overly technical" aspects of your speech. Each speech or performance needs the basics: intro, body, conclusion (plot pyramid for interp); but beyond that I am open for the speakers to find their own unique ways to make their topics/literature interesting, relevant and purposeful. Treat the round as a "communication experience" and most important, have fun!

If you are competing virtually, it is important that you have your camera turned on while delivering your speeches. I do understand at times there are "tech issues," and I will not hold those issues against a speaker if you are making an attempt to establish a connection with the judge (audience).

For Congress, I care most about content of a speech. Too many debaters have unclear or missing links. If you don’t follow a link chain through, it will be very hard for me to see your argument as good or thoughtful. I don’t care about a base system- if you want to try for a third speech when everyone else is getting two, I will not penalize you, but an extra speech will only place you above someone if I’m struggling to decide who did better. For speaking style, I don’t judge off of how you sound, but detest rudeness and like professionalism. The real US Congress doesn’t start a speech with a joke or trite phrase, so neither should you. IF YOU USE A CANNED INTRO OR PHRASE I WILL NOTICE AND BE UPSET. Also, I don’t think any news site is good evidence and prefer you use actual research- not just reporting. 9 time out of 10, a news source will cite something else, and it's lazy citationing on your part to not cite the original source.

When you clash- you cannot just tell someone that they're wrong. You have to either weigh your impacts against theirs and tell the chamber why your impact is preferable, or prove their link chain is incorrect. The latter your speech is, the more clash I expect to see. If you're giving constructive speeches late into a round, I will not rank you well, if at all.

For POs- I want to interject as little as possible (someone asking for tournament rules, like about hard stops, does not hurt you). How smoothly the round runs is your main job and will reflect on your rank. If there are a lot of recesses for people to write because they are not prepared, then you will do worse. You should manage the round and that includes making sure people will have future speeches.

Congress-

Above all else, your arguement needs to make sense and be backed up with valid evidence. I heavily appreciate and value presentation, but it is not necessary to win. Preferably, speakers can combine strong speaking skills with intelligent and thought out claims. This includes both structural arguements and clash. If a competitor is speaking after the fourth speech of a given legislation, there needs to be clash with some arguement presented by the opposing side. This requirement only grows more important the later into a round you are. As for my PO's, the requirements to get a high rank on my ballot are to simply run the chamber efficiently. Don't mess up the rules and remain completely impartial and unbiased when at all possible.

Speech-

characterization is one of the most important elements I will focus on for things like DI and POI. Other than that note, my expectations and what I look for in speech and the usuals and fairly obvious. Speak well and pour yourself into your role or topic. For things like info, the topic should be presented as well thought out and planned as you can make it. Engagement is a pretty big deal to me, so make sure your listeners have a reason to care about what you’re saying.

PF Paradigm:

The number one priority of Public Forum Debate is that it remains accessible at all times.

Debaters are expected to time themselves and their oppenents. If there is some discrepancy on time, your speaker points will be in jeopardy. Please be responsible.

Go at whatever speed you are comfortable as long as it is not spreading.

I will flow what is said during speech, but not crossfire. I expect you to extend arguments from crossfire if you want to use them.

You must provide your win conditions. I need a framework to interpret how the round will be judged. That also means that weighing needs to be considers as well.

Don't assume definitions especially in the resolutions.

I will look at evidence only in the case that both teams appear to have evidence that contradict each other.

InterPA

Tech

Diction matters more in online competition than in face to face competition. In synchronous rounds, please emphasize your diction more.

You are welcome to ask for feedback regarding your placement within the camera.

I'd recommend you make sure the camera is perpendicular to your eyes/face. The angle coming from below sometimes makes viewing facial involvement unclear.

Preferences

Content Warning before your pieces. If you have any belief that your content could upset someone, you owe it to your audience to prepare us. Plot twists are not worth hurting your audience.

I really evaluate the quality of the cut/writing in close rounds.

A cut needs to have a clear beginning, middle, and end. The beginning means the characters, relationships, and problems are introduced. A perfect teaser has these element. The middle shows the characters attempting and failing to resolve a problem. The end discusses whether characters resolve or fail to resolve the problem and then what happen because of that.

Public address speeches follow some kind of previewed and road mapped structure to the speech.

Event Specific

Info

I don't evaluate lack of VAs as negative. I evaluate overused or nonhelpful VAs as a negative.

I don't really care about how you move in your speech.

OO

I follow PCS and CES structures the best.

I am sucker for empirics. I don't believe something is inherently a problem that affects everyone until you show me with a source that it affects people more than yourself. For example, if your speech is about how "We say no too much," you better prove beyond a doubt that we empirically say "No" a lot.

DI

I'm kind of over traumatizing DIs. DI is my favorite event though.

I value verisimilitude in the characterization and the blocking.

HI

Characterization matters the most. I value clear characters and efficient movement between the characters.

I also really pay attention to the resolution of the problem in HI. If the problem is resolved in a sentence or through an apparent unknown force. I blame the cut.

Duo

I hate how its done digital and really hope no one assigns it to me.

Blocking should highlight the conflict between the characters.

I find speaking towards the camera instead of pretending the two are in the same piece to be more believable.

POI

Characterization should be clear. I shouldn't doubt the differences between the characters.

Binder tech or lack of binder tech is irrelevant to me.

Extemp:

Tech

Time yourself for synchronous rounds. I don't trust internet connections to be consistent to allow me to give you effective time signals.

I can tell if you're reading off of your computer.

Sitting or Standing don't matter to me.

Preferences

I will flow the speech.

I don't look down on speeches past 7:00, but 7:20 is a little risk

Link back to the question always. Tell me why you are answering questions.

Fluency matters insomuch that I can understand you. Short pauses and disruptions will not be marks against, but if I cannot follow what you are saying then I will have trouble evaluating your speech.

I'm a very open judge when it comes to most things!

Speech

For exempt, I look at the content of your speech as well. If you are, seemingly, well knowledgeable and can make it feel conversational would be great! Citations are needed but will not count against you if you have only a few. Quality over quantity.

For Info and OO, please be certain to not include a call to action in your Info and watch your persuasive language. While in your OO, please use your persuasive language! Ultimately I judge based on style, originality, and content of your speech.

Interp

I prefer to have a small teaser before your intro begins. Besides that, your intro is yours! Do whatever you like with it!

I enjoy immersive blocking that not only builds upon the character but also the environment of the scene. Characterization, especially for HI, is key to make any piece an amazing piece! It's hard to make me laugh so if your HI makes me laugh... that's spectacular.

I like to see a great mixture of poetry, prose, articles, and other literature in your POI. I find it important to have a message in your POI and creative uses of your binder.

Congress

I mainly judge on how much you actively participate throughout the round and not just the content and quantity of speeches.

For POs, be certain to make control over the floor and your chambers.

For Speech events, I like a clear introduction. Teasers are ok. I like to see clear differences between characters both by physicality and by voice. I like to connect to the performance and judge on skill and on effort.

My paradigm is pretty traditional. Whether it's a debate or a speech, you must follow the format for that particular category. For example, LD Debate must follow the value/criterion/contention format. If you substitute a policy debater for a round, make sure they are at least familiar with the basics of LD! If they don't have a value/criterion, I will automatically give the round to the opponent.

If you start spreading to where I cannot understand you, I will automatically give the round to the opponent. Simply put, if I cannot understand what you are saying, I cannot judge it.

I know speech is subjective, and this is my own thoughts and opinions regarding the activity. I, by no means, know all the answers, and any notes are mere suggestions.

I try to judge each event based on how well the students follow the structure allotted: for example, how well is the extemp question answered? How is the interpretation humorous? In duo and DI, how well are the characters created and expressed?

I look for an understanding of the text, and an elevation of it through individual interpretation.

In PA, I focus more on how well I was persuaded/informed. I look at delivery and content equally, but love when a student is confident in their abilities and has fun :)

I'm excited to see all the amazing performances at the tournament!

In Public Forum and Extemp: I value delivery & analysis supported by evidence from credible sources. I want to know the significance of your topic and what are the impacts of your arguments, tell me why it matters. I can't vote for points and impacts I can't hear or understand, so slow up for key points and explain them clearly. Understand that you are Debating not Arguing, this is an important distinction that must be known by each debater!

In Congressional Debate: I value the natural delivery of points and impacts and reasonable positions. I look for acknowledgment of prior speakers' points and clash leading to good argumentation and refutation, and for purposeful questioning leading to clarity, understanding, or insight. A lack of clash is frowned upon. Knowledge of and adherence to Parliamentary Procedure is expected in the chamber. Skillful Presiding Officers make sessions a positive experience for all and will be ranked accordingly.

In Oratory, Info, and Impromptu: I value your originality, creativity, and persuasive presentation of ideas of personal importance. Cite your sources, explain their importance, and tell me why it matters.

In DI, HI, DUO, Poetry, and Prose: It is crucial that you tell a story in a meaningful and impactful manner. Characterization, gestures and facial expressions, and, vocal variation will all add to the overall decision. Along, with the dramatic structure of the piece and mindful storytelling!

Overall speaking skills or/and argumentation are critical to winning! But remember the most important thing is that you learn!

Spoken Word: It is crucial that you tell a story in a meaningful and impactful manner. Characterization, gestures and facial expressions, and, vocal variation will all add to the overall decision. Along, with the dramatic structure, organization, clear theme, and mindful storytelling!

I competed in primarily OO and INFO during all four years of high school, though I've dabbled in all of the Interp events (DI, HI, prose, poetry, DUO, duet) as well. In 2021, I was the double champion at TFA State in OO and INFO.

For public speaking events (OO and INFO), I'm looking for topics that you are personally invested in and is relevant to the real world. I want to leave the room learning something new and wanting to make a change in how I live my daily life. Content and analysis is important to change one's perspective on your topic. I'm also looking for a balance between ethos, pathos, and logos. Heart stories are important to me. I want to see why you are passionate about your topic and how it affects people on an individual level. Be authentic to yourself. I want to feel inspired and like I'm simply having a conversation with you. Speak to me, not at me. For INFO, I'm looking for visuals that are necessary and not techy. However, don't be afraid to spice them up! I want to be visually engaged, but not distracted.

For Extemp, I'm looking for a clear answer to the question and a through analysis of distinct points. Structure and organization is important for me to follow your train of thought. I want explanations that are easy to follow so anyone can understand. Be conversational when speaking and don't be afraid to incorporate humor. Repitive points, fluency breaks, and poor time management could affect your rank in the round.

For Interp Events, the heart and passion behind your choice in pieces is most important to me, regardless of events. I want to know why you're performing, why it matters to you, and what message you want t spread to the world. I want to hear your truth. Don't mold into circuit trends. Execute your interpretation based on what you believe, not what you think judges want. Raw emotion is important, but also make sure there is cleanliness in your performance. I like creativity in blocking and how a line is executed. I'm also looking for a clear story arch. It should be simple when looking at the big picture, but your execution and emotions should add complexities that allow the audience to get invested. Dimensional characters are preferred over stereotypical ones.

I am a traditional judge and go by the flow. I would like to see the consistency through the entire flow during debate rounds.

Please speak clearly, and do not rush! You'd rather get your point through me, not just throw out your points at me and your opponent(s).

Be polite during cross. Personally I read news everyday and I do research the debate topic for each month before I judge. I respect your opinions on each topic, your job is to explain your arguments logically and convince me!

Make sure your evidences are correct and up to date . I care both technics and truths.

Please track your time accurately. I will not track time for you during debate rounds, but I do pay attention to the time you would spend. If you spend more time as what you have said you would take, it is a cheating to me.

You are not required to send me the case doc. But if you prefer to do so,you can send it to my email: liugr@hotmail.com. I will use it during your case construction phase.

Hello, my name is Jesse Llamas. I have several years of experience in speech from my younger years but I am a few years removed.

Extemp:

I'd like at least two pieces of evidence per point.

Topical AGD's preferred.

Oratory/Info:

I come from more of a speech background so evidence is important but not entirely crucial.

Interp:

Be yourself :) I am okay with a speech containing mature content as long as it is within reason and does not contain any discriminatory or hateful language.

I believe that every student has the potential to excel in speech and debate. I believe that constructive criticism is how we get better, and after reflecting it, it helps to push us to our next best performance.

IE:

I look for Students to show the hard work into their selection. (are you memorized, is the character fleshed out?)

I like to see polished pieces (not rough drafts)

Students should show they have an understanding of the selection they are presenting, by delivering a thoughtful introduction for their piece.

Selection should be entertaining and also have merit.

I want to be able to sit back and watch you tell your story.

Author's intent is important, we should use our selections to tell the story the author has intended.

Exempt:

Please provide an roadmap that organizes your speech in your intro, tell us where we are going and then support it in the subparagraphs, be sure to use scholarly sources to support your assertions.

Experience: 3 years of judging IEs/Debate and 3 years coaching high school debate teams, with experience at local, state, and national tournaments.

Philosophy: As a tabula rasa judge, I remain neutral and judge based on the arguments presented. I value well-structured, logical arguments supported by credible evidence, with ethical and value-based arguments welcome if well-articulated. Evidence is crucial.

Preferences:

Argumentation: Appreciate direct refutation and clash; offensive arguments are more persuasive than purely defensive ones.
Speaking Style: Clarity and persuasion over speed; no spreading.
Framework: Establish a clear framework and weigh impacts accordingly.

Round Conduct:

Points of Contention: Summarize and crystallize key points in summary and final focus speeches.
Crossfire: Viewed as an opportunity to clarify and challenge arguments; not the primary basis of decision but can enhance presentation.
Other Considerations: Maintain respectful behavior; be clear, concise, and structured in speeches. Be open to different approaches if justified well within the round.

BQ: Good delivery is essential to making you a great debater. Don't speak so fast that I miss what you say and cannot flow. Clash is very important during the entire debate. If roadmaps are used, please make them short. In your constructive speech, main points should have claim, warrant and impact. If definitions are used, show me why yours is better than your opponents counter definitions. There should be a clear link to the framework. Make sure to signpost throughout the debate. Be civil during cross fires. Do not speak over each other as nothing will be understood. Make sure to include information found in cross fire in next speech as I don't flow during that time. Extend arguments in rebuttal speech. Bring up drops and explain why they matter in the debate. Consolidation speech should solidify your framework and extend arguments against opponent. At the end, give me voters and tell me why you won.

IEs: I've judged all IEs for 13 years for different circuits and different levels. On interpretation events, I look at who transported me into the story and kept me there. Make sure all movements (gestures, head, and other body movements) are done with purpose and should not distract from the selection being presented. Characterization is also very important to keep me in the story. Use the whole "stage" for your presentation if the event allows it. POI: You can incorporate the binder as a prop if you want. For all INTERP events: It's your performance. Entertain me! For informative, if you are using props, make sure they go with the topic and are easily handled. They don't need to be complicated. The simpler the better. On EXTEMPT/INF/OO, make sure to speak clearly avoiding excessive word crutches and cite your sources. Follow standard speech outline (including hook, intro in which the topic stated, a clear answer is given, and a preview of pts to be discussed is presented; body with pts supporting your answer to the question; and a conclusion in which the topic is restated, a clear answer is given, a review of the pts discussed is provided to tie speech together, and refer back to the hook to give a note of finality) and approach topic creatively. Make sure to actually answer the question (topic chosen) clearly and that the points discussed in the body of the speech support the answer. Use time wisely/effectively to fully develop the speech.

Congress: When preparing a speech, make sure to follow standard speech outline and cite your sources. Approach legislation creatively. If you speak later on in round, do not rehash old arguments already brought up by previous representatives. Bring in new arguments to advance the debate. Also, you must clash with opponents. Don't just give your speech. It's a debate after all. Bring up points mentioned by opposing side, show your view point and not just say they are wrong or you don't agree. Give specific reasons why you don't agree and provide the evidence to prove your point. Have your speech so well prepared that you will be able to defend it during cross and not stumble during questioning.

Hello everyone! My name is KJ (he/him), I competed all 4 years of high school and now go to Texas State University.

I am primarily an IE person. I competed in every IE event including OO, Info, and Extemp. I as well competed in World Schools a bit too. I was a 4x state qualifier, state finalist, 5x state semi finalist, 2x NIETOC semifinalist, and a 3x NSDA qualifier. I was as well an All-State and All-American competitor with over 2200 NSDA points. What I am looking for is understanding of the piece. How well thought out it is and how much effort you have noticeably put into it goes a LONG way.

IE's

- Needs to be clean, concise, and have a deeper meaning as to why you're telling the story, interp is acting with a purpose

- Be proud of what you're performing! and have fun with it!

- Characterization is key, I want to see real peoples stories that I am actually able to connect to

- I want to know what's going on! Don't just throw us into the middle of everything, give us some exposition, who are you? Where are you? What is going on?

OO, Info, Extemp, WS

- Are you just telling me the facts? Or are you engaging with the information and the topic you've chosen and presenting it in an effective way?

- Charisma is KEY, you wrote this speech, be proud of it!

- How well thought out is your argument or topic?

- Are you speaking fluidly and confidently or are you using filler words and swaying nervously?

- Make sure that you're applying the facts that you give to the grand scheme of things, what are the implications?

Like I said earlier, I was always more of an interp person. However, I do know all of the rules and the ins and outs of debate! I may not be as adept as I am with speech but I know my way around. Essentially just treat me as a lay judge who knows a lot about the subject.

Debate

• Well thought out arguments will go a long way, the more you put into a speech the more you will get out of it, and trust me when I say that we as judges notice how much effort you put into it
• How well do you structure your speech? How well does it flow?
• How do you respond to questions and how do you interact in the round?
• Don't just tell me what you are going to do but also HOW you are going to accomplish it and WHY
• Add me to the email chain plz - kjamarino@gmail.com
• As far as flowing goes, I'm not a stickler for it during cross so don't worry about it
• I can follow spreading but if you'd like to have mercy on my soul and not that would be awesome
• I'm not a huge theory argument person, so if I feel you're twisting the resolution in a way that it most likely wasn't intended as may not work if its too far out there

All of these are just my personal opinions regarding judging, please do not change your speech or performance based on trying to get my 1. So long as you have fun, enjoy what you're doing, and you are proud of the work you've presented, that is all I ask.

Email: kjamarino@gmail.com

I HIGHLY APPRECIATE AN EMAIL CHAIN: My email is enriquemtz300@gmail.com.

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General Comments:

Hello Everyone! My name is Enrique Martinez, and I am:

Will be pursuing a MA in Economics at George Mason University: Fall 2022-May 2024 (projected)

Former coach at Mount Pleasant High School: 2020-2022

Mount Pleasant High School Class of 2018 (Go Tigers): Competed in Policy and Lincoln-Douglas Debate

UNT Class of 2019 (Go Mean Green): Judged debate, speech, interp at various tournaments. No competing.

I have expanded my knowledge of the various competitions that are readily available for students to participate in since competing as a student. So I am very aware of much of the workings of various speech and debate events.

Please let me know if there are any general questions before the round starts. I have outlined how I view several arguments for debate competitions below.

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Lincoln-Douglas Debate:

Thoughts: I lean more traditional (I don't mind which way you go tbh), but I am entirely open to the possibility of hearing critical arguments. If I hear a critical argument, you must explain it and its role in the round. LD debaters can cross-reference my views of policy debate. In regards to speed, keep it about 65-75%. Cool if you need to finish a point before the time is up, but make sure you're not going so fast that I don't understand you. (MORE COMING SOON, ASK FOR SPECIFICS)

Progressive vs. Traditional: I'm completely fine with either form of LD debate. If I were to put these on a spectrum, I would be closer to traditional than progressive, but I am not bothered by either form of debate. This is mainly because I have debated and judged in both CX and LD at some point.

Framework: Whether it be Value/Criterion or simply a framework, this is one of the most vital parts of an LD case. I like to see weighing going on between frameworks. I also want to see one side (respectfully) dismantle the opponent's fw. Lastly, I need to see and hear how the fw case ties to the resolution and the case as a whole.

Kritik: I need the presenter of the K to explain how it is applicable in the sense of the round. I am okay with hearing the K, but I am unaware of all literature involved in these arguments. Even if I was, it is the competitors' responsibility to show their understanding of the K, doesn't expect me to make any leaps. In my perspective, viability and empirics are vital for the NEG to win the K. In addition to commonly accepted ideas, I would discourage reading a communist alternative in a K, as my research and background make it difficult to vote for it.

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Cross-Examination/Policy Debate:

Overview: As a policymaker judge, I prefer that argument stay within the realm of the resolution. I am okay with K's, T's, and theory arguments as long as you can explain their applicability in the round or policymaking. I will break down my thoughts on most arguments. If you have any questions, please ask. As for my experience: I was a CX debater for two years and occasionally did LD as well as an HS student, and I have been coaching since 2020.

Comments: I will STRONGLY ENCOURAGE that you do not run a whole chunk of off-case arguments if you're going to throw them out. At the same time, go for whatever suits you best within the round, but please explain why you are kicking an argument.

DA- With every DA, make sure it covers everything in a DA, such as impacts. Also, generic DA's are fine, but the more specific it is to the AFF, the better.

CP- I am good with CP's, but ensure you cover everything when presenting it in the 2AC. Explain how the resolution is not plausible or why the CP is preferable. Make sure that I can completely understand

T- Topicality is fine with me, with the most crucial thing in the round being the interpretations. It would help if you also conveyed to the judge why your interpretation is preferable to the opposition's definition.

K- While I am a policymaker judge, I am willing to hear K's out. I ask each team running the K to take some time to explain how the K lit because I may not be as familiar with it depending on the K. Also, explain how the K does/doesn't relate to the actual resolution and policy. In my perspective, viability and empirics are vital for the NEG to win the K. In addition to commonly accepted ideas, I would discourage reading a communist alternative in a K, as my research and background make it difficult to vote for it.

Theory- This argument is fine with me, but ensure it runs correctly. Be able to explain if there is/isn't an abuse issue.

Framework- Framework is a debatable issue in the round. Be able to explain why I should prefer your framework over the one presented by the opponent.

Impact Calc-Highly appreciated.

Speed: Keep it about 60-70%, or about 215-245 words per minute, if that helps more. I tend to prefer that your arguments are well thought out and that you can express your arguments to the fullest of your ability without risking the possibility that the message is not conveyed. I understand that spreading can be the norm and the benefits, such as creating valuable skills like processing thoughts rapidly. Still, it is not how most people, especially policymakers, discuss their ideas. Cool if you need to finish a point before the time is up, but make sure you're not going so fast that I don't understand you.

Speaker Points-Top speaker (usually) gets a 30. Everyone else falls according to volume, clarity, and appropriate tone (not as vital). The only exception is if there is no outstanding speaker in the round. If there is a preset speaker point system on my end with details provided by the tournament organizers, I will default to those and judge accordingly. Since I judge many schools from different backgrounds, having one set of speaker points is challenging.

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Speech:

Extemp-I prefer more substantive analysis rather than the number of sources. With that said, 1-2 sources per point are usually safe. Ensure the speech is well-structured, including signposts to facilitate following along.

Jacob Ryan Martinez will graduate from Texas A&M University - Corpus Christi with his B.A. in Theatre focusing in Acting/Directing with Teacher Certification in May. During his time at university, he has had the opportunity to perform professionally outside of Texas, as a member of the Canterbury Theatre's Resident Summer Company in Michigan City, IN.

Speech:

My stylistic preferences for speakers lean towards a more personable and conversational tone compared to an overly formal delivery. As a judge I prefer to be talked to rather than talked at.

I prefer at least one cited article per main point. More is encouraged, but I do not want the sources to overwhelm the speakers argument.

Interp:

I enjoy teasers that establish strong exposition, containing clear characters, setting, and potential conflict. Teasers which are clear and attention grabbing, without giving away too much, are best.

Introductions which flow well with and reference the teaser allow for judges to remain focused and thoughtful on the piece. I also enjoy introductions which make the theme of the piece clear, as well as introductions which make the actual performers purpose of performing the piece clear.

I prefer purposeful and motivated blocking compared to presentational and extravagant blocking. Choices in movement should always be clear and motivated by the source material.

I think character work should be bold, distinct, and unique. I like to make sure each character differs in posture and movement and that they are all in some way different from how the actual speaker moves.

In regards to authors intent, I believe it is important to stand by the purpose of the original work. Performers can make the piece their own, focusing on specific themes and ideas. But I do not encourage performers to manipulate their source material to fit a new message. If performers want to do a certain type of piece, they should find a source which compliments it.

In terms of appropriateness, I am fine with mature material and use of curse words when used tastefully. Excessive profanity or inappropriateness is not tasteful.

Interp Events:

My rankings are usually based on who is able to create the most believable characters and moments. There should be multiple levels within your piece and in the portrayal of your characters ~ not everything should be intense, or fast/slow, or super loud or quiet.

Everything you do in your performance should have a purpose. If you give a character an accent, be consistent with that accent. Make sure that each movement, mannerism, or gesture makes sense within the scope of the story you are telling. Additionally, I should be able to easily differentiate between multiple characters. Facial expressions, moments, and character development are very important for the overall performance.

Speaking Events

A clear structure is important: your delivery should be cohesive, and flow logically from point to point. A natural delivery style that allows for your personality to shine is preferable to the “Platform Speaker”. Put simply: avoid speech patterns.

Extemp: The most important thing is that you answer the question. A polished speaking style is important, but I will often default to a speaker that has stronger analysis and evidence over a pretty speech with fluffy content. Do not rely on canned introductions - creativity is important when trying to engage me. Be sure you have several cited sources and have at least 5 quoted pieces of evidence to support your claims.

Oratory/Informative: Your attention getter, vehicle, and conclusion should be creative, but they also need to fit well with the topic. Again, I will default to stronger analysis/evidence over fluffy content. Again, use several cited sources and have quoted evidence for claims you are making in your speech.

For Interpretive Speech Events (POI, DI, DUO, HI) I prefer a clean presentation of book etiquette in the events that a black book is needed. Clean page turns and blocking with your black book is preferred.

Clean and syncopated blocking and use of tonality and vocal expression is preferred. Also scenes from exposition to rising and falling action should be well expressed with a variety of emotions and transitions should be clearly articulated in a way that connects audience with characters and literature.

For Debate (CX, PF) I'm a solvency person. Show me plan text and why it matters and how it translates into tangible results that can either maintain or improve the SQ. Overall, as long as AFF and NEG stick to STOCK Issues, I believe it will enhance the overall debate and educational outcomes. I'm open to Kritiks as well.

(LD, WSD) how does your presentation make the world a better place both practically and theoretically. Whichever team can uphold its criterion and prove how the world is a better place under the construct of its case will win.

For INFO, OO, EXTEMP, I prefer quality sources and clean speaker transitions throughout the speech.

Literary Merit is important to me!

I am looking for a unique and individual perspective in an OO.

I am hoping to learn something I didn't know from INF.

I want to forget I am watching a piece and be transported into your scene in Interp.

Tailor your Debate as if I do not know anything! If you do not speak in a clear articulate voice at a normal speed I will not be able to process and follow your point!

I am primarily a policy coach/judge, but do have experience with LD and PF. I have been judging for more than 15 years and have judged on the UIL, TFA, and NSDA circuits.

In CX, I consider myself to be a policymaker judge, but what it comes down to is that the debater that convinces me is the debater that is going to get my vote. This means that I am looking for strong evidence as well as good analysis. I am looking for arguments that make sense. I am looking for cases that not only prove their own points but counter the opponent's points, as well. I strive to start the round with no preconceived notions. I want to see strong framework and strong impact calcs.

Do not make the mistake of presenting your case without arguing your opponent's. Yes, I am repeating that statement. It bears repeating.

Speed is ok, but at the end of the day, I still like to hear good speaking. If I cannot understand what you are saying, then your speaking habits are not showcasing what you should be doing. I would rather hear fewer quality arguments than to have so much crammed into your time that I am unable to see clearly how it all works together.

While I do not judge as much LD as I do CX, my paradigm remains much the same. I like very structured speeches with clear signposting, clear organization, and delineation between arguments. I want to see evidence early in the round but more analysis as the round progresses. Make sure that your Value and Criterion are strong and show me why I should vote on those - and back that up with what you are presenting with your evidence and analysis.

In Congress, it is important that you are active in the session. I know it becomes a game to see who can get the most speeches in, but unless they are quality speeches, it's going to backfire. Speeches should be quality speeches. And on that note, while I know it is super easy to read straight from notes while competing virtually, I don't like it and will not score a speech high if you are reading straight from your paper. Evidence is important and I want to hear sources. You should have at least one, and preferably two, sources per point. Once the initial speeches are made, it is vital that new arguments to keep things fresh and to promote clash are essential. The PO should have control of the chamber and be confident in his or her style and movements. A good PO will keep things flowing without stifling competitors and will manage to get an optimal number of speakers in. '

In IEs, I look for poise and confidence, good speaking style, strong movements and posture. In INF and OO, as well as extemp, quality evidence is essential but should flow seamlessly with the information. In all events, including interp, I would like to see you far enough away from the camera that movement is natural and not distracting. In OO and INF, as well as in interp, I would like to see a connection to society and/or to your own experiences. For me, the best pieces do both.

In interp, intros should be casual and conversational. Tell me why your topic is important, even in HI. What is the connection to society? To yourself? Blocking, movement, and bookwork (POI) should be natural and not distracting. Characters should be distinct and recognizable, vocally and physically. I don't mind the use of curse words, but do want to see pieces that are true to the author's intent.

I believe that every student has the potential to excel in speech and debate. I believe that constructive criticism is how we get better, and after reflecting it, it helps to push us to our next best performance.

IE:

I look for Students to show the hard work into their selection. (are you memorized, is the character fleshed out?)

I like to see polished pieces (not rough drafts)

Students should show they have an understanding of the selection they are presenting, by delivering a thoughtful introduction for their piece.

Selection should be entertaining and also have merit.

I want to be able to sit back and watch you tell your story.

Author's intent is important, we should use our selections to tell the story the author has intended.

Exempt:

Please provide an roadmap that organizes your speech in your intro, tell us where we are going and then support it in the subparagraphs, be sure to use scholarly sources

Interp Events

I believe the most important aspect is creating believable characters and relating to them. There should be several layers to their event and character as well as emotions portrayed through their speed and inflections. There should also be a distinguishable difference between their characters by voice, posture, expression and delivery.

Speaking Events

There should be a clear delivery style and flow to their presentation. This allows them to showcase their character analysis through their personality.

Oratory/Informative

The topic should be represented through the attention getter, vehicle, and conclusion. It should also be creative. The delivery should also use several cited sources and have quoted evidence for claims you are making in your speech.

I have competed in or coached various debate formats for over 20 years. Namely, I competed in policy debate for 7 years and competed and coached public debate for another 12 years. Ultimately, I value being a tabula rasa judge at the core.

For PF in particular, my desire is to see debate focus predominantly on persuasion and reasoning. Evidence should be a guide to the debate, not the debate itself. Impact calculations should be obvious, explained, and well defended by logic and reasoning. Debaters should not depend on evidence to speak for itself, nor should they be unable to explain basic warrants when prompted. Kritical argumentation and topicality should only be used if it is applicable, provides needed negative/con ground, and should not be used as a time suck. Finally, debaters should be well rehearsed with signposting and telling me where they want arguments on the flow; I shouldn’t have to make that judgment for them.

For email chains: jbagwell05@gmail.com

I am a traditional judge. I normally judge speaking events and interpretation. I have also judged LD.

In interpretation, I appreciate natural acting in most events with the exception of Humorous. I believe you can be fully animated in Humorous Interpretation. ALWAYS have purpose for your blocking. If you have blocking just for the sake of blocking, I will rank you down. It is better to have real emotion than "fake crying" or a "crying voice." Always be true to your character(s).

In speaking, speeches should be delivered at a pace that is easily understandable. Organization is key as well as keeping the audience interested with a great vehicle.

I do not flow spreading. I believe debate is a communication event, not who can get the most arguments in the least amount of time (there is not a difference in "fast speaking" and "spreading"). If you spread, you'll get low speaks and have a hard time winning my ballot.

Debate was created to communicate and compare your points against your opponent's points. If you don't create a clear story and explanation, I will not vote you up.

I will immediately vote you down if you are rude or aggressive towards your opponent. It is one thing to debate and clash against an argument, it's another to attack your opponent.

If you plan on emailing the case to your opponent, please include me in email: molina_kody@yahoo.com

Generally, I just look for well thought out, skillful performances that show an understanding for both the script/content of the speech.

For PA events, there should be a good balance of evidence and analysis, and whatever structure being used should be clear and easy to follow.

In any scripted event, there should be a relevant and thoughtful intro that provides more than just a summary of the performance, but also analysis of the content/context of the piece.

I think being innovative with scripts/programs, if executed well, can be SUPER effective and interesting, so playing with author's intent is something I really like to see. As for "appropriateness" of a performance, I don't really care about cuss words/or other mature content being incorporated as long as there is no bigoted/hateful speech, in which case I will take issue with the performance.

Overall (Speech):Speech is a game of engagement with the audience, and your efforts should be towards engaging the audience with the message of your piece. My ranks are always based primarily on this. Of course, there are many tools to engage an audience, and your choice to use them and your effectiveness with them will vary.

Oral Interpretation: In interpretation events (HI, DI, DA, DUO, POI, PR, PO), I am looking for a performance that creates a significant personal or social meaning from the literature chosen. I am also looking for a performance that shows emotional and tonal complexity and a range that is both suitable for the piece and is demonstrative of the skills of the interper.

There should also be intentionality in the decisions made in the interpretation of the piece. For example, all the blocking employed in the piece should have a purpose and should not seem haphazardly included in the performance. This also goes for what is included in the cutting of the piece, for the words spoken, the emotions, sound effects, etc. conveyed should all contribute to the message you are trying to convey in your interpretation.

Public Address: In Public Address or Platform events (IX/FX, USX/DX, OO, INFO), I am looking for speeches that add novelty and insight to the topic of the speech. Making the topic relevant and understandable to a general audience is necessary for success in these speeches.

Speeches in these categories are more effective and engaging when they employ a variety of pacing and tone that convey to the audience the significance and emotional stakes of the points you make. On top of clear speaking and style, one needs to create the engagement for the audience with their voice through these tools. In general a conversation

Speeches should be well organized and easy to follow for the audience. They should have clear but original signposting to help the audience keep track of where they are in the speech.

Lincoln-Douglas:

I'm a speech coach, and this is not my preferred event. That being said, I am rather traditional when it comes to judging LD with heavy emphasis on the battle of values and achievement of the value criterion through your use of your evidence.

I have some debate experience through high school, but consider me more of a lay/UIL circuit judge.

Speed is okay if you are understandable, but I should not have to read along to understand you, if I can't flow it, it didn't happen. Elements of progressive debate such as theory and K are fine but have to be well justified within the context of the debate, otherwise, I'm not sure it'll make it to my flow.

Speaks are awarded on quality of debate based on speaking and presentation with 28 being the average debate performance, lower being, well, lower, and being among the best I've seen will be awarded a 29-29.5. If you are somewhere in between you will be awarded somewhere in between.

Extemp Speeches: I feel that you should be able to fully support your position and analysis with specific and detailed sources. I think that your delivery should be emphatic and well supported.

Interp Events: Teasers, transitions, and such should be completely motivated and with specific reason. Choices should help round out or build the character and support the story/plot line.

Be a storyteller in your IE. Captivate me with your words, your use of body language and gestures, and pull me in to your story or speech. Make me want to hear more. I also want a very organized speech. Make sure that I can follow you and know where you are going and what you want me to take away. You should use all of the voice, emotion, and emphasis you need to help me believe in you and what you are saying.

Nothing special. I judge Congress/PF/LD regularly. Keep arguments germane to the topic. Watch speed.

I keep to the basic NSDA/TFA/UIL rules and regulations. Stick to the topic at hand. Road maps count as time.

I think that public forum is, at its core, the melding of sound argumentation and solid speaking. You should present not only well-structured, rational, strongly warranted arguments, but you should also do so in a way that can be relatable to whomever is in the back of the round.

That being said, I don't mind some speed - but be sure you are articulate and clear, especially with tags and authors. Sacrificing quality for quantity is a poor choice if you cannot handle (or your judge cannot handle) the speed. Make wise choices.

In terms of 'atypical' arguments. I think that it is very hard to run a K argument well in PF. I don't believe that it cannot be done, just that it is very rare. If you are running theory, then you better have extremely solid warrants and you should have it explained to the level of access of understanding fitting to this style of debate. DO NOT just read cards that you got from your Policy friends/teammates and call it a day. ALSO...YOUR ADVOCACY SHOULD MATCH YOUR ACTIONS. Do NOT use theory arguments as a cheap tool to surprise unwitting opponents and get the ballot when you have engaged in no actions that match the advocacy of your theory arguments. If you are running disclosure theory, there better be a history of you disclosing at EVERY round and you engaged in multiple forums, workshops, discussion boards where you are ACTIVELY engaged in increasing disclosure in a way that promotes education and fairness. If you get up and read disclosure in front of me and do not have this, it will be an automatic loss. I am not joking.

I think that framework is a solid strategy - if there is a purpose. Frequently teams have f/w just to have it and then don't touch it for the rest of the round. If it is there, then you should extend.

On the issue of extensions, be sure that your arguments are carried through the debate. Do not read at the beginning and then bring back up in the final focus and expect me to grant them to you.

Finally, there should be a clear advocacy in the round - and a clash between teams. I hate debates that are like ships passing in the night - no clash.

I am looking for the students to show honesty in the piece but also what it mean to them. No matter what it is being perform there is a story and a message or a point of view that is being made. I am also looking for detail in a character because no two people look alike so what does this person look like to the competitor and how are they different from other characters they are performing. Finally I look at blocking and how sharp , clean , and creative your mind can go with it.

WSD: Proper structure and traditional format should be used in WSD. The best cases lay out the framework in a way that there is a clear bright line or some set weighing mechanism for me to evaluate the round.  Arguments and layers of analysis should encompass both pragmatic and principled level engagement but my ultimate weight for argument content points is going to be on the reasonableness of the argument - essentially the believability that your position will and can work. While evidence per se is not essential I do feel that examples are important, especially where the other side is able to offer some in support of their stance. When offered, examples should encompass as much of a world view as possible limiting to US or other specific regions without that limitation being placed by the motion itself is abusive and goes against what WSD is about.  I think that the Opposition should attempt to get as many POI's as they can, without being abusive but on the flip side, the Proposition should not take more than 2 POI's per speaker. Speed will impact style points if I begin to feel like I'm in a PF round.  All members should be active and not just one when it comes to POI's. 

Public Speaking Events: Structure and presentation is important. It should feel like a conversation but not like I'm talking to a friend either so no informal language or tones. I'm also not opposed to unconventional structure so long as your present the information in a structured way...if that makes sense.

Oratory/Informative: I am not opposed to performance pieces when they are natural. If the "interp" feels forced, fake, or mechanical, it throw the speech off for me. Performance pieces should be for a purpose and a gimmick.

Interp Events: Blocking and conviction is key. Just because you have movement does not mean you have blocking. For example walking/running around the room is not blocking unless the script scene really calls for that. Blocking and transitions between character should be clean and clear. Literary merit is just as important as performance and when it comes down to breaking a tie between two amazing performances, I will go with the selection that has the most literary merit.

POI: Binder usage is fine but should be with purpose. Using it as prop for the sole purpose of having a prop is not okay. While I understand that most people memorize their performance this is not supposed to be performed that way. If you are going to memorize your performance do so with a sufficient number of page turns and block in reading from or at least look for a moment at your binder. If you never appear to read from it I will drop your ranking because you have given me a DI/HI. Additionally I am not a fan dropping images or words from your binder from visual effect. The only time I think this is okay is if it is a direct photo copy of the images in the original script or the only words you have spoken while on that page. Outside of this you are using the drops as a prop which is not allowed.

Hello! I’m very excited to be judging you today. I hope to do the best I can to understand and enjoy your message but I do have a few hang ups.

For Congress:

Please, do not feel compelled to hyper pack your speeches with too many sources, and too much analysis. I do not like overly fast performance

This is a debate event, and I never want to forget that; clash with your opponents

Be polite! Don’t speak over your opponents but nonetheless don’t let them speak over you. Cut them off nicely.

I don’t necessarily weigh cross, but I weigh your behavior in it. Be active enough and be nice.

Always cite the legislation in your speeches; specific lines to prove you really get what's going on. It gives you a big credibility boost as well!

For I.E.’s

Keep it calm, I don’t like overly fast speaking.

Hand gestures are nice, but I prefer you’d keep your hands at your side when they’re not needed

I’m a big fan of blocking.

Not much after that!

Cheers :)

Hi, I'm Vikram!

Speech: I did DX and OO all 4 years of high school. I appreciate good humor in speeches but it should be adequately connected and linked to the topic. Presentation is very important, so few fluency breaks - if any, and effective use of pauses are well appreciated.

For extemp specifically, I value YOUR analysis highly, so try not to build a whole argument off of a source. Also remember to weigh the impact of your point and connect it to the topic at hand; I should not have to wonder "why is this important" - it should be concisely explained. Answer the question asked; you will likely end up with a poor rank if your speech (no matter how good and polished it may be) does not pertain directly to the question of the topic slip. When giving analysis, try going deep into the issue and expanding upon the multiple layers; in outrounds and finals, the pertinent details in analysis makes all the difference in rankings.

For OO and INFO, I value the relatability and originality of a topic, and I enjoy listening to how the topic has impacted you personally. Good presentation (lack of fluency breaks, good intonation, etc.) here is a must and humor is appreciated. I also enjoy seeing and listening to your creativity, so anything out of the ordinary (but still within the rules) is highly valued.

Interp: I never competed in interp in high school, though I have since judged several rounds in a variety of events. I follow the NSDA guide in judging, and I greatly value topic originality, and creativity in your presentation.

Debate: I did PF and LD on and off all through high school, so I would classify myself as a flow-ish judge. I enjoy listening to rhetoric in speeches, but make sure that's not the only thing in your speech. On the topic, treat me as if I do not know anything about it since I don't read about the topic in advance.

Note: Most tournaments run on a tight schedule, so in the interest of keeping good time, please be ready to start at the stated time on the schedule. If you are flight 2, have EVERYTHING ready before you walk in the room. If you come in saying you need to take a bathroom break, pre-flow, share cases, etc., I will dock your speaks.

You are responsible for keeping time for both speeches and prep, and in the interest of honesty, you are responsible for validating your opponent's prep and speech time too. I will not be keeping track of anyone's prep used nor remaining.

Please have the full version of ALL your cards ready to go, when someone asks for cards, please be quick in giving them the appropriate pieces, otherwise I will instruct your opponents to run prep. I may ask for cards at the end of the round, so have the full version of the card with the appropriate sections highlighted, and the version you cut open side-by-side so I can compare them and make my judgement. If you take a while (>5 mins) to pull up these cards when I ask for them, I will treat those pieces of evidence as if they don't exist, and strike them from my flow.

I value a traditional debate. If you run theories, shells, or K's, you will likely be downed. I absolutely HATE spreading (moderate speed is alright though); so if I can't keep up or understand you, I can't flow what you say. I flow every speech INCLUDING all cross examinations. Rebuttals can be line by line or grouped by argument - remember to sign-post effectively otherwise I won't be able to follow what you say.

PF: Both summary and final focus must extend cards used in rebuttal, if the card was not mentioned in rebuttal, it will not be flowed. When extending cards, it is highly appreciated that you give me the name and the year of the card just so that I know for sure exactly what card you want me to extend.

LD:I enjoy framework debates especially as it relates to topicality, but try not to turn the round into a definition debate as it just keeps the round in a boring cycle and involves no clash whatsoever.

TL;DR: keep the debate traditional. You have freedom in speech structure, just let me know what you're doing and where you are at important points.

Please make sure your voters are clear. Show me how you outweigh your opponent's impacts and why they are more important; I tend to value magnitude the most, and numerical (quantifiable) impacts are easiest for me to buy, so as long as they are not over-reliant on probability.

For all events: Please be respectful and courteous to your opponents. If you are mean, condescending, excessively dismissive, or rude, YOU WILL BE DOWNED. With that said, good luck and have fun!!

-Extemporaneous Events:

I personally did not compete in these events so I'm not as well-versed in them however, I think a clear and concise speech is the best route. By plainly pointing out each of your points and then tying them all together to a clear conclusion would be best for me to understand and critique properly. Evidence is also very important, I think the best is having 1-2 sources tied to your points for a valid speech. Virtual delivery the same, just make sure to not move around too much as you maybe would in an in-person speech delivery.

-Original Oration/Informative:

Please make sure there's a distinct difference between an OO and an Info. How I was told is that Original Oration should have more persuasive and argumentative points in your speech versus Informative is just informing your audience on a specific topic of your choosing. Similar to extemp, it's best to have a clear and organized speech. If the speech is confusing and disoragnized then the topic can get a diffiult to follow.

-Intepretation Events:

I think introductions should be simple and short, if you have a personal connection to the piece that you are comfortable sharing then share it. For the virtual speeches, it can be challenging because not everyone has the same resources or space as others and that's okay! Just try to engage as much as you can with the audience, the more simple the blocking the better sometimes. Character work is very important to interp events, if trying to convey multiple characters and I, as a judge, cannot differentiate between each character then it can be confusing. If you are just conveying one character then really work out the details and mannerisms of this character. As far as appropriateness goes, I really don't mind swearing or mature content as long as it has a point (especially for cursing, do not curse just to curse.) All in all, tell a story that is what interp to me is about. If you have a story that you want other people to hear and a story that you are passionate about then that should be enough for me as a judge to see and understand.

Your content should include a strong introduction which should include an overview of what will be discussed. Additionally, evidence is important and should be followed by insightful analysis. I'm not a particularly intelligent person and you should explain everything thoroughly. Your conclusion (if you have one) should revisit the points you made and end the speech with a strong statement or a provocative question. Words that may not be appropriate for school should not be used without a purpose.

Your presentation should look well practiced, your delivery should have a smooth flow, and you should speak with confidence. Speak clearly and use the appropriate volume and tone. Movement should have a reason, hand gestures can add to the presentation, but shifting your body weight from side to side comes off as nerves.

Above all else, speak clearly and with confidence.

Parent Judge

I firmly believe in every student's potential to excel in speech and debate. Constructive criticism is essential for growth, pushing us toward our best performances.

In Original Oratory , I value students' dedication evident in memorization and well-fleshed-out characters. Polished pieces, not rough drafts, are preferred. A thoughtful introduction demonstrating understanding of the selection is crucial. I seek entertaining yet meaningful selections, allowing me to immerse myself in the story. Honoring the author's intent is paramount. For Extemp, provide a clear roadmap in your intro, supported by scholarly sources in the body.

General Debate Paradigm

Speed: I can handle speed, but I don't like spreading. Spreading hinders communication, imo, and while I can understand it, if you're introducing me to something that I'm not familiar with, it's likely that you're not leaving me enough time to really consider it, and you're probably not taking the time to explain it particularly well.

Kritiks: Make the links specific and significant. Establish the context fully. K's must have an alt, and the alt must be something that we can implement, not just thinking differently.

Theory: I rarely judge on theory unless there are specific and significant abuses--which I was likely to penalize without an ugly theory debate. I will vote you down if you run disclosure theory.

Truth over Tech, and Depth over Breadth: I will vote up one true/viable argument over 5 drops of lazy/lame/bizarre arguments.

I would prefer for debaters to engage in research and would rather have an in-depth debate over a single main issue than 20 that are superficial.

Speaker Points: I use speaks to reward good public speaking, not strategic choices.

Public Forum Specific:

Second rebuttal does not have to respond to the first rebuttal.

Speakers should stand for crossfire, but can sit for grand crossfire.

Lincoln-Douglas Specific:

Some LD topics allow for a plan text, but certainly not all. Ask about specific resolutions.

No flex prep.

Stand for CX.

Please argue author creds.

Policy Specific

Stand for CX.

No open CX.

No flex prep.

In-speech prompting will cost you speaks.

I am a policy-maker judge. I want the debate to be about the topic and to have a good discussion of policy implementation and impacts.

Please argue author creds.

Organization is extremely important. The speaker should concentrate on answering the question. I look for a good casual tone with a slower paced speech which is both clear and concise. Documentation is important but should not overshadow the main topic of the speech. Transitions into topics should be clear, when the performer sign-posts their speech.

Begin with a good AGD and then carry it through the speech.

I have been judging speech events for the past 10 years and competed as a high school student as well. As a theater teacher I am looking for engaging storytelling. Using your vocal variety, movement, diction and moments/beats to create an engaging piece. I am looking for students to really become a character in both body and vocal.

For Oratory/Info/Extemp I am looking for the same as above, convince me of your point by using solid presentation skills, and facts.

TFA/ NSDA IE Coach:

24 years / TFA Hall of Fame member

Coached 2 National DI Champions: 2000 and 2012

Coached 2 TFA DI Champions; 1 HI Champion; 1 Duet Champion

Numerous Rounds at Nationals; several TFA DI, HI, DUO Finalists

UIL One Act play winning director ; State / Region competitors , 1st Runner Up, Samuel French Award winner

Current UIL One Act Play Adjudicator/ judging Zone through Region

UIL Congress State Coach in LD, CX and Congress 2019, 2021

UIL State Coach Prose

Professional Actor (AEA) for 25 years; BFA in Acting University of Texas, MFA in Acting the American Conservatory Theater

Even though I am currently coaching LD debate my focus is on IE'S

Medium use of spreading

Squirrel cases that don't make any sense at all.

Extemp: Speaking 60% Supporting material ,Organization 40%

Oratory: Speaking 60% Content 40% ( less debate style more universal content with some IE touches)

IE'S : YES to teasers, open minded regarding pieces. School approval only thing that matters regarding material.

HI: don't go too far away from author's intent/ but still be creative!

Thank you!! Break Legs!!!

--Speech--

What are your stylistic preferences for extemp? I enjoy the traditional format of extemp speeches, but prefer them to be as conversational as possible. if you're going to have a standard opener that you use religiously, be sure it makes sense. also be sure it isn't the exact same as every other person on your team. Use what YOU know and lean into that so that conversation flows naturally.

How much evidence do you prefer? quality over quantity for me. cite your sources with the date included, and use varied sources. at least 3 different ones! and make sure if you're bluffing that i can't tell you're bluffing.

Any preference for virtual delivery? acknowledge the camera if we're competing virtually! make sure you are in a space where you can be seen and heard.

What are your stylistic preferences for Oratory/Info? CONVERSATIONAL. Do not make it seem like this is the umteenth time you've competed with this piece. The beauty of oratory/info is that this is, or should be, your passion piece! YOU wrote every word. and if you're going to speak on something for 10 minutes over and over again, you should love it. And no matter how many times you've run it, it should feel like the first time every time. Your topic is near and dear to you and it's your job to make it near and dear to us. Universality is key. Though I may not be a part of the community or group or conversation, I need to understand why i MUST become a part of it or aware of it. Your passion and excitement for your speech should be palpable. Make it feel like the first time every time because for most people in the room it is the very first time we've gotten to hear this speech. and you have ten minutes to use this room as your platform and speak on what's important to you. make sure we leave this room talking about YOU! Your goal should be for us to be at our family dinner table telling everyone who will listen about this moment we took away from your speech. your gestures need to make sense and be natural. do not simply fall into gestures that you see being done just for the sake of doing them. if you wouldn't normally use particular hand gestures or vocal variations DONT DO IT for the sake of a round.

How much evidence do you prefer? I need enough statistics to not feel like you're just giving me your own personal think tank. back up what you're saying with multiple different credible sources. offer viewpoints that challenge yours, and then back them up with your facts.

Any unique thoughts on teasers? Your teaser sets the tone for the entire piece. Think about how you want to introduce us to the next ten minutes that we are going to watch!

Any unique thoughts on introductions for Interpretation events? Make them personal to YOU! Tell me why this piece matters to you while also telling me about the piece. What qualifies you to speak on this? Why should we listen and care? If you don't know who/what you're speaking on don't waste your time. oftentimes we are lifting up and bringing awareness to a community or an issue that is very delicate. use your intro to tell us why you're doing this and why it matters. Even in HI!!! i LOOOOVE a good tie in to real life. leave us talking about what we learned regardless of whether we are laughing, crying, or everything in between. take me on a JOURNEY.

Any preferences with respect to blocking, movement, etc: Make every movement a moment. I should be able to snap a photo of you and tell what you're doing and where you are. make movements and pantomimes intentional and thoughtful. break the mold! take me somewhere I've never been.

What are your thoughts on character work? you absolutely must BECOME your character. you need to study people who have experienced what your character has experienced. embody them wholly. whether it's in a humorous or serious way. do not halfway commit to something and expect us to buy in.

How do you feel about author's intent and appropriateness of a piece? For example: an HI of Miracle Worker (author's intent) or a student performing mature material or using curse words (appropriateness)? Author’s intent- doesn’t bother me too much. Appropriateness is BIG for me. You’re in HIGH SCHOOL- crude sexual humor and excessive cusswords just aren’t necessary. It’s also cheap comedy IMO. If you’re that “mature” aim higher for your content. A few innuendos are okay, but don't get crazy. There are far more ways to get laughs then to take it literally below the belt.

As a IE judge I look for a clean and polished performance. Good Analysis and Interpretation of characters and a powerful performance.

For Speaking events - Structure and Sources are important as well as a polished performance.

For Debate - LD I prefer a traditional format and value debate. PF I want to see clash, evidence and a clear job going down the flow to show rebuttals of arguments.

I am conflicted with Cypress Park High School

IE judging is based upon overall presentation, material selection for the speaker, poise and polish. Introductions should contain relevant information and have a level of ease as they are delivered.

Oratory and Informative will be judged based upon application of information, data, and overall flow. Entertainment value will be considered as a secondary bonus in these events.

Hatful / demeaning content will be reported.

Public Forum Debate - Purist when it comes to style and argumentation. No spreading please. Arguments should be simplistic and accessible for any person to understand. In the end the biggest impacts will win the debate.

Public Speaking Events: Structure and presentation is important. It should feel like a conversation but not like I'm talking to a friend either so no informal language or tones

Oratory/Informative: I am not opposed to performance pieces when they are natural. If the "interp" feels forced, fake, or mechanical, it throw the speech off for me. Performance pieces should be for a purpose and a gimmick.

Interp Events: Blocking and conviction is key. Just because you have movement does not mean you have blocking. For example walking/running around the room is not blocking unless the script scene really calls for that. Blocking and transitions between character should be clean and clear. Literary merit is just as important as performance and when it comes down to breaking a tie between two amazing performances, I will go with the selection that has the most literary merit.

POI: Binder usage is fine but should be with purpose. Using it as prop for the sole purpose of having a prop is not okay. While I understand that most people memorize their performance this is not supposed to be performed that way. If you are going to memorize your performance do so with a sufficient number of page turns and block in reading from or at least look for a moment at your binder. If you never appear to read from it I will drop your ranking because you have given me a DI/HI. Additionally I am not a fan dropping images or words from your binder from visual effect. The only time I think this is okay is if it is a direct photo copy of the images in the original script or the only words you have spoken while on that page. Outside of this you are using the drops as a prop which is not allowed.

1. Overall Structure: I look for speeches that are well-organized and coherent. A clear introduction, body, and conclusion are essential, with smooth transitions between ideas.

2. Choice and Cutting of Literature: I assess the selection and editing of literature for its relevance, depth, and impact. The chosen pieces should resonate with the audience and enhance the overall message of the speech.

3. Social Relevance: I value speeches that address pressing social issues and offer meaningful insights or solutions. The relevance of the topic to contemporary society and its potential to provoke thought and discussion are crucial factors in my evaluation.

4. Portrayal of Honest and Truthful Moments: Authenticity is paramount. I look for speakers who convey genuine emotion and vulnerability, as well as honesty in their delivery. Authenticity fosters connection with the audience and enhances the impact of the message.

These qualities contribute to a compelling and impactful performance that resonates with both the audience and myself as a judge.

Hey! My Name is Conor Rice

I am one of your traditional style judges! I am an NSDA Alumni and I used to compete in the various speaking events.

What I Look for as a Judge:

Speaking Events (OO, INFO, NX, DX, FX)

I look heavy on the content side of these speeches because good content is what makes a speech truly effective. I also do expect a performance of a good content speech is pointless if it is not well presented. I want to feel that personal reason why I should care about the topic. Bring me into the topic and hit me with the facts through an engaging speech. For INFO I want to see the true connection with the audience do not let your props become an obstacle.

Acting Events (Prose, Poetry, HI, DI, POI, DUO, DUET)

I want to see the story (beginning, middle, and end) of your piece and you truly feel it. The pieces that make it the furthest are the ones where you can see the person having fun and loving it. I want to be able to tell this piece is well-rehearsed and not thrown together minutes before the round. I love good blocking and choreography and will always highlight it in the feedback I write. I also look for the small details the attention to detail in the blocking. Ex: How you hold and pick up things.

Debate Events:

LD/PF:

I am looking for a clear framework and articulated argument with a clear structure. Tell me your value and crit and side post so I know exactly where you are in the argument.

WSD:

I need to see a clear framework and structure for the speeches and arguments. In the reply speech, I really want to see you clarify your team's argument and crystalize it, don't use this time to attack the other case.

Sincerely, Conor Rice

Mix of stock issues judge and tabla rasa- prefer a clear, traditional debate but don’t mind if teams run a kritike or counterplan with sufficient evidence and clear argumentation to back it up

Speech style- I prefer speech clarity over speed reading. A succinct argument that doesn't spread is preferred.

Argument- No preference for argument as long as it is backed by evidence and fits within status quo of possibility.

Sources- Credit will be given for most contemporary and credible sources presented in argument. Repetition of sources and linking to argument is preferred method of citation.

Looking for a good, clean, and respectable debate. Courtesy and good sportsmanship matter towards overall scoring.

I believe that first and foremost all debate should be based on communication. To that end be sure that you do not utilize forms of debate which leave the audience more bewildered than informed.

When it comes to speed, don' get a ticket. But, I will hang with you until about 350 words per minute. Exceeding that barrier will leave me with the impression that you are yet another lost narcissist with dreams of sugar TOC fairies dancing through your head.

Style, I consider myself a policymaker, although my wife seldom agrees. In argumentation, I like most arguments, however, I hate K debate when it turns totally ridiculous, i.e. time machines, comfort (keep your clothes on), pinkwashing, etc, I like theory arguments to be justified and tied to other arguments in the round that warrant their use. Humor is a plus when used appropriately.

I don't care about your WIKI. I won't ask you for your evidence after the round (Unless one of you is lying, then the liar loses). And, I don't care what your coach thinks. You're the one debating. Speak like your life depends on it.

In the end, I want to think, wow he/she would make a great president, not argh, ...another cute dog catcher. Represent the sport well.

Let the games begin.

Speech-

Extemp: Analysis is key. I do not mind individuality in delivery but make sure you answer the question in a structured way. Have strong sourcing throughout the speech (6+ sources).

OO/INFO: Clean delivery. Have an interesting/unique topic, tell me something I haven't heard or thought about before.

Speech

I do like evidence/sources to back up what the speaker is saying.

I do like unique teasers/intros for interp. events.

I believe character analysis is very important.

I believe they should always keep the author's intent of the piece, but there are some things that should not be an HI.

The coach should know what is appropriate.

Cursing does not bother me if it is necessary in the selection just as long as it is not overdone for no reason.

I'm a parent volunteer with experience judging IE events. As a high school student, I competed in speech events. Additionally, I judged many tournaments during my college years while pursuing a BA in English: Creative Writing with a minor in theater.

I am looking for interesting and creative cutting, total commitment to character, and meaningful movement/purposeful blocking. Above all, I want to be fully immersed in the world the performer is creating.

UPDATE FOR WSD @ TFA:

WSD didn't exist when I was in high school, but I judge it almost exclusively now including into deep elims of TFA State, UT, and Berkeley so my experience is not null.

Big things for me: I like clash, I want yall to answer the question, and I reward good on the spot analysis of your opponents argument, don't get so caught up in your case that your forget to answer your opponent's argument. Also I am fine with speed, but I don't think its necessary in worlds and honestly I prefer speech's that are stylistic and given like a PA. Please let me know if you have any questions and congrats on making it to state!

IE: I am pretty open to any stylistic choices or preparations of a speech/script, it is an Interpretation after all, so creative choices are welcome!

Extemp- You should have ample amount of evidence for the three main claims you decide to make. Please have your speech as structured as possible as it makes it easier for me to follow along and judge. It’s better for your speech to run 5 minutes, but be clear and conscie than for you to stay up there for seven minutes rambling on.

OO/INFO- There should be at least three sources in your speech. I don’t mind when you try and break the very formulaic structure of OO or info, but I should be able to easily follow along. I.E. you dont have to go “But first, then, finally” but hey whatver works for you, works for me, speak clear, be confident, and have fun up there.

HI- Use your space, HI is about physical humor as much as its about the jokes you are telling! Racist/misogynistic/Xenophobia etc humor is not funny. It’s not.

DI- Be careful with your content, DI’s are serious and I understand that, but be careful with how graphic you get. I am not a squimish judge so curse words dont bother me and mature material is fine, just try and be as tasteful as possible. And DONT mis-represent a character I.E. if you are playing a forty year old mom who just suffered the loss of her son, thats fine, but if you are speaking for an identity you cannot identify with, maybe not. DONT USE SLURS. Even for effect. It’s not needed. Use the space and be comfortable with silence. There is a lot of pauses and silence in DI and when its intentional l it works really well, so dont be afraid of it!

PR/PO- Don’t let your binder fall flat. I don’t think there is one right way to hold the binder, but there are a million wrong ways. It’s awesome when you find a way to incorporate the binder for techy stuff, but its def not necessary.

Lingering thoughts..

Your teaser should give me a clue about what your piece is about, (AND IT SHOULD BE MEMORIZED) it doesnt have to be a summary, but a couple of lines to let me know where the piece ie headed is great!

TIME. Be concious of it. Don’t run 10:29 or 10:30, once the fist is up WRAP IT UP.

If you forget your piece, take a moment to pause and collect your thoughts, try not to show it in your face and dont worry about it too much.

Be respectful to other performers, if you are on your phone, eating loudly, sleeping, or being distracting in anyway. I might factor it into your rank. It’s not cool, respect eachothers work.

I debated for four years in Texas in PF and briefly in LD. I have a solid knowledge of critical arguments and theory. I currently compete for the Texas Speech Team in Extemp and all the Public Address Events.

My judging philosophy is pretty straightforward.

- Impact calculus is important to me, I want to see a clear weighing of both worlds, especially in the summary. With impacts, I prefer you give me clear material impacts on people, rather than just saying things like nuke war. Contextualize your impacts!

- I like clean, straight down the flow debate with a lot of clash. Sign-post during speeches.

- Not the biggest fan of card-debate. Use that time to make arguments rather than harp over minor things in cards!

- Make extensions that clearly tell me what exactly I'm supposed to extend, not just dropping a card name.

- If you introduce a new argument in the Summary, I won't evaluate it. Stick to extending already established offense/defense.

- I'm good with speed (just enunciate as much as you can) and pretty much all types of critical arguments.

- Be conscious of your positionality and how you treat others in round. Rounds can get intense but at the end of the day, debate should be a space that is safe and empowering for everyone involved.

In extemp, I value unified analysis, a solid demonstration of background/historical knowledge on the question, and confidence in delivery. Using substantial and diverse sourcing (so like in international speeches, don't only cite Western outlets) in each point while weaving in the analysis is a marker of a good speech for me.

For Duet, I don't want to see any unnecessary PDA.

Extemp: multiple sources for each point, strong time

Oratory/ Info: Strong evidence made with every claim

Interp Events: introductions should give me a strong insight into what I am about to hear as well as why what your speaking about is of importance or relevance to you

Congress

For introductions, please try and avoid canned introductions. I want to hear what you have to say on a bill that you are passionate about, not what sounds clever.

When citing evidence, be sure to elaborate as to why that evidence is useful and actually link it to your arguments. Reading your evidence is not clash, identifying opposing arguments and using evidence to poke holes in other arguments is clash.

Be professional and polite to your fellow competitors. Debate is an educational experience where you can develop good life skills, establish connections and friendships, and speak on issues that you are passionate about. While this is a competition, it is not worth it to be hostile or disrespectful to your fellow debater who is also passionate about an issue.

Clash is a must in late round speeches, I do not want to hear a constructive speech 8 speeches into a bill.

While questions are important and show that you are engaged in the debate, please do not waste questioning time by asking a 20 second question with no real question. Make sure questions are clear, concise, and further the debate.

I generally rank POs favorably if the round is running smoothly and you are doing your job.

I specialize in individual events . I have performed each one and been coached from various collegiate and HighSchool champions . In I.Es I judged based off of a combination of speech tactics with an authentic connection to the literature they are performing.

I have experience in judging debate and the pointers that I give are based off of speaking ability and structure of a well formulated argument . I do have less experience with how exactly the order for a cx round is coordinated . I have no bias against judging debate I believe my history in speech allows me to understand how to truly form a powerful argument.

For Dramatic Interpretation, Dramatic Duo Interpretations, and Dramatic Original Prose and Poetry (DI, DUO, OPP) - Subtlety is the key, I don't need you to scream and shout to get emotion across. I'm not against screaming, but it should be during appropriate moments during the piece and build over time. At no point should you jump from deadly quiet and calm to intense and screaming. Gradually build the emotion. Show me the tension and intensity over time. Screaming when you erupt during the climax is perfectly acceptable. Further, intensity can be shown without screaming, crying, or yelling. The quiet moments of the piece are usually the ones I find most powerful. THINK and REACT to what you are saying. Emotion should come nearly effortlessly when you "are" your piece. Don't "act" like the mom who lost her daughter in a school shooting, BE that mom! Transitions and timing are SUPER IMPORTANT, DON'T RUSH!!!

For Humorous Interpretation, Humorous Duo Interpretations, and Humorous Original Prose and Poetry (HI, DUO, OPP) - Facial expressions, characterization, and blocking take the most importance for me. I want to see each character develop once you introduce it throughout the piece. Even if the character doesn't appear all the time, or only once or twice throughout the script, I want to see that each character is engaged throughout the piece itself. Most importantly, please remember that humor without thought is gibberish. Jokes are said for a reason - use facial expressions to really hone in on character's thought and purpose. For example, if a character A says a joke and character B doesn't get it, I should see character B's confused reaction. I will also tend to reward creative blocking and characterization. However, note that blocking should not be overly distracting.

For Programmed Oral Interpretation, Prose Interpretation, and Poetry Interpretation (POI, PRO, POE) - Regarding emotion, facial expressions, and character development, see the above text in the two paragraphs above regarding DI and HI. Personally, I place a little more emphasis on binder tech - the more creative the better! I think binder events are the synthesis of good binder tech, good script selection, and good facial expressions/emotion. Obviously, it's harder to do, since you have multiple characters in multiple parts of your speech and each have a distinct mood and personality.

I have been teaching/coaching for 26 years.

When it comes to speech events, I like content and evidence above jokes. Although, I can appreciate humor. Please have clear cut organization that's easy to follow, and make sure that delivery is as strong as the content.

As far as interp goes, I do like teasers, but not the ones that last 2 minutes and break me from the moment. Make sure that you have clear cut characters that are consistent. Tell your story, even in HI, there should always be a story. I don't like the wide use of space, but when done well and with a purpose, I can find it acceptable. Make sure you have emotional levels so that you're not screaming at me throughout the whole piece, and try not to rush either.

SPEECH CATEGORY PARADIGMS:

1. GENERALLY SPEAKING, I LOOK FOR GOOD VOICES, TONE, DICTION, EYE CONTACT, APPROPRIATE GESTURES, AND PURPOSEFUL/SMOOTH MOVEMETS THAT SEEM NATURAL VS MOVING JUST TO MOVE.

2.BELIEVABILITY/EMBODIEMENT OF THE CHARACTERS VS ACTING LIKE THE CHARACTERS, MAINTAINING CHARACTERIZATION THROUGHOUT THE PERFORMANCE/PRESENTATION INCLUDING CLOSING THE PIECE WITH A "BUTTON"/LEAVING A LITTLE GESTURE OR WORD OR PHARSE OR EMOTION THAT CAPS OFF THE PERFROMANCE, AND UNDESTANDING WHAT THE PIECE IS ABOUT AND MEANT TO CONVEY

3. GOOD ATTENTION GETTERS, SOLID STRUCTURE OF THE SPEECH WITH CLEAR THESIS STATEMENTS OR MAIN POINTS ALONG WITH GOOD VISUALS, GOOD TRANSITIONS THAT SMOOTHLY CONNECT IDEAS/POINTS, SOLID CONCLUSIONS THAT PROPERLY SUM UP THE WHOLE SPEECH/PRESENTATION, EVIDENCE WHERE NECESSARY TO BACK UP CLAIMS/INFORMATION

4. PROPER DRESS/STANDARDS SET BY THE TOURNAMENT

DEBATE CATEGORY PARADIGMS:

1. UNDERSTANDING THE RESOLUTIONS BEING DEBATED

2. SPREADING IS FINE, BUT NOT TO THE POINT WHEREBY THE DEBATER CANNOT BE UNDERSTOOD

3. GOOD EVIDENCE/SOURCES IS A MUST/THE ABILITY TO PROVE ONE'S POINTS (RESEARCH BASED WHERE NECESSARY)

4. GOOD DICTION, TONE, GESTURES

5. ABILITY TO THINK ON ONE' S FEET WHEN CROSS EXAMINED

6. ABILTY TO PROVE ONE'S ASSERTIONS/CLAIMS AND DEFEND THEM

7. SOUND LOGIC AND GOOD AGRUMENTIVE SKILLS TO COMPLIMENT EVIDENCE THAT SUPPORTS CLIAMS

Hi! I'm Sheridan. I don't have many paradigms, so this is going to be short... yay! As a judge, I want you to do your personal best, perform well, and, even if you don't feel it/believe it, act confident. My background is in prepared speaking and interp events, so I value performance above all. I'm so excited to watch everyone compete, and you are going to do great! Good luck!

--Speech--

As far as extemp/oratory/informative, I look for a least some evidence to support their point or topic. However, these are speaking events so "speaking skills" are important to me (rate, diction and delivery).

When it comes to Interp, I am all about the story and the journey, regardless of humorous or dramatic. Introductions can be at the beginning or done as a teaser (whatever works). I have no specific issues with lots of technical blocking or no blocking at all...it all depends on the piece and how well it is executed. Some pieces require lots of tech and some are very simple and need almost nothing.

I am a Theatre Director and a Interp Coach, so acting is the most important to me. And, I am a big fan of keeping with the author's intent. I am pretty liberal about mature material, however it has to be appropriate for the piece and needed, not just mature to get attention. I do not like it when an actor makes up things and adds to the script for no reason.

In dramatic events, I am looking for clear characterization, strong emotional connections, and understanding of the piece. I want you to draw me in and let me feel with your characters.

In humorous events, I am looking for clear and concise characterizations that are easy to differentiate and follow, and a good sense of comic timing with the piece.

Duo and Duet, I am looking at the same things, but also strong interactions between the different characters.

In Informative, Oratory, and the Extemps, I am looking for a good conversational style with good use of gesture and confidence in your speeches. Know your stuff, or at least look like you know your stuff.

I am overall going to also look at technique and seek for it to be clean and clear.

In all debate formats, I am looking for link stories and fully developed argumentation. Please fully explain your ideas such as debate theory and include impacts in your explanations.

Policy - I am a policy maker

LD - I'm slowly warming up to policy techniques in this format. Yet, value/criterion/framework will always be a priori when I make a decision. I like to see the connections of how the framework influences your cases and argumentation.

PF - I'm always looking for argumentation and clash.

Interp - I go down the questions on a ballot and look to see techniques like distinguishing characters and how you block.

Speech--

What are your stylistic preferences for extemp? I like good introduction that sets the tone of the speech. How much evidence do you prefer? I prefer a minimum of three pieces of evidence for each focus area. I think you get more analysis when you have something to analyze. I would like to hear good warrants with your claims. Implications are good. Any preference for virtual delivery? I’m in between. I can see standing up and moving to mimic in person, but it’s hard to hear. I can handle sitting down with good gestures and eye contact as well. I’m listening nite for speech. If round is close round then I start liking at technicalities and then the most persuasive.

What are your stylistic preferences for Oratory/Info? How much evidence do you prefer? Any preference for virtual delivery? Minimal evidence. I would like speeches to be unique or silly ideas in a new way. No preference for virtual

Any unique thoughts on teasers/introductions for Interpretation events? Love them. I like the tongue in cheek humor.

Any preferences with respect to blocking, movement, etc. in a virtual world? No

What are your thoughts on character work? Necessary

With all events, I look for clear vocal and non-vocal expression with good, crisp transitions.

I prefer 2-3 evidentiary examples woven in so as not to distract from the competitor’s argument or point.

For introductions and teasers, I prefer short and to the point and most of all relevant to the performance. Transitions are important. I want to be able to follow the performance and the argument and not be confused.

I fully appreciate how difficult character work is so I look for clear demarcations in voice, pitch, and demeanor to show the transition.

Blocking and movement are not the highest priority for me. If the movement and blocking are smooth and natural, then they are hardly noticeable but when forced, they can be distracting.

In general, my higher rankings go to the competitor who gives a smooth performance, clearly articulating the message or argument and how confident the competitor is in the piece. Passion about the topic comes through in delivery and that can make a difference.

For virtual performers, stay within the screen, so movement is not as important but that means transitions are more important.

I am not bothered by any particular material or language so long as it fits with the piece and supports the point, I do not react favorably to gratuitous use of language or material that appears to be for “shock value”. I rank based on whether the competitor made the best presentation of the point of view, argument, or position.

EXTEMPT, make sure to speak clearly and cite your sources. Follow standard speech outline (including hook, intro, body with points supporting your answer to the question, and a conclusion. Make sure to actually answer the question (topic chosen) clearly and that the points discussed in the body of the speech support the answer. Use time wisely/effectively to fully develop the speech.

On interpretation events, I look at who transported me into the story and kept me there. Make sure all movements are done with purpose. Characterization is also very important. Use the whole "stage" for your presentation if the event allows it.

POI: You can incorporate the binder as a prop if you want. For informative, if you are using props, make sure they go with the topic and are easily handled. They don't need to be complicated. The simpler the better.

Congress:

• Respectful clash is a must!
• Looking for organized speeches with some kind of evidence (real-world impacts; examples/references, context/background).
• Prefer conversational, dynamic speaking style with good eye contact.
• Don't be afraid to let your personality shine through your speeches; that keeps the round interesting!
• Make your questions count; well-thought out questions that help bolster your side of the debate could make a difference in where you are ranked.
• Always looking for speakers who respond to questions directly; Answers should demonstrate you have done your research on the topics.
• It's always good to point back to the bill or amendment during the debate; remind us of the heart or spirit of the legislation.
• Original thinking and creativity is a bonus!
• Stay engaged during the round, and demonstrate you are actively listening to the opposing side's arguments.
• Effective POs will receive a high ranking as long as they demonstrate leadership and keep the round running smoothly. Don't let the room get stuck, and help ensure everyone gets a chance to speak.

Interp Events:

• The best intros represent your own voice/perspective, provide a little background to prepare us for what we are about to watch and set up the proper mood/tone for the selection.
• Looking for well-developed characters, complete with consistent voice, stance/posture/placement, mannerisms and facial expressions.
• Multiple characters should be distinct, and transitions between characters should be polished and smooth.
• Creative blocking/movement/use of folder is definitely a bonus! But be sure the movement has purpose and does not detract from the performance.
• Please don't forget to have fun with your performance and don't be afraid to let your personality shine through the selection. That will always help bring the story to life.

INTERP EVENTS

- In speech/ acting events I focus on solid storytelling. The most important piece of the puzzle is the script, please don't forget to hold true the story as a whole even though we are only seeing ten minutes of it.

- Energy

- Characterization from beginning to end.

- Make big bold choices that you have perfected for this character, this story, this moment in time.

- Connecting to the audience, it's about telling the story to us, so a solid connection to the audience is important. We want to laugh and cry with you.

• Clean pantomime and connection with off stage characters
• - Take us on the journey with you.
• Take a deep breath and have fun!!! Leave it all out there and take your seat feeling like there was nothing else you could have done.
• Don't forget you are not speaking FOR them, you are speaking AS them. It is an ownership that you should take seriously. If you don't tell the story, how will they continue to live?
• Be honest. These are real people sharing real stories of their lives. Breath through their struggle and be honest.
  - Be you, you're enough.
• Believe in the story you are telling, be confident, be bold, own your time in front of us.
• Make sure everything you do has a purpose. If it doesn't have a reason, it begs the question of why do it?
• ENJOY! The more you forget about all of the static in your head the clearer the performance will be for us. 
• Finally, "Just be." You are enough.

SPEAKING EVENTS

• Be specific with the topic at hand

Make sure your speech flows and each point connects to the last and the next.

• - We may not know anything about the topic at hand, think of yourself as a professor sharing knowledge, teach us.
• If you stumble over your words, keep going forward, don't go back unless that information was so important you need to recover it.

- Strong supporting material is key, like any good research paper the more recent the source the better. And with that strong source material is also important to the strength and legitimacy of your speech.

- Solid confident delivery style

CX Paradigm: I am a policymaker judge; I am most likely to decide the winner of any given round based on which team has most cogently and coherently argued that their position results in the best policy for the USFG. This means that the AFF must prove their case is better than the status quo and/or the NEG's counterplan. I am unlikely to look favorably on a perm/do both strategy. I will vote on a Kritik that proves substantially that it will enhance some given policy need of the USFG. I'm not likely to vote on a Kritik that enhances participation in Debate, or society as a whole, unless it links directly to the stated point of the round. Debate is a speaking event, and I don't hear as well as I once did, so if you're mumbling or slurring your speeches, I can't vote for your argument. I can understand you if you spread, but if you're sacrificing volume and clarity for speed, it could cost you the round. Rudeness can cost you speaker points

LD Paradigm: LD is not policy, LD is an argument on morality. You should establish a value and criterion for your side of the round. A round which has clash on these points makes a good debate. Clash is better than rehash. If you don't attack your opponent’s argument I will not make the connection for you. Explain warrants. Impact your arguments. Use comparative statements and weighing in last speeches.

Extemp Paradigm: ANSWER THE QUESTION! Answer the question you drew, not the one you wish you drew. Give a coherent, clear response that is definite. Use sources for each of the main points you are making in your speech. A canned, forced analogy that only vaguely ties into the topic annoys me. Movement is ok in the virtual realm, but don't get too far from mid screen. Make sure your lighting is good, that I can see your face.

Interp Paradigm: I'm always happy when interpers give me clear, compelling characters that pull me into the piece. HI's that are gimmicky and wildly overblown are NOT my cup of tea. You can be humorous WITHOUT being ridiculous. I like to see levels. If you start at 11 and stay there the entire time, it doesn't show versatility.

OO Paradigm: Give me a great opening that pulls me in. Lay out what your call to action is. Guide me through your points. Use solid sources for your evidence. BE PERSUASIVE! Movement is ok in the virtual realm, but don't get too far from mid screen. Make sure your lighting is good, that I can see your face.

INF Paradigm: Let me know why I should be listening to your topic. Give me that little pop that makes sit up and think "Wow, that's COOL!" Make sure your speech is well organized. If you are using props, make sure they ADD to the info, not distract from it. Try to use props seamlessly. Movement is ok in the virtual realm, but don't get too far from mid screen. Make sure your lighting is good, that I can see your face.

My name is River Thompson. I am a senior at Texas A&M University - Corpus Christi studying Theatre with a focus in Acting/Directing. I have extensive experience judging speech events specifically interpretation such as Program Oral Interp, Dramatic Interp, Humorous Interp, Duet, and Duo. I appreciate a clear story with a message that the speaker connects with. Clean blocking and transitions always bode well for a performer. I enjoy when a piece has a strong teaser/attention getter that pulls me into the story from the beginning. I look forward to seeing the hard work all of the performers have put into their pieces!

Extemporaneous Speaking and Oratory: I prefer 3 pieces of evidence to support your speech.

Interpretation events: Teasers and introductions should be creative.

Blocking: If competing virtually, blocking should remain in the frame.

*If you are performing an emotional piece, please do not scream. Just speak loudly.

*I do not mind cursing as long as it does not take over your piece.

Speech Events:

What are your stylistic preferences for extemp? How much evidence do you prefer? Any preference for virtual delivery?: properly structure your speech, quality over quantity for evidence (6 is a good number for me, but of course more is ok), no preference for virtual delivery - speaker's choice

What are your stylistic preferences for Oratory/Info? How much evidence do you prefer? Any preference for virtual delivery? - just persuade me and leave me with some realistic solutions. solutions that are not even possible for me to enact will be considered less than ones that I can actually do something about. I don't have the ability to change the entire educational system, so please don't tell me to.

Any unique thoughts on teasers/introductions for Interpretation events? intros are important

Any preferences with respect to blocking, movement, etc. in a virtual world? speaker's choice

What are your thoughts on character work? need to be realistic, I want to hear their story, not you pretending to, make it real

How do you feel about author's intent and appropriateness of a piece? For example: an HI of Miracle Worker (author's intent) or a student performing mature material or using curse words (appropriateness)? High school tournament = high school appropriateness. This isn't college yet.

I judge based on the best performance and clearest communicator.

As a judge, my main objective is for you to deliver your best performance and enjoy the process. If you're not finding joy in it, then something's amiss. Remember to engage in respectful and effective communication with your peers.

In Speech/Interpretation:

1. I generally look for effective use of voice, tone, diction, eye contact, suitable gestures, and intentional movement.

2. I value believability and your ability to embody the characters.

3. I appreciate captivating teasers or attention grabbers – make me sit up and pay attention!

4. Your delivery should be clean and clear.

In Debate:

1. I expect a clear understanding of the resolutions being debated.

2. I discourage the practice of spreading.

3. Good use of credible evidence and sources is crucial.

4. Effective diction, tone, and appropriate gestures are important.

5. Always maintain a kind and respectful demeanor.

i will listen to any argument as long as the warrants makes sense. I tend to have a high threshold for voting on extinction scenarios, doesn’t mean I won’t, but your link chain has to be solid.
Non topical stuff needs to show me why giving you the ballot outweighs topical debates.

Not very receptive to shady theory. I want a reasonable argument indicating abusiveness.
I vote on arguments made in a voters section. These arguments must be substantiated throughout the debate. But I don’t want to intervene so it’s your job to write my RFD.

i want to be on the email chain but I find speech drop works best.

I don’t time. Time each other. Don’t be rude, keep it professional and avoid any personal attacks. Kindness will be rewarded in speaks.

if you plan on running anything different might double check before the round that I’m okay with it. I listen to most stuff. I love K debates over super policy rounds. I find debates that collapse to topicality and theory very boring, if the round necessitates such arguments I understand but I’d rather your strategy make sense to the context of the round.

Always send a marked version of the doc if you end up going off schedule and be clear when you’re reading anything not on the doc. I flow off the doc, I still want to understand you when you’re speaking so don’t abuse the fact that I flow off the dock and read so fast you’re incomprehensible.

Speaks

30-29: Expect to see you in out rounds. Amazing well thought out strategy. Clear arguments.
29-28: Few logical inconsistencies, good strategy and good overall performance.
28-27: Confusing at times and suspect strategy. Made the round unclear.
27-26: Mostly unclear. Strategy is poorly planned.
26-25: Non responsive and no viable strategy.
25-20: Reprehensible behavior.

I have been a parent judge since 2019. I competed in debate through my high school career, but recognize that it was a long time ago and it has changed with the introduction of technology. My familiarity with U.S. and world issues is comparable to an average, educated American adult, meaning don't expect I will have deep, thorough understanding of the topic. In judging debate and extemp, I am looking for your analysis of the topic and evidence to support (reasonable, recent, relevant). Speech clarity is important to me - a little speed is probably ok but spreading will most likely not work in your favor. Frankly if I cannot understand and follow you due to speed of presentation, I will struggle to judge you.

For individual speaking events, I am looking for how well you organize/structure your speech and how comfortable you are in delivering it. The introduction and conclusion provide excellent opportunities to standout and get my attention. Delivery of your speech, including eye contact and body language, weighs heavily in my decision along with the structure of your speech. Using characters, accents, intonation, invisible props, etc. to bring your speech to life is wonderful if it enhances the meaning, makes sense to the part of the speech where you are using it, and you are comfortable with it.

Above all, be respectful and professional. Participation in debate should be fun and challenging. I truly believe it offers you an opportunity to hone skills you will need for the rest of your life personally and professionally.

IE: I believe that whatever you can bring to your speech or performance that is unique and authentic, while drawing an audience in to be fully present with you displays a certain kind of creativity and skill to be appreciated.

Speech: Structure and content are in focus with an appreciation for originality when possible.

Interpretation: Flow of storyline, depth of character, authenticity, as well as the minute details you’ve added throughout your piece displays how much effort and thought have gone into your performance.

I believe in the power of story telling. I believe that our performances should have purpose behind them (even if simply to entertain.) I believe all speech events should be based on genuine audience connect, respect for the given material/ author's intent, as well as the strength of the people speaking. I'm looking for connection - with audience, with material and when necessary, between characters.

My name is Cathryn Watkins, and I'm currently the Assistant Debate Coach for Clear Brook High School.

For extemp, I don't have any stylistic preferences. I enjoy individuality, and would like to see each student's unique speech style rather than ascribing to a specific speech pattern. Regardless of delivery choice, students should enunciate clearly and project their voice to ensure they are heard and understood. Speeches should be balanced between evidence and commentary. Evidence provides the backbone of an argument, but commentary makes the evidence concrete and meaningful. You need both in your speech to be effective.

Oratory and Info are heavily reliant on aggregating data, and I expect the evidence presented to be thorough. I want the topic presented to be unique. If a subject has been presented multiple times already, students must find a way to make their information impactful and stand apart from other performances. Overall, I look for passion in speech delivery. If the student does not seem to care about their topic, how am I supposed to care about it? Again, I enjoy experiencing each student's unique style of delivery, so I have no delivery preferences.

Interpretation events are centered around how well the student marries author's intent with their own experiences to create something new from a piece. Teasers and introductions should be created to maximize audience interest and familiarize the audience with the subject matter. Without an effective beginning the audience doesn't know where the interpretation is going, which could cause confusion. Blocking and movement should always be intentional and used to create meaning. Random movement without a connection to the interpretation will only distract and confuse. To the same extent, curse words can be powerful but if used too often become a distraction as well.

Debate rounds are, at their core, about respectful discourse. The ultimate goal for me is to persuade me to agree with you over your opponent. I do not have any preferences about the structure of debate, but I do not appreciate spreading, especially when students speak so quickly I cannot understand what is being said. If I can't understand you, you lose my vote.

Disrespect, in any form, is not received well from my perspective, particularly when one side is behaving with integrity and respect and the other side is not.

I have competed in policy debate, extemp, and congress, so those are the events I know best. I have competed at the state and national level many times, so I understand the structure and argumentation of these events fairly well.

Policy

Policy was my main event and I enjoyed it very much. When in round, I want to definitely see clash. I'm basically tab, but if you can't convince me of an argument, I'm not going to vote on it. Also, I usually do not like K's. However, if you can run one correctly and coherently, I'm open to hear it. Try to avoid petty arguments that you're going to kick out later in the round, it's usually just a time suck. If you kick out of an argument, convince me it was necessary. As for spreading, I am okay with it, but if I can't understand a word you're saying, I will say "Clear" only twice and will stop flowing after that. I do not count flashing as prep.

Extemp

For extemp, I would like to see you understand the information you're telling me and tell me why what you are saying is important or factual. I don't want you to perform like it's a prepared speech. In that regard, I mean I would rather see a comfortable, conversational speech rather than you just spitting facts at me.

Congress

Refutation is a significant factor in determining how well a speech has been prepared. I want to see that you are not just getting up and giving a speech, but rather building onto the discourse throughout the round. Also, do not get rude during the questioning period, as it tends to look very unprofessional. Overall, development of arguments and regard for your fellow competitors is what will make a good congress judgement from me.

For extemp and public address, I prefer that students use a conversational style. I prefer that they use evidence as needed. I prefer they not try and name numerous sources, but be honest in what they are using. I like a roadmap they refer to for each point.

For interp, I like a meaningful teaser that sets the world they are creating and tries to introduce as many characters as possible. I think introductions should be short and sweet and be more personal. I think blocking and movement should be used to enhance the story, but is not necessary. I really look for fully developed characters that really listen and react to each other. For author's intent, I think it is okay to re-interpret a piece. I don't have issues with cursing if it is used purposefully.

Speech - Strong analysis and organization is key. MAKE SURE YOU ANSWER THE QUESTION! I evaluate heavily on the use of evidence to back up clear, logical analysis. Communication is key - it is your job to communicate with me, not my job to work to understand you - keep this in mind and consider what structure to provide in your speech to make sure your concept and analysis can be easily followed.

Interp - I judge interp based on storytelling, characterization, and performance technique. In dramatic selections - I am looking for depth of character, honesty, realism, and believable character relationships. Make sure you have moments and aren't just presenting dialogue. Character arcs are also important and should be part of your storytelling. In humorous selections - I am looking for strong, committed acting choices with strong polish and technique. Storytelling is still hugely important - the story should be easy to understand and clearly focused. Characters are the most important. I am looking for strong characters that feel realistic and react in the moment. The comedy should drive largely from character reactions. Popping technique is also very important - should be polished and clean with distinct physical and vocal choices.

Interpretation Events

I am a middle of the road judge that looks for good technique, good storytelling and good literature.

Author's intent is important to me. I believe that interp performers should respect the literature and tell the story as the author or playwright intended.

I believe a good interp performance will tell a good story using any techniques that they deem most beneficial for the performance. I am a theater director with a masters degree and can see the value in all methods and techniques.

Speech Events

I believe that the most important thing in speaking events is to CLEARLY present information. I am fine with speech as long as the speaker is still understandable.

Sources should be cited. Sources are not impressive on their own - I want my speakers to explain the information presented in their sources using their own rationale as well.

My name is Michael Williams and I have been involved in Interp/speech for the last 10 years, competing and coaching these events. What I look for is voice and interpretation to the story or speech that you are presenting. I seek ample evidence for extemp so that you can get your point across. Don't forget however to draw me in with a hook and have an organized flow to your speech. I look forward to your presentations and congratulations on all of your hard work and accomplishments.

Hello All! My Name is Ryan Williams and I have been involved in Interp for over 15 years both as a competitor and as a coach. What I am particularly influenced by, when judging a round, is how well the interpreter uses their voice in register and tonality. I also look for how well the interpreter tells the story and invokes emotion in their performance whether it be humorous or dramatic.

In OO, IX, DX or any other speaking event, I look for how well a person presents their perspective using the entire space naturally while maintaining eye contact with the entire audience. I also look for how well the speaker utilizes their voice and communicates their points in a clear and logical way so that the presentation is easy to follow.

All speech events:

For virtual, please stay in the camera frame. It is best if your hands are always in the frame as well; otherwise, gestures seem extreme when your hands suddenly enter the frame. Make sure you adhere to the constitution. For recorded (asynchronous) events, you are not allowed to edit the video.

Extemp/OO/Info:

I need a clear structure. You should have at least one source for each point. The biggest thing I look for is your explanation - you need to explain things in a way that makes it easy to understand without sounding condescending. Your examples and explanation should help me understand your ideas. Movements (5-point walk and gestures) should be smooth, helpful, and make sense. The constitution states you cannot be ranked first if you go over grace.

Interp:

Rankings most often are based on who creates the most believable moments and characters. There should be different levels to your characters and pieces—not everything should be intense, not everything should be quiet, not everything should be rapid, not everything should be slow, etc. If you use an accent for a character, then you need to be consistent with it. It is not necessary for you to have multiple characters; however, if you do, you need to create distinct characters. You should add meaning behind the lines through your voice, tone, and inflection. Cussing doesn’t bother me; I do prefer for it to make sense within your piece. I do not mind if you take a serious piece and put a humorous spin on it or a humorous piece being given a dramatic spin as long as it is not creating a caricature or making fun of a group of people. Movement should also make sense. Introductions should help clarify and set the scene; many events also require the author and title to be clearly stated in the introduction as well. The constitution states you cannot be ranked first if you go over grace..

For POI specifically: there are some judges who want to be able to tell a difference between the different pieces you use and will make a comment that your program “seems more like prose or poetry than POI”; I disagree with this—If we cannot tell a difference between your pieces, I think it shows how skilled you are at weaving your pieces together to create one coherent voice.

IE Performances

Performance material should be literature that is compelling and unique. It should be evident that the story fits the performer. Organization of structure and character arc should be evident. Multiple characters are a plus for me but the most important aspect is that the character/s you create are believable. Strong choices but nothing for mere shock value. (Do not prefer cursing, cuss words...but will overlook if proven appropriate for the piece) Time should be used well. As an audience member you should be respectful and appropriate when watching other competitors- just as important. New material is a plus. Motivated blocking. Clean transitions, variation in tone and pacing. Clear articulation.

Speech Events: IX, DX, INFO, OO

Debate

I tend to be a more traditional judge, but that does not mean I oppose different styles of LD Debate. While I am not fully accustomed to CX-style debate in LD, I am comfortable with CX arguments. If you feel more comfortable running policy arguments, go for it. It won’t impact your ballot simply because it is policy.

Spreading: I’m pretty comfortable with spreading, but if I can’t understand you, I will put my pen down and stop flowing your arguments.

Impacts/voters: Please weigh your impacts in your final rebuttal! Give voters! If you don’t tell me why I should vote for you based on the arguments in the round, I will default to your opponent's voters.

Overall, keep it classy. I will dock major speaker points if I feel a competitor is deliberately attacking their opponent.

OO/INFO/Extemp:

As long as the speech is organized and easy to follow, how you organize it is up to you. I know there are different standards everywhere. Make sure you back up your points and arguments with sufficient evidence!

INTERP:

I have no preference for how you put together your piece as long as it helps the plot structure overall. I love good character work! While pops and tricks are nice, what really wins me over is getting lost in the character's story when it is genuine.

I believe that every student has the potential to excel in speech and debate. I believe that constructive criticism is how we get better and after reflecting it, it helps to push us to our next best performance.

IE:

I look for students to show the hard work into their selection. (are you memorized, is the character fleshed out?) IO like to see polished pieces (not rough drafts). Students should show they have an understanding of the selection they are presenting, by delivering a thoughtful introduction for their piece. Selection should be entertaining and also have merit.

I want to be able to sit back and watch you tell your story. Author's intent is important, we should use our selections to tell the story the author has intended.

Extemp:

Please provide a roadmap that organizes your speech in your introduction, tell us where we are going and then support it in the subparagraphs, be sure to use scholarly sources to support your assertions.

I judged speech events at state a few years ago. I'm mainly looking for a clear and easy-to-understand speech. I do expect content warnings for anything that could be triggering to others.

Overall Notes- I don't really like speed or spreading. If you choose to spread then you will need to make your taglines clear. If I cannot understand your tags then I cannot flow the argument. Also do not expect me to be able to understand all the analysis from your arguments if you do not slow down for it.

LD- I tend to consider myself to be more of a traditionalist when it comes to LD. I enjoy a solid framework debate. I tend to vote for the debater that impacts out their arguments the best. I tend to judge based off the quality of arguments not the quantity of arguments. I think that one good argument can win the round for either side. I am not as comfortable with policy arguments in LD, but I was a CXer, so if you are in a panel situation I won't automatically vote you down for running them.

CX- I am a policymaker judge. I tend to judge based from a util mindset unless you give me another framework to work through. I really like to hear debate that focuses on the balance between terminal and real-world impacts. I tend to like cohesive negative strategies that work together. Personally I am okay with conditionality, but if you want to get into the theory debate and impact it out in the round go for it. I am fine with any sort of theory debate. On T I default to reasonability. If you have any other questions feel free to ask.

For Policy, I am a stock issue judge, I prefer to see the neg directly clash with the plan by taking out Sig/Harm, Inherency, or Solvency and also discussing the workability of the plan. I don't tend to believe that Fiat inherently means every aspect of the plan just happens without planning or discussing the specifics. This means that if your plan costs money, prove that the USFG can afford it. Prove that the agency can accurately enforce the action and that no other oversight is needed. This is Policy Debate and I expect to have a well written policy to test. I enjoy Dis Advantages that directly link and have a clear link chain. They should not jump from China bad to Nuke war with no work up done in the IL chain. I tend to flow PIC Aff unless the Neg can prove that there is a substantial reason that the Aff cannot solve and the PIC is needed. Solvency for CP must be unique to CP. I do not like K's or K theory and will assume Aff can Perm a K unless there is a specific reason why they cannot. NO K AFF. Impact Calc is the most important here, guide me through the round, let me know what flows where, I do not like judge intervention so make me intervene as little as possible on the flow. For speed I say be communicative, be cordial, and be articulate. If I cannot hear or understand the evidence, I will not flow it.

Lincoln Douglas Debate is value debate. I do not like policy plans or K in LD. I want to see strong clash in the round and prefer the traditional style of should/would argumentation. Define the framework of the round, and do not assume I read your advocacy authors. SpReading is a quick way to lose a debate. If I am unable to understand what you are saying, I am unable to assess your arguments. Semantics are important (words mean things). Rhetoric is important. Strong, supported arguments presented with good speaking style (see Extemp below) are wonderful tools and will win many debates.

Extemporaneous Speaking should be a good representation of public speaking. Speakers' tone should be conversational and not condescending or intentionally inflammatory. I think movement should be limited to one or two steps. Gestures should have purpose without being too repetitive. As a judge, I want to be able to easily outline your speech. I do not want to guess what your body points are, or where you got your information. I think the month and year of publication along with the name of the publication is more than sufficient citation. The amount of evidence depends more on the topic. Cited evidence needs to be sufficient to justify the argument. Usually, five to seven sources is a good benchmark, but I am not willing to rate a speech lower based solely on number of cited sources. Filler words and distracting, repetitive movements are not the hallmarks of good public speaking.

Oratory and Informative should mirror Extemp in many ways. These speeches, however, should be more polished and contain better, more specific citations.

Blocking, gestures, and facial expressions need to reflect the intent of the HI, DI, or Duet pieces. Characterization should be varied enough that I do not have to wonder which of your characters is speaking or moving. Teasers are a wonderful way to get the audience's attention and should be used with that thought in mind. The introduction should tell me who is performing and what they want me to know about the piece, but, most importantly, should clearly articulate the title and author. In HI, DI, and Duet, I like to see acting range. HI is not standup comedy. I am not looking for "jokes per minute." HI needs to be funny overall but can include dark humor and/or serious moments. On the other hand, DI needs to have drama, but can be funny at times throughout the piece.

I believe "strong" language can be appropriate to a given piece. Considerations when using language include demographics of characters, period of setting, etc. However, language should never be used purely for shock value...there needs to be a reason.

The camera angle for a virtual performance of any event needs to be wide enough for the judge to see the entire performer (including the shoes), but tight enough for the judge to notice small gestures and facial expressions. In short, whatever I would see if I were sitting in the room with you, I should see on the screen during your performance.