I love to see honest acting in interpretation events. If you have blocking, l'd like it to be clearly purposeful and clean. Most importantly, have fun.

In platform events I like you have unique analyses of your topics with clear implications. Again, above all else, just have fun.

I am a new parent judge, and I am really looking forward to the experience of hearing your speak!

In judging, I look for the following:

Confidence, poise, and personality

A strong, clear thesis

A clear structure to the speech or argument

Good, detailed supporting evidence

Credible citations

Adherence to time

I believe that students should effectively communicate any event competing in. I am a traditional debate judge/coach. However, I am opened to progressive debate if the student communicates it effectively.

I am fine with a healthy pace, but don't like a full on scream-and-gasp, stomping spread; I like to be able to actually process what you say. Be sure to emphasize key points and signpost. (If I don't flow it, it is unlikely that I will vote off of it). I like to hear authors' credentials and heavily frown upon power-tagging and heavy paraphrasing. Don't tell me, "I have a card that says..." unless you actually read the card and citation. I want to hear actual application of evidence/analysis through the round (not just shells/blocks), so explain to me how you actually interact with the opposing side or I will get frustrated as judge. Weigh impacts and pull them through framework; I overwhelmingly vote on offense that supports framework. Rudeness and condescension will do you no favors for speaks. Note (for what it's worth): I am a former policy debater and interper from a traditional circuit (competed in high school and college) and have been coaching LD, PF, Congress, and speech events across multiple circuits for years and judge all events. Please avoid confusing traditional with lay, as I'm fine with debate jargon, etc. Feel free to ask me any clarification questions before the round.

PF/LD Paradigms

I’m first and foremost an interp coach. Treat me like a lay judge who happens to know the rules (and yes- I know the rules). No spreading, clash is fine. If you really want to pick up my ballot, be sure to focus on cross-examination. I find that a strong, quality CX can illustrate your ability to communicate, prove your points, illustrate your knowledge and understanding of the debate and show your best engaged debate skills. Anyone can read a prepared card. Show me you know what to do with it.

On an aside, I do like debaters to keep it professional. I like it when people stand for cross-examination and are polite and supportive to their opponents before and after the round. I like it when I feel the teams are focused and paying attention not only to their opponents' speeches but also to their team member's speeches.

Congress Paradigms

I look for competitors who are prepared to speak on any topic - especially if they have prepared to speak on both sides of the topic. I look for quality speeches that add value to the debate; if we're four cycles in and you aren't bringing new information, crystallizing information we've heard, or providing a new rebuttal then it's easy for your speech to get lost amongst the masses. Activity in the chamber is good - I'm looking for you to be engaged in listening to other speeches, asking valuable questions, and working together to run a fair and efficient chamber.

Interp Paradigms

I was a high school competitor all four years - competing in all Interp events (DI, HI, OO, prose, poetry, Duo, Duet) and Congressional Debate. I competed on the Texas and National Circuits. Here's the big thing to know - you should never change your style, material, or story to try to get my 1. I will always respect the stories you choose to tell, the performance you're developing, and your courage to be you and share messages important to you. Just be you. My ballots may sound tough, but it comes out of a desire to help you improve. I've provided insight into what I'm looking for but none of it should force you to change your content.

For Interp Events, I'm looking for honest storytelling (talk to me like a person) and tech that helps enhance your story and not detract from it. I'm looking for clear, well-developed characters. I'm looking for an excellent intro that provides meaning and importance for your piece. I'm looking for excellent execution of pacing and incorporation of levels. Draw me into your story and leave me with something to take away. In addition, for all binder events, I'm a stickler for binder etiquette.

For Public Speaking Events (OO and INFO), I'm looking for topics that you are personally invested in. I'm looking for an engaging AGD, a clear vehicle, and well-defined points supported by a balance of ethos, pathos, and logos. Share your heart story and be honest with it. Most importantly, these are two events where you can really be yourself. Be your best self, sure. But don't feel like you have to put on a whole song and dance to get my one. I'm looking for an inspirational, conversational tone. INFO - I'm looking for creative visuals that are well-executed and add value to your speech without being a distraction.

For Extemp, I'm looking for a clear understanding of the question and a definitive answer with supporting analysis (cite those sources guys). Two points or three points are fine, depending on the question and your approach to answering the question. I just want your speech to have a clear sense of structure and organization. I'm also looking for strong presentation skills. Have vocal variety, adopt a conversational tone, know how to present in a way that is approachable for all audience types and not just those well-versed in current events and extemp. Don't be afraid to crack a joke, but don't rely purely on humor. Fluency breaks, circular speech (rehashing points and repeating yourself), and poor time management could affect your rank in round.

General note for everyone - I have a really bad thinking face and I'm going to look confused and upset. I'm not - don't take it personally! It's just my face and I don't really have a whole lot of control over that. Plenty of times I've had my own students tell me they were sure I hated what they were doing and then I was very complimentary of their work. So I promise you my face has nothing against you! It's just a grumpy face.

I am a traditional judge. I am a lay judge (sorry). I can not vote for things I don’t understand, so don’t talk fast… seriously, do not talk fast (I apologize to the progressive debaters… again). I don’t really care what you run, just make sure I can actually understand your arguments. If you don’t think you’ll win, I do accept PayPal (just kidding… cash is king).

I am primarily an interp coach. If I am judging you in debate, please do not assume I know anything about the resolution or any of your cases. I will judge based on who makes the best argument, with warrants and supporting evidence. Be clear about what you are arguing and why you are winning the debate. Speak clearly and confidently, do not be rude or condescending.

Good Luck!

About me: I debated (policy), did extemp, and dabbled in interp in high school--in the 1980s in Iowa. I became a lawyer, and practiced as a trial attorney for 27 years, until starting a teaching career in 2017. I have spent my life persuading REAL PEOPLE of REAL THINGS, so my orientation is always going to favor traditional, persuasive argumentation and sound rhetoric. Because that's real life.

I promise you all are 8 times smarter than me, and certainly 20 times better versed in the topic. So please don't forget, I will need things explained to me.

All forms of debate: what matters is what YOU have to say, not what I want to hear. I am open to most anything--with one exception. I am not a fan of disclosure theory, generally, unless something has occurred which is clearly abusive. Even here, though, it's hard for a judge to adjudicate it. Best to have your coach take it up with Tab.

Probable real world impacts are generally more meaningful to me than fanciful magnitude impacts.

That said:

For PF, I am mindful that the activity is designed to be judged non-technically, often by smart laypersons. If you are spreading or arguing theory, you are generally not communicating in a way that would persuade a non-specialist or citizen judge, so it's gonna be hard to get my ballot.

For L-D, I am a pretty traditional judge. It is a "value oriented" debate. I recognize that most everyone provides a "value" and a "criterion" but it's not a magical incantation. If you are quoting philosophers (Rawls, Bentham, etc.) make sure you really understand them--and in any case, I haven't read them since college, so I need a bit of a sketched refresher.

For Policy, I am inclined to stock issues. Topicality, counter-plans are fine. Want to be more exotic? EXPLAIN.

Congress--remember judges haven't read the bills, probably. An early speaker on a bill who explains what a bill does (or doesn't do) usually goes to the top of the room for me. I treat PO's fairly, and especially admire ones who step up to do it when no one else wants to.

World Schools--I am new to it, admittedly, and I have judged some this year, 23-24. Candidly I don’t know enough yet to have deep thoughts on preferences.

Remember: a tagline is not an argument, and English is always better than debate jargon. I probably understand your debate jargon, but do you want to risk it? I will reward debaters whom I can follow.

I also do NOT permit things like "flex prep" and "open cross" that are not specifically provided for in the NSDA and/or TFA rules. I don't care what "everyone does" where you are from. Sorry.

As for SPEED, I understand most debate forms are not "conversational" in pace, exactly. But if I cannot understand you, I cannot write anything down. I believe debate is an oral advocacy activity, so I do not want to be on the email chain. If I don't hear it and understand it, I won't credit it.

Finally, be nice. Feisty is good, being a jerk is not. Gentlemen, if you talk over non-male debaters or otherwise denigrate or treat them dismissively, I won't hesitate one second in dropping you. Be better.

IE's:

For interp, I value literary quality highly. I can sniff out a Speech Geek piece. All things being pretty equal, I am going to rank a cutting of a piece from actual literature more highly, because it's more difficult, more meaningful, and more interesting that something that's schematic.

For extemp, I will admit I have become cynical of citations like "The New York Times finds that..." You could say that for any assertion, and I fear some extempers do. Real people with credibility write for The New York Times. Much more impressive to me would be, "Ross Douthout, a conservative, anti-Trump New York Times columnist, explained in a piece in July 2022 that..."

I am a lay parent judge. My son (broke in state and nats) wrote this paradigm but I stand by it. Please be nice to me.

For debate: I am tabula rasa with a reasonability principle. I won't vote on my personal beliefs but no spreading or overly tech arguments. I appreciate witty rhetoric but will not vote on that. Keep questioning periods civil.

For public speaking: not well informed on convention so will probably vote on substance, delivery, and visuals when applicable.

I will not be judging interp.

--Speech--

What are your stylistic preferences for extemp? I enjoy the traditional format of extemp speeches, but prefer them to be as conversational as possible. if you're going to have a standard opener that you use religiously, be sure it makes sense. also be sure it isn't the exact same as every other person on your team. Use what YOU know and lean into that so that conversation flows naturally.

How much evidence do you prefer? quality over quantity for me. cite your sources with the date included, and use varied sources. at least 3 different ones! and make sure if you're bluffing that i can't tell you're bluffing.

Any preference for virtual delivery? acknowledge the camera if we're competing virtually! make sure you are in a space where you can be seen and heard.

What are your stylistic preferences for Oratory/Info? CONVERSATIONAL. Do not make it seem like this is the umteenth time you've competed with this piece. The beauty of oratory/info is that this is, or should be, your passion piece! YOU wrote every word. and if you're going to speak on something for 10 minutes over and over again, you should love it. And no matter how many times you've run it, it should feel like the first time every time. Your topic is near and dear to you and it's your job to make it near and dear to us. Universality is key. Though I may not be a part of the community or group or conversation, I need to understand why i MUST become a part of it or aware of it. Your passion and excitement for your speech should be palpable. Make it feel like the first time every time because for most people in the room it is the very first time we've gotten to hear this speech. and you have ten minutes to use this room as your platform and speak on what's important to you. make sure we leave this room talking about YOU! Your goal should be for us to be at our family dinner table telling everyone who will listen about this moment we took away from your speech. your gestures need to make sense and be natural. do not simply fall into gestures that you see being done just for the sake of doing them. if you wouldn't normally use particular hand gestures or vocal variations DONT DO IT for the sake of a round.

How much evidence do you prefer? I need enough statistics to not feel like you're just giving me your own personal think tank. back up what you're saying with multiple different credible sources. offer viewpoints that challenge yours, and then back them up with your facts.

Any unique thoughts on teasers? Your teaser sets the tone for the entire piece. Think about how you want to introduce us to the next ten minutes that we are going to watch!

Any unique thoughts on introductions for Interpretation events? Make them personal to YOU! Tell me why this piece matters to you while also telling me about the piece. What qualifies you to speak on this? Why should we listen and care? If you don't know who/what you're speaking on don't waste your time. oftentimes we are lifting up and bringing awareness to a community or an issue that is very delicate. use your intro to tell us why you're doing this and why it matters. Even in HI!!! i LOOOOVE a good tie in to real life. leave us talking about what we learned regardless of whether we are laughing, crying, or everything in between. take me on a JOURNEY.

Any preferences with respect to blocking, movement, etc: Make every movement a moment. I should be able to snap a photo of you and tell what you're doing and where you are. make movements and pantomimes intentional and thoughtful. break the mold! take me somewhere I've never been.

What are your thoughts on character work? you absolutely must BECOME your character. you need to study people who have experienced what your character has experienced. embody them wholly. whether it's in a humorous or serious way. do not halfway commit to something and expect us to buy in.

How do you feel about author's intent and appropriateness of a piece? For example: an HI of Miracle Worker (author's intent) or a student performing mature material or using curse words (appropriateness)? Author’s intent- doesn’t bother me too much. Appropriateness is BIG for me. You’re in HIGH SCHOOL- crude sexual humor and excessive cusswords just aren’t necessary. It’s also cheap comedy IMO. If you’re that “mature” aim higher for your content. A few innuendos are okay, but don't get crazy. There are far more ways to get laughs then to take it literally below the belt.

I am a new parent judge, no spreading, do not be rude.

Helen Saber

AVID Tutor

I tend to include performance, diction, voice, energy, etc. in my evaluation for events like oratory, info, and extemp, along with the obvious analysis of content, ideas, and supporting material.

I think creativity in blocking and staging should be rewarded in a digital atmosphere as much as they are in a live one.

I am pretty liberal on content - language, sexuality, etc. do not bother or offend me, as long as the performer has a real grasp on the subjects they are talking about and understands them fully. However, I view 'profanity' much differently than slurs, derogatory language, etc. In general I would prefer that they not be used. There are scripts that use them in order to bring home a point about the vileness of such ideas and beliefs, but in my opinion, that must be very earned, and in most cases, it is not.

My name is Amy and I am a new parent judge. I am probably more nervous than the competitors.

Please let me know if you would like signals for timing. I will be keeping time, but I suggest that you do this as well.

Good luck with your rounds!

My pronouns are she / her

LD, CX and PF:

Weigh: Weigh arguments as much as you possibly can. Compare clashing arguments as soon as you have the opportunity (for LD, ideally in the NC/1AR). Weighing is more important to my ballot than extra cards. I also love to see risk analysis.

Crystallize + Persuade: Take the time to provide me with a very clear story of why I should vote for your case. Speech and Debate is all about creating a narrative that people want to listen to, so make me want to listen to your narrative! Clearly explain to me why your narrative is the most correct and most important in the round. Tell me the story of your case, and provide me with explicit reasons to vote Aff/Neg.

Signposting: Make it as clear as possible where you are on the flow and where you want me to note your responses. This will help both me and your opponent.

Warrant Your Arguments: Every time you make an argument, you need to provide a clear warrant that proves WHY your argument is true. Highlight these warrants for me and make sure to extend them to your arguments in later speeches. Pointing out the concession of warrants is an excellent way to strengthen link weighing, but be careful not to claim that an argument is conceded when it hasn’t been.

Speed: You may speak quickly, but I would greatly appreciate it if you do not spread. If you do spread, you will need to make your taglines clear. If I cannot understand your tags, I will have a difficult time flowing the argument. I will understand your arguments better if you slow down during your signposting in particular. I likely won't achieve 100% comprehension of your "top speed,” and your opponent may not either. If your opponent doesn't understand spreading, DO NOT spread. If you are using speed to increase clash, great, but please do not use it merely to outspread your opponent. I think a pre-round conversation with your opponent is helpful and something that we as a Speech and Debate community should encourage more often.

Most importantly: Be honest, fair, kind, and considerate to one another at all times.

Congress:

Clash: Unless you are the 1st Aff speaker, you need to have clash in every speech. Be sure to mention other representatives by name during clash when referring to specific arguments. Present NEW points -- please do not repeat the same arguments other representatives have already made.

Evidence: Each speech needs a MINIMUM of at least one piece of evidence, ideally more. Evidence should clearly link, demonstrate relevance, and should include dates of publication -- the more current your sources are, the better.

Speeches: Do not read your speech. Engage with your audience, make eye contact, and be respectful. You are judged based on the WHOLE round, not only speeches, so please do not be rude, inattentive or disengaged. If you do not participate much in the round or if you are disrespectful at any point, I will notice. Be kind always, and express counterarguments thoughtfully and politely.

Speech:

EVERY performance must tell a story.

Extemp: Someone with zero knowledge of your topic prior to the round should be able to walk away from your speech with a basic understanding of your topic and your stance on the issue. You should include a variety of sources, and they should be as current and relevant as possible. I look for organization and structure, but I also like to see some evidence of your personality to keep me engaged. Knowledge of your topic is important, as is rhetoric and logic throughout the speech.

Info: These speeches should be clear and entertaining, and should include concise and organized ideas, thought-provoking takeaways, and interesting, engaging visuals.

Oratory: Original oratories are a place to share personal experiences, either lived or researched, and should showcase your passion for an idea that matters to you.

HI, DI, Duo, POI: Tell a compelling and meaningful story that can be clearly followed. Acting and blocking should ADD to the performance, not detract from it – remember that drama is not always about crying, shrieking, and falling on the ground. Oftentimes, the best performances utilize pauses and soft spoken words more often than noise to convey emotion.

Prose and Poetry: I am an English teacher, so I absolutely love listening to prose and poetry. I will evaluate characterization, insight and understanding as far as the mood and meaning of the piece, how clearly themes and ideas are expressed, and overall delivery (aim for distinct enunciation without sounding pedantic).

Final Interp ranks are based on the story, acting, blocking, message, and overall effect of each performance.

I have many years of experience judging all categories of speeches and debates. As a community judge, I look for speaking styles which respects all audiences with a balanced, reasonable and thoughtful delivery.